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    Home » The Best Work You May Never See: Marcel Agency, Director Jessy Moussallem Capture Relentlessness Of Médecins Du Monde

    The Best Work You May Never See: Marcel Agency, Director Jessy Moussallem Capture Relentlessness Of Médecins Du Monde

    By SHOOTFriday, December 18, 2020Updated:Tuesday, May 14, 2024No Comments2785 Views
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    COVID-19 has taught us many valuable lessons, but perhaps the most valuable of all is the importance of having access to a strong, well-prepared healthcare system. This is the mission that for the past 40 years Médecins du Monde has been campaigning for, universal and inclusive access to healthcare. Present in France and in 39 countries, the association is committed to treating the most vulnerable populations, to bear witness to the obstacles in accessing healthcare, and to denounce attacks on dignity and human rights. 

    In this unprecedented year, the association wished to reaffirm its role by declaring that if COVID-19 could reach everyone without distinction, then so would Médecins du Monde. And that is the promise of the campaign from the Marcel agency, directed by Jessy Moussallem. 

    French actor and Cesar award nominee Denis Menochet, guides us through a series of striking images many of which we’re all familiar with: families glued to their screen, people fleeing their homes, the elderly isolated, closed borders. His speech echoes through the scenes like that little voice in your head that with absolute certainty states: “No matter who you are or where you’re from, I’ll get to you.” But what appears to be a message of despair is in fact a message of hope and reassurance. 

    For Menochet’s voice is not that of the virus, but that of the workers from Médecins du Monde. The TV commercial features the real people of the association, not actors, so that the world can discover the faces of those who fight tirelessly. 

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    Credits

    Client Médecins du Monde Agency Marcel Anne De Maupeou, creative director (Publicis France); Gaëtan du Peloux, Youri Guerassimov, executive creative directors; Clément Sechet, creative director; Hugo Wahledow, artistic director; Claudia Illan, copywriter; Fanny Delaunay, consulting director; Cleo Ferenczi, head of TV production. Production Phantasm x Object & Animal Jessy Moussallem, director; Julien Poupard, DP; Olivier Muller, Anthony Bargis, producers; Pierre Signoret, director of production. Postproduction Prodigious Celine Genty, postproduction manager; Benjamin Weill, Tianes Montasser, editors. Editorial Everest Sound Prodigious Boris Nicou, Boris Jeanne. Modelmaking/motion design Matthieu  Andrieu, modelmaker; Maxime Philippeaux, motion designer.

    Media Type:Commerical: PSA
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Jessy MoussallemMarcelPhantasm



    Top Spot of the Week: BBDO, Director Anthony Frattolillo Get “Packing” For The American Red Cross

    Thursday, November 6, 2025

    Once again, this holiday season, BBDO New York and the American Red Cross have launched a campaign underscoring the urgent needs of families disrupted by disasters--something that occurs every eight minutes across the country, over 7,000 times during the
    holidays alone.

    Running on TV and online through December, the campaign include this PSA titled “Packing,” directed by Anthony Frattolillo via One Free Play. The spot begins with a family that appears to be preparing for a trip. But the mood shifts dramatically when it is revealed the reason they are really packing is an imminent wildfire, and that they are evacuating to a Red Cross shelter. The spot ends with a call to action: “They’re relying on us. We’re relying on you. Please donate.”

    BBDO associate creative director Nicole Dombey shared, “I experienced an evacuation as a child, and I’ll never forget the quiet confusion of that moment. As a team, we wanted to capture that mix of innocence and uncertainty families feel in those moments.”
    Director Frattolillo stated, “I’ve packed that same car three times, sat in that same traffic jam, worrying about my safety and the safety of my family, thinking we might not see home again. So when we made this film, I wanted people to feel what that moment is really like, the fear, the uncertainty, and the hope that someone will be there when you need them most.”

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