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    Home » DAVID Miami Spoofs TV Medical Drama Promos For The One Show 2022

    DAVID Miami Spoofs TV Medical Drama Promos For The One Show 2022

    By SHOOTMonday, September 27, 2021Updated:Tuesday, May 14, 2024No Comments2795 Views
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    To support the call for entries for The One Show 2020, DAVID Miami rolls out “Medicine Avenue,” a campaign that is a take-off on episode previews for TV medical dramas. The campaign launches with “Ambulance,” the first of three films, the balance of which will be released in the coming months. 

    Playing off the style of TV episode previews, complete with scenes of frenzied operating rooms, emotional interactions between doctors, moody music and cliffhangers, the film campaign pokes fun at the creative process by replacing medical terminology with dubbed dialogue of ad jargon commonly heard in agencies around the world. 

    Each spot carries the tagline “The 2022 One Show. It’s worth all the drama.”

    “Advertising doesn’t save lives, they say. Yet people in our industry tend to take their jobs a little too seriously – especially when it comes to awards,” said Rafael Donato, CCO, DAVID Miami.  “So for this year’s One Show campaign, we created an actual drama series, ‘Medicine Avenue’, which spoofs all the drama we create for ourselves in our day-to-day.  It’s a little self-deprecation we hope everyone will identify with, and we sincerely appreciate The One Show for letting us poke fun at ourselves like this.”

    Santi Elias via production house Primo directed “Ambulance.”

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    Credits

    Client The One Club for Creativity for The One Show 2022 Agency DAVID Miami Pancho Cassis, global chief creative officer & partner; Rafael Donato, chief creative officer; Sergio Takahata, Nellie Santee, associate creative directors; Joao Viegas, sr. art director; Vanessa de Beaumont, sr. copywriter; Brenda Morrison Fell, executive producer; Esteffania Najera, sr. producer; Margarita Castro, associate producer. Production Company Primo Santi Elias, director; Caro Cordini, exec producer; Gala Gonzalez Costes, producer; Gabriel Ferrari, head of production. Production Services, Uruguay  Metanoia German Nocella, DP; German Zecchi, AD; Mariano Rivero, production manager; Gabriela de Armas, stylist. Postproduction Primo Post Sebas Lopez, post producer; Paula Baialardo, editor; Dani Carrizo, colorist. Sound Pickle Music, music, music publisher, sound design, voiceover & mix Alexis Estiz, music creative director, composer; Sebastian Fucci, Dario Calequi, composers; Lupita Alvarez

    Media Type:Film: Web
    ScreenWork Categories:Commercial
    Video Tags:David MiamiPrimoSanti EliasThe One Club for CreativityThe One Show



    Monster Hunters Wanted! Director Zac Ella, Ad Agency CALLEN Team On High-Chaos Recruitment Campaign For Supercell’s mo.co Game

    Tuesday, July 15, 2025

    Exploding miniature cities. Cel-animated fists through portals. Real martial arts choreography. And a man eating 12 hot dogs without blinking. mo.co – the new campaign for Supercell’s latest IP – is a riot of craft, chaos, and gaming absurdity, directed by Agile/JOJX’s Zac Ella in partnership with ad agency CALLEN.

    The campaign centers on three POV-style short films – Luna, Manny, and Jax – each styled as a startup pitch from inside the mo.co universe. Visually and tonally distinct, each piece channels the personality of its protagonist, from glitchy, live-edited montages to spoof TED Talks and VHS-filtered action reels.

    Shot primarily in-camera, the films feature live stunts, pyrotechnics, hand-built miniature sets, model cities, and prosthetic limbs. One actor was even scanned into the game engine to create a seamless virtual double. Three VFX studios worked across the project, helping embed the films with blink-and-you’ll-miss-it Easter eggs – from hot dog power-ups to color-coded explosions debated over two weeks.

    “It’s dense, silly, and layered on purpose,” Ella says. “The goal was to make the films fun on the first watch – and even funnier on the fifth. It’s a fever dream, crafted frame by frame. The worlds had to feel lived-in and real, even though they’re totally surreal. Even the monsters got manicures. We went absurdly deep on the small stuff – because fans notice everything.”

    Created in close collaboration with Supercell’s lore team, the campaign plays like a lovingly unhinged expansion of the game’s universe—one that exploded into fan feeds after an early leak stirred online buzz ahead of launch.

    “Luna, Jax, and Manny are 20-year-old monster-hunting startup founders and they... Read More

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