Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » The Best Work You May Never See: Trolli’s “Dino Trip”

    The Best Work You May Never See: Trolli’s “Dino Trip”

    By SHOOTWednesday, July 8, 2015Updated:Wednesday, May 15, 2024No Comments2239 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    In this campy humorous :30 conceived by Minneapolis-based agency Periscope for Trolli candies, we are introduced to an offbeat guy gleefully going about his day while strapped to a T-Rex dinosaur. He makes a supermarket run, goes to work, jogs in the park, and takes a romantic stroll on the beach–the latter alongside his girlfriend who is also attached to a dinosaur. He even pops a Trolli Sour Bite candy into her mouth.

    Rodrigo Garcia Saiz of Central Film North directed “Dino Trip” with visual effects from Zoic Studios.

    The Zoic team, led by Chris Korn, utilized a stop motion dinosaur to amplify the humor embedded in the awkward trek, starting in Z Brush to create an initial design and then crafting a stop motion armature based on those templates. Next, they pieced the armature together and built the sculpture on top of it, filled their mold with foam latex, and painted the final model. For animation, seasoned stop motion animator Kim Blanchette utilized stop motion animation software Dragonframe to create the desired aesthetic.

    An early passion for stop motion animation spurred by King Kong combined with a background in makeup effects and prosthetics made Korn a fitting designer for this project. He notes, “It’s a really great change of pace to get out of the computer and physically create something with your hands and then animate it to come to life even further. Each step of the process was surprising and an enjoyable challenge.”

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST for UNLIMITED ACCESS to all SHOOT pages using either your email or social login (LinkedIn, Facebook, Google or X)

    The limited access duration has come to an end. (Access was allowed until: 2015-07-11)
    Credits

    Client Trolli Visual Effects/Animation Zoic Studios, Culver City, Calif. Chris Jones, VFX executive creative director; Matt Thunell, VFX exec producer; Ian Unterreiner, VFX exec producer/head of production; Nick Vassil, VFX producer; Yurika Mori, VFX coordinator; Ryan McDougal, VFX supervisor; Nadar Husseini, VFX art director; Giovanni Bucci, Derrick Ligas, Aziz Dosmetov, Brian Scott, Jessica Amzoll, compositors; Chris Korn, dino puppet design & fabrication/dino stop motion animator; Kim Blanchette, dino stop motion animator; Toby Brockhurst, Wes Waldron, Rob Winfield, Flame artists. (Toolbox: After Effects, Maya, Flame, miniature dinosaur models) Agency Periscope, Minneapolis Rob Peichel, creative director; John Sullivan, copywriter; Justin Davis, Jen Neis, art directors; Kelly Farley, producer. Production Central Films North Rodrigo Garcia Saiz, director; Beto Casillas, DP; John Barreiro, exec producer/producer. Postproduction The Whitehouse Brian Gannon, editor; Frank Sigwarth, assistant editor; Caitlin Morris, post producer; Kristin Banstetter, executive post producer. Music Echo Boys Sara Davidson, producer; Tom Lecher, Alex Berglund, composers; Chris Bartle, mixer.

     

     

    Genre:Comedy
    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:PeriscopeRodrigo Garcia SaizZoic Studios



    Top Spot of the Week: AlmapBBDO Lands Starring Roles In Netflix Series For VW Brazil’s Tera SUV

    Thursday, July 10, 2025

    Volkswagen’s latest South American launch is now taking a starring role in Money Heist, Wednesday, Cobra Kai, The Witcher, and the film Persuasion, in the spot “Arrivals,” created by AlmapBBDO and co-produced with Netflix’s creative team.

    This partnership between Volkswagen Brazil and Netflix, the first in Latin America to incorporate several of the platform’s narratives in a single advertising campaign, is a blockbuster production shot entirely in Brazil. The SUVW Tera becomes a character in its own right and is transported into multiple shows and a film in the campaign, with scenes shot 100% in accordance with the authenticity of the Netflix universe, placing Volkswagen’s latest hit at the heart of these epic productions.

    “The Volkswagen Tera is arriving in the role it was meant to play: a star of great stories,” said Livia Kinoshita, director of marketing for Volkswagen Brazil and SAM. “And to connect the most important launch in Volkswagen Brazil’s recent history with millions of people across all sorts of worlds and audiences, in an utterly refreshing, authentic, and surprising way, we struck a groundbreaking partnership with Netflix in the platform’s first multi-story campaign in Latin America. ‘Arrivals’ features the SUVW Tera as the star of Money Heist, Wednesday, Cobra Kai, The Witcher, and Persuasion. We used an innovative fusion of real life, fiction, and entertainment to introduce the Tera, a car that’s an irresistible invitation for anyone looking for incredible stories in shows, on the streets, and in their life.”

    Directed by the team of Kid Burro (Andre H. Saito and Cesar Nery) via MyMama Entertainment, the “Arrivals” spot celebrates the Tera as Volkswagen’s... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleBryan Buckley Directs “National Lampoon’s Vacation” Remake Tie-In For Infiniti, CP+B
    Next Article Deutsch, VW, Discovery Team On “Sharks Rescored” Documentary Short
    SHOOT

    Add A Comment
    What's Hot

    SHOOT’s 65th Anniversary Reflections: AICP President and CEO Matt Miller

    Friday, July 11, 2025

    Directorial Debuts That Could Make Their Mark This Emmy Season

    Friday, July 11, 2025

    Larry David To Team With The Obamas For U.S. History Sketch Show On HBO

    Thursday, July 10, 2025
    Shoot Screenwork

    Daisy Ifama Directs Google Film On Emergency Obstetric Care In Nigeria

    Friday, July 11, 2025

    South London director Daisy Ifama, represented by female-led, Brooklyn, NY-headquartered production company Tinygiant, brings her…

    Top Spot of the Week: AlmapBBDO Lands Starring Roles In Netflix Series For VW Brazil’s Tera SUV

    Thursday, July 10, 2025

    Director Kasra Farahani Takes Us On A “Home Tour” Of The Fantastic Four’s Abode For Zillow

    Wednesday, July 9, 2025

    Caviar Director Alex Cook Does Heavy Lifting In Short Film For Onyx

    Tuesday, July 8, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.