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    Home » The Best Work You May Never See: Noam Murro Breaks The Routine To Combat Domestic Violence

    The Best Work You May Never See: Noam Murro Breaks The Routine To Combat Domestic Violence

    By SHOOTFriday, October 28, 2016Updated:Wednesday, May 15, 2024No Comments2409 Views
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    Noam Murro of Biscuit Filmworks directed this short titled “Break the Routine” for the U.K.’s National Centre for Domestic Violence and independent charity Victim Support. Conceived by J. Walter Thompson, London, this powerful public service piece features a choregraphed enactment of domestic abuse.

    The violent dance finally comes to a halt, underscoring the need for those assaulted to seek out help. On average, high-risk victims live with domestic abuse for more than two years before getting specialized assistance. This PSA aims to get victims to reach out for help sooner.

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    Credits

    Client National Centre for Domestic Violence/Victim Support Agency J. Walter Thompson, London Russell Ramsey, executive creative director; Adam Collins, creative director; Charlotte Jude, TV producer. Production Biscuit Filmworks Noam Murro, director; Shawn Lacy, managing director; Orlando Wood, exec producer; Charlotte Woodhead, producer; Ed Wild, DP; Sidi Larbi Cherkaoui, choreographer. Editorial Work Editorial Stewart Reeves, editor. Postproduction Electric Theatre Collective LA  Sound 750mph Sam Ashwell

    Media Type:Commerical: PSA
    ScreenWork Categories:Short film
    Screenwork Type:Best Work
    Video Tags:Biscuit FilmworksJ. Walter ThompsonNoam Murro



    Top Spot of the Week: Director Daniel Warwick’s Short Film “Ritornerai” Is Like A Painting That’s Subject To Interpretation

    Thursday, August 13, 2026

    Daniel Warwick directed and teamed with producer Jakob Rühle to conceive of and develop this short film titled Ritornerai (Italian for “you will return”).

    “Three days before an actual commercial shoot, my producer [Rühle] and I realized that we had a camera, a location, an actor, a pair of Lederhosen and a few beers to brainstorm,” Warwick said. “Suddenly my producer yelled ‘Objectophelia’ and the idea was born.”

    Known for his big and bonkers, epic visual storytelling, Warwick’s Ritornerai--albeit more meditative than some of his other work--does not disappoint. It is a wholly original and offbeat story with an exquisite scenic backdrop that leaves plenty of room for interpretation.

    Filmed in the Italian Dolomites, Ritornerai features a man in Lederhosen who appears from behind a bush and enters a Grand Hotel where he begins to touch the beautiful haptics and textures of the whole place. Seemingly overtaken by objectophelia, we observe him enjoying the sensory experience deeply and emotionally. He enters the big ballroom and sits by the piano where he utters the film’s only line, “Ritornerai.” He approaches a giant painting of a landscape and eventually we discover that he is actually in the painting.

    “Ritornerai has inspired many different interpretations,” said Warwick. “People let their minds wander a bit. Love it or hate it, I really like that it doesn’t want anything from you. For that reason, maybe it’s a little more artful because people can take away whatever they want.”

    The production company on Ritornerai was Zauberberg Productions. Director Warwick is handled by production house O Positive for commercial representation in North... Read More

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