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    Home » Digital Kitchen Designs Main Title Sequence For Apple TV+’s “Manhunt”

    Digital Kitchen Designs Main Title Sequence For Apple TV+’s “Manhunt”

    By SHOOTMonday, March 18, 2024Updated:Sunday, July 7, 2024No Comments1321 Views
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    Digital Kitchen–a creative studio known for its titles for hit series including Showtime’s Yellowjackets and Dexter, Netflix’s Narcos, Epix’s "Godfather of Harlem," and HBO’s True Blood and Six Feet Under–has unveiled its latest main title sequence for the highly anticipated Apple TV+ series Manhunt. Drawing on the tumultuous backdrop of post-Civil War America and the nationwide pursuit of Abraham Lincoln’s assassin, John Wilkes Booth, the sequence immerses viewers in a visually stunning journey through one of the most pivotal moments in American history.

    Inspired by the era’s swelling national tensions and the turbulence formed in the wake of Lincoln’s tragic assassination, Digital Kitchen’s title sequence expertly weaves together archival photos, live-action footage, and intricate animations to evoke the essence of the time. Through a careful balance of historical accuracy and artistic interpretation, the sequence captures the spirit of the hunt while delving into the complexities of a nation grappling with loss and division.

    “We aimed to encapsulate the essence of this momentous period in American history,” said Digital Kitchen creative director Andrew Julien. ‘“Our team delved deep into archival material, working with historical specialists to restore and colorize century-old photographs, and seamlessly integrating them with live-action footage and animation to create a visually striking narrative.”

    The main title sequence for Manhunt presented several technical challenges, including the restoration and colorization of archival photographs sourced from The Library of Congress. Additionally, the team developed a unique “corrosive” effect, inspired by the traditional daguerreotype photographic process from the mid-1800s, to imbue the imagery with a sense of urgency and turmoil, requiring meticulous planning and experimentation during shooting to achieve the desired aesthetic.

    Utilizing a combination of software tools and production equipment, Digital Kitchen brought its vision to life over the course of approximately six months. From After Effects, Cinema 4D, and Redshift for animation design and development to Black Magic Cinema cameras for live-action shoots, every aspect of the sequence was meticulously crafted to ensure a seamless viewing experience.

    Manhunt is a seven-part true crime limited series based on the bestselling book “Manhunt: The 12-Day Chase for Lincoln’s Killer” by James L. Swanson. Produced by Apple Studios and co-produced by Lionsgate Television, the series premiered on Friday (3/15), and is streaming globally on Apple TV+.

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    Credits

    Client Apple Studios/Apple TV+, Manhunt series; Monica Beletsky, showrunner. Creative/Production Main title sequence concepted, designed and produced by Digital Kitchen; Mason Nicoll, executive creative director; Andrew Julien, creative director; Jason Rosen, sr. producer; Rachel Brickel, art director; Shamus Johnson, designer; Camille Durand, editor; Gary Hebert, Mike Cahill, 2D/3D animators; Christian Arnsparger, Laura Reedy, 2D animators/compositors; Mads Madsen, photo restoration and colorization; Ally Malloy, head of experiences. Music “Egún” by Danielle Ponder

    Media Type:Show/Film Open
    ScreenWork Categories:Title Sequence
    Video Tags:Apple TV+Digital KitchenManhunt



    Reality Is Optional In Marie Schuller-Directed Film For Pika

    Thursday, May 15, 2025

    We’re eating microplastics. We’ll never be able to retire. Everything seemingly sucks. So today Pika, the social-first AI video platform that brings your wildest and weirdest ideas to life, has launched a campaign depicting how it gives you the power to change your reality. Maybe not for good, but for a minute. This campaign anthem film, “Pikapocalypse,” developed by the Pika creative team with production and marketing support from Ceiling Train, directed by RSA Films’ Marie Schuller and edited by Abandon’s Val Thrasher, shows users how swapping and morphing pieces of their world--their cat’s poop into a beautiful bonsai, for example--can make reality optional. And certainly more fun.

    Pika CEO Demi Guo explained, “We wanted the piece to challenge who AI is for and what they can do with it. Unlike a lot of competitors, we focus on the everyday social creator – and we wanted the expansive creative possibilities of our platform to come through equally with the ease of use.”

    “Pika’s take on how they position themselves within this word felt really refreshing to me,” said RSA director Schuller, “because they saw themselves as a token of irreverent, ridiculous, hilarious and desperately needed entertainment. ‘Everything is terrible. No, it’s not,’ is an incredibly dark humored line as we watch a meteor transform into a grinning dough face, but it made me laugh, and that’s exactly what I would like to get out of a brand like Pika.”

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