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    Home » The Best Work You May Never See: Kaufland, Director Thomas Garber, Yessian Music Mend Fences In Xmas Spot

    The Best Work You May Never See: Kaufland, Director Thomas Garber, Yessian Music Mend Fences In Xmas Spot

    By SHOOTWednesday, December 28, 2022Updated:Tuesday, May 14, 2024No Comments2426 Views
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    German supermarket/department store chain Kaufland turned out this Xmas spot which shows a family moving into a house only to discover that a trailer home is next door.  Suddenly the bloom is off the rose as the new family isn’t too pleased with its neighbors or neighborhood. However, kids of the respective families have no problem. The daughter in the new neighborhood family strikes up a friendship with the boy in the trailer home–much to the chagrin of her parents who proceed to build a fence separating the two residences.

    Undaunted the kids pass messages through the fence and interact with one another despite the physical barrier put between them. When the girl’s parents grow concerned when they can’t find their daughter one night, they see that she’s at the fence trying to squeeze an Xmas gift through the fence for the lad. At that point, her parents come to the realization that the fence must come down. It does and the families share a meal together at a table where a section of fence once stood.

    A super in German (translated into English) reads: “Friendship Knows No Borders” followed by the Kaufland logo.

    Kaufland served as client and agency on the Xmas 2022 spot, which was directed by Thomas Garber of Tony Petersen Film, Haburg, with music and sound design out of Yessian Music in Hamburg. 

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    Credits

    Client Kaufland Agency Kaufland  Holger Oehrlich, Matthias Grotter, creatives; Christian Schuetz, producer. Production Company Tony Petersen Film, Hamburg Thomas Garber, director; Matthias Konigswieser, DP. Editorial Tony Petersen Film Richard Marizy, editor. Music Yessian Music, Hamburg Ingmar Rehberg, EP/managing director; Catharina Schorling (CATT), composer; Oscar Eckhorst, arrangements; Brian Yessian, Michael Yessian, partners. Song title/artist: “Curve A Line”/CATT Sound Design Yessian Music, Hamburg Kamil Wojcziechowski, Anton Stein, sound designers. Audio Post Studio Funk, Hamburg Christof Weische, mixer.

    Media Type:Film: Web
    ScreenWork Categories:Short film
    Screenwork Type:Best Work
    Video Tags:KauflandThomas GarberTony Petersen FilmYessian Music



    Top Spot of the Week: Sam Gainsborough Directs An Inflated Spectacle For Clash Royale

    Thursday, April 16, 2026

    Directed by Sam Gainsborough via Blinkink, this film from agency Uncommon Creative Studio transforms video game Clash Royale’s beloved characters into an extraordinary balloon-built world, where more than 10,000 real twisted balloons were used to forge every aspect of what you see on-screen. In this surreal universe, the balloon nature of the characters is never questioned--it simply is. The Goblin trembles in genuine fear. The Barbarian rages with helpless fury. The King, confronted with an impending explosion, quietly accepts his fate.

    To bring this ambitious vision to life, Gainsborough involved Airigami, a team of expert artists who create large-scale installations, illustrations, and experiences entirely out of balloons. Each character was meticulously handcrafted to ensure immediate recognizability while embracing the uncanny qualities of their inflated counterpart. Through extensive pre-production, the team refined not only the likeness of each figure, but also the physical behavior of the balloons, carefully designing how they expand, where pressure builds, and how their forms distort under strain.

    Working across multiple scales, the artists achieved remarkable levels of detail, allowing for both intimate character moments and large-scale visual impact. The cinematography also draws heavily from the horror genre, using extreme close-ups, dramatic angles, and dolly zooms to build tension and amplify the expression of each puppet.

    As the pressure mounts, the characters swell beyond their limits; their balloon forms pushing against the letterbox frame itself, visually reinforcing the escalating tension while also nodding to the film’s underlying absurdity. The climactic moment delivers a visceral payoff: balloon explosions captured at... Read More

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