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    Home » Director Elizabeth Banks, harvest, Weber Shandwick Get Celebs To “Let Go” For Cadillac

    Director Elizabeth Banks, harvest, Weber Shandwick Get Celebs To “Let Go” For Cadillac

    By SHOOTWednesday, April 7, 2021Updated:Tuesday, May 14, 2024No Comments3474 Views
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    Cadillac and Weber Shandwick tasked harvest films and director Elizabeth Banks with showcasing the new 2021 Cadillac Escalade’s “Hands-free” driver assistance feature, "Super Cruise" (which also includes “Lane Change”). Then add to the mix a cast of A-list celebrities including Sofia Vergara, Joe Manganiello, the Jonas Brothers, Tiffany Haddish, Stephen “tWitch” Boss and his wife Allison Holker Boss, and put them behind the wheel of a real life test drive through the vast topographies that only Los Angeles can offer. What you end up capturing are incredibly candid and unrehearsed reactions anchored in the reality of what it feels like to truly “Let Go.”

    “The brand’s focus on the new Super Cruise feature is Cadillac’s way of ensuring it’s continuing to be viewed as a technology leader” said Banks. “The first time you use a new technology like Super Cruise, there’s always a ‘letting go’ moment, where you gradually begin to trust it more and more,” added Banks. “I wanted to capture and then build on that moment. It really showed how much a thoughtful technology like Super Cruise can help transform your everyday experience.”

    “We didn’t select Elizabeth Banks because she’s Elizabeth Banks,” added Weber Shandwick’s executive creative director, Iain Lanivich. “But from the moment we first walked her through the idea, to the last shot, she had the best grasp of what we were going for and remained laser-focused on maintaining the simplicity of the idea.”

    This :90 in the “It’s Time to Let Go” campaign incorporates all the celebs. Four additional :60s will be released focusing on the specific journey of each individual duo. 

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    Credits

    Client Cadillac Agency Weber Shandwick, Detroit Steve Janisse, executive VP; Iain Lanivich, executive creative director; Tony Krause, group creative director; Chris Coole, sr. producer; Tommy Simon, sr. copywriter; Caitlin Kirby sr. art director Production Company harvest films, Santa Monica, Calif. Elizabeth Banks, director; Bonnie Goldfarb, co-founder/exec producer; Niko Whelan, head of production; Leslie Owen, line producer; Bill Pope, DP; Tracey Gallacher, production designer. Editorial Cut+Run, Santa Monica, Calif. Jay Nelson, editor; Michelle Eskin, managing director; Amburr Farls, exec producer; Jared Thomas, sr. post producer. VFX Jogger Studios, Santa Monica, Calif. Andy Brown, creative director/lead Flame artist; Diana Cheng, head of production; Michael Vaglienty, Wes Waldron, Flame artists; Jorge Tanaka, Flame assist; Adolfo Martinelli, colorist.

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:Elizabeth Banksharvest filmsWeber Shandwick



    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon teams with Oslo ad agency Morgenstern to tackle the anxiety around AI replacing human expertise and the contagious trend of professionals switching to content creation as a vocation. The film wastes no time setting up its premise, opening inside a research lab where scientists are urged to “stop sciencing” by management as a result of a long equation being solved exceptionally fast via artificial intelligence by KA.I from IT.

    Shot with a clean, clinical visual language and played entirely straight, the film leans into Nordic minimalism and dry humor, letting contrast and restraint drive the comedy rather than exaggeration. Faced with the what-now-moment, the scientists jump hands-on into the new absurdity of creating content. Through synchronized dances, ring lights and dead-serious faces, the lab transforms into a performative stage. In the midst of the excitement, FINN Jobb sneaks through the frame, positioning the platform as a grounded companion in times of change.

    As Norway’s largest marketplace for job advertisements, with about 5.7 million job applications in 2025 alone, the film positions FINN Jobb as the go-to platform in an uncertain job market. By flipping a familiar nightmare into an unexpectedly funny, yet hopeful outcome, Holtmon’s story lands as both a satire and a gentle reminder that opportunities won’t disappear.

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