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    Home » The Best Work You May Never See: Sehsucht Gets Animal Kingdom High On Green Energy

    The Best Work You May Never See: Sehsucht Gets Animal Kingdom High On Green Energy

    By SHOOTTuesday, November 28, 2017Updated:Wednesday, May 15, 2024No Comments3204 Views
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    German agency Jung von Matt/Neckar created Guter Stoff (Good Material), a film for German energy company EnBW, to celebrate green energy. The agency chose to take a humorous approach to the project, a departure from the norm for this product category. 

    Produced by Hamburg-based studio Sehsucht and directed by Hans-Christoph Schultheiss, the animated spot features three birds who enjoy the effects of getting “a buzz” from the green electricity lines they are sitting on. A buzzed pigeon hallucinates that a passing squirrel is a cat and the same squirrel, also “high,” believes himself to be a bird who can fly, making for a very amusing and enjoyable adventure for all creatures present. The birds talk like college-age stoners.

    “We believe this film brings life to the subject of green energy without the moralizing undertone that you hear in most commercial concepts, which is ideal for the intended audience,” said Hans-Christoph Schultheiss, director and creative lead, Sehsucht Hamburg.

    Sehsucht’s animation team respected the animals’ physiology. Apart from the eyes and beaks/muzzle, the animal models were kept as realistic as possible and the animation tried to capture the characteristic habits of each species, whilst also establishing a certain personality. 

    The film can be found online, in German social media  and in cinemas across Germany.

    Originally aired with German audio, this version with English subtitles can also be found online.

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    Credits

    Client EnBW (German energy company) Agency Jung von Matt/Neckar, Hamburg, Germany Tassilo Gutscher, Peter Sigg, creative directors; Dennis Cicioglu, copywriter; Joshua Enzig, producer. Production Sehsucht GmbH, Hamburg Hans-Christoph Schultheiss, director; Jan Tiller, exec producer; Tanya Curnow, producer; Andre Ljosag, Caroline Goehner, Axel Brotje, design; Daniel Jahnel, 3D lead; Thure Koch, Jannes Kreyenberg, Heinrich Loewe, Deniz Kreb, Timo von Wittken, Martin Chatterjee, Sebastian Welti, Max Zachner, Rafael Vicente, Mario Reitbauer, Francesco Di Luisi, Sofia Oliveira, Juan Brockhaus, 3D artists; Norbert Kiehne, animation lead; Jakob Schulze-Rohr, Frank Spalteholz, animation artists; Steven Cormann, Julius Brockelmann, matte painting; Florian Zachau, compositing. (Toolbox: SideFX Houdini, Numerion Carbon Plumage, Pixologic Zbrush, Allegorithmic Substance Painter, Autodesk Maya, Solid Angle Arnold Render) Sound Design & Mix Hastings Voiceover Leonhard Malich, Tobias Meister, Dietmar Wunder, Charles Rettinghaus Consulting keller.io, Center of Natural History @University Hamburg, Tankred Lerch

    Media Type:Film: Web
    ScreenWork Categories:Short film
    Screenwork Type:Best Work
    Video Tags:Jung von MattSehsucht



    The Best Work You May Never See: Cossette and Amnesty International Hit The Right Keys To “Write for Rights”

    Monday, December 15, 2025

    Helping to mark International Human Rights Day (12/10), Amnesty International has once again joined forces with ad agency Cossette to launch its annual “Write for Rights” campaign—an initiative that proves writing really can set people free.

    Every year, thousands of people around the world take part in this global movement by writing letters of solidarity to individuals unjustly imprisoned and denied their most basic rights. The results speak for themselves: over 75% of cases supported by the organization result in a release.

    This year’s campaign in it 25th edition puts a spotlight on that real-world impact. Cossette and Amnesty are sharing the powerful stories of people who regained their freedom thanks to past letter-writing efforts. Using striking visuals, the campaign recreates the emotional moments of their release through portraits illustrated entirely with typewriter characters. Each image, crafted by U.K.-based artist James Cook, is infused with authentic excerpts from the very letters that helped change their fate.

    “James’s work immediately spoke to us. The idea of reconstructing these real moments of liberation using the very words that made them possible beautifully captures the emotional force of writing,” said Philippe Leblanc, art director at Cossette.

    The campaign began running across Quebec in late November and will continue to mid-January, with placements in local out-of-home, print, and radio media. This film captures the essence and spirit of the campaign.

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