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    Home » The Best Work You May Never See: Director Gary Freedman, adam&eveDDB Bring The Power Of Lloyds’ Banking App To A Daddy-and-Daughter Day

    The Best Work You May Never See: Director Gary Freedman, adam&eveDDB Bring The Power Of Lloyds’ Banking App To A Daddy-and-Daughter Day

    By SHOOTMonday, October 7, 2024Updated:Tuesday, December 10, 2024No Comments2018 Views
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    U.K. retail and commercial financial services provider Lloyds has launched its biggest-ever multi-channel campaign celebrating its refreshed and rebranded mobile banking app. The fully integrated campaign, created in partnership with creative agency adam&eveDDB, global brand consultancy Wolff Olins and media agency Zenith, brings together more than 500 different assets across the app, campaign executions, activations and digital strategy spanning AV, audio, outdoor, social, digital, influencer and gaming channels.

    Part of the campaign is this “Daddy Daughter” :60 in which a father and daughter enjoy a day together–with papa using his credit card via the Lloyds app to pay for most everything his little girl desires, from an ice cream cone to a boat ride, costume apparel, a helium balloon, a movie and popcorn. It all adds up and that appears a bit concerning to dad as they enter a toy store together. It all changes, though, when he’s about to purchase a large stuffed animal and suddenly the charge card on his app is declined. The awkward moment melts away when the girl says that’s all right, dad, and she skips out of the store.

    His smartphone then reveals a smart feature on his Lloyds app–being able to freeze and unfreeze your card in an instant. He unfreezes his credit card once they’ve left the store.

    Directed by Gary Freedman via production company MJZ, the charmingly humorous spot reflects the gist of the overall “The Power to do it all” campaign that’s designed to show how Lloyds’ revitalized mobile banking app puts the power of finance in people’s hands–for everyday banking and beyond.

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    Credits

    Client Lloyds Bank Agency adam&eveDDB, London Miranda Hipwell, CEO; Rick Brim, chief creative officer; Martin Beverley, chief strategy officer; Ant Nelson, Mike Sutherland, executive creative directors; Fraser Thomson, managing partner; Ted Heath, Paul Angus, Cali Oliver, Amber Casey, creative directors; Petrina Kilby, Holly Wormleighton, producers. Production Company MJZ Gary Freedman, director; Ray Leakey, producer; John Ebden, art director; Marek Filip, DP. Editorial The Assembly Rooms Adam Spivey, Eve Ashwell, editors. Postproduction Company 3 and The Framestore Jean Clement, colorist. Music Supervision Soundtree Music Sound Design 750mph Sam Ashwell, sound designer.

    Genre:Comedy
    Media Type:Commercial: Television
    Screenwork Type:Best Work
    Video Tags:adam&eveDDBGary FreedmanMJZ



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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