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    Home » The Best Work You May Never See: WaterAid, Don’t Panic, Malawi Communities Serve “First Cup”

    The Best Work You May Never See: WaterAid, Don’t Panic, Malawi Communities Serve “First Cup”

    By SHOOTMonday, July 17, 2023Updated:Tuesday, May 14, 2024No Comments2081 Views
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    WaterAid, an international not-for-profit organization, and London-based independent creative agency Don’t Panic teamed on this campaign centerpiece film, “First Cup,” shot in Zomba, Malawi, and directed by Anonymous Content’s Elena Petitti di Roreto with cultural direction from WaterAid’s Dennis Lupenga. Unusual in its approach, “First Cup” begins at the end. It tells the story of a village where the local community celebrates the newly completed borehole installed in partnership with WaterAid. Unlike many campaigns for the third sector, instead of showcasing the need, WaterAid and Don’t Panic chose to highlight the impact.

    With funding from the Scottish Government International Development fund, Scottish Water and Northern Ireland Water employee fundraising, WaterAid reached this community with clean water in 2019. “First Cup” was inspired by the experiences and insight of community members in this project.

    Screened across U.K. cinemas, TV and social, “First Cup” follows Lucia, a Malawian. As the chief of her community announces that they now have reliable access to clean water, for the first time , the crowd begins to celebrate, but Lucia quietly stands, her eyes focused on the metal cup, holding the ‘first cup’ of clean water. When the moment is right, she runs to the water pump, grabbing the cup as she passes. Safe from the gaze of the community, Lucia looks at the clean water–the first time she’s seen it, in her life. Rather than taking a sip, we see her carefully run through the countryside, past football players, dodging a moped in her town, across a rickety bridge to her grandmother, where she hands her the first cup; a woman who has spent her life without clean water so that she can be the first to drink it.

    Rick Dodds, creative partner, Don’t Panic, said, “It’s hard, and not particularly just, to sit in a London office and write a script about a community you’ve never visited or talked to. As soon as we knew we would be working on this campaign, we decided to take a different approach. Ellie Moore (strategy partner) and I visited Zomba, Malawi, and met the communities there. We spent time hearing about their lives and getting to know them. This immersion influenced our ideas; a couple of months later with Anonymous Content’s Elena Petitti di Roreto, we filmed the script with the same communities of Zomba, Malawi.”

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    Credits

    Client WaterAid Agency Don’t Panic Joe Wade, founder; Rick Dodds, creative partner; Ellie Moore, strategy & engagement partner; Georgia Stephenson, Rick Dodds and the communities of Zomba, Malawi, creatives; Jennifer Clare Houlihan, exec producer; Ani Bosco, jr. producer. Production Company Anonymous Content Elena Petitti Di Roreto, director; Tor Fitzwilliams, exec producer/managing director; Shion Hayasaka, head of production; Ella Sanderson, producer; Giuseppe Favale, DP. Production Services (Malawi) Ginger Ink Films Africa Guy Wilson, exec producer; Sharmila Elias, line manager; Rick Higgs, Steadicam operator. Editorial Francesco Roma, editor. Postproduction RM Jamie Noble, colorist; Tomas Katter, grade producer. Audio Sine Audio Frankie Beirne, sound designer; Julian Marshall, sound post producer. Music Darondo–Didn’t I? Music Supervision Curation Music Sunny Kapoor, music supervision

    Media Type:Commerical: PSA
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Anonymous ContentDon't PanicElena Petitti Di RoretoWaterAid



    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Tuesday, January 13, 2026

    In a world full of speed, overstimulation and tech that delivers everything yet makes us feel very little, the real provocation is choosing to slow down.

    That tension sits at the heart of the electric vehicle category. EVs have long been marketed as cutting-edge technological advancements, attracting early adopters eager to embrace the category. However, once they got behind the driving wheel, many discovered an experience that fell short of luxury: sterile, soulless, and overly simplistic.

    For the launch of the 2026 Lexus RZ, Lexus and longtime agency partners Team One introduce a new creative chapter of “The Standard of Amazing” through a lens called “Electricity at Its Finest,” reframing electricity not as utility, but as a work of art.

    With this hero film of the campaign, “Miles and Miles,” Lexus intentionally breaks from the frenetic pace of traditional automotive advertising. Instead of spectacle, it offers stillness. A single, quiet moment unfolds where a man savors two rarefied, electric objects: a plugged-in RZ and an impossibly modern turntable playing the timeless sounds of Miles Davis’ “Blue in Green.” Directed by Frédéric Planchon of Anonymous Content, the film is audacious in its simplicity and serves as an example of how electricity can create a seductively beautiful experience--less “iPad on wheels,” more emotional sanctuary.

    “The new luxury are spaces and moments drenched in serenity. Engineered escapes from the rage-based attention economy. The RZ is designed to be part of that. A crafted counterweight to the outside world,” said Mark Koelfgen, executive creative director at Team One. “This film is about dwelling in the perfect moment. Timeless classics like Miles Davis in equilibrium with... Read More

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