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    Home » Director Lulu Wang Delves Into Chinese Folklore With “Shot On iPhone” Short For Apple, TBWAMAL Shanghai

    Director Lulu Wang Delves Into Chinese Folklore With “Shot On iPhone” Short For Apple, TBWAMAL Shanghai

    By SHOOTFriday, January 29, 2021Updated:Tuesday, May 14, 2024No Comments6500 Views
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    In celebration of Chinese New Year, feature filmmaker Lulu Wang (The Farewell) directed this short film titled Nian which was shot entirely on an iPhone 12 Pro Max.

    The 11-minute film introduces us to a brave girl who seeks out the feared forest beast Nian. When coming face to face with him, she discovers that he is quite different than she imagined. Her adventure shows us the beauty of facing one’s fears.

    Wang related, “As a child, my parents wanted me to go further than they have ever gone. And yet there’s also this fear that I was going into the unknown, and so I wanted to bring that theme into this film.”

    Iconoclast was the production house on Nian for TBWA/Media Arts Lab Shanghai.  Wang and her team worked on the film remotely from the U.S. with a mirror crew on the ground in China, owing to COVID-19 travel restrictions.

    Nian continues a tradition of Apple Shot on iPhone films marking the Chinese New Year. Prior films include Three Minutes in 2018, The Bucket the next year, and Daughter in 2020.

    Wang shared, “I hope when audiences realize that we shot it on iPhones, they will feel empowered. They don’t have to wait for permission to go out and make things.” 

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    Credits

    Client Apple Agency TBWAMedia Arts Lab Shanghai Production Company Iconoclast Lulu Wang, director. Music Original score by Alex Weston

    Media Type:Film: Short
    ScreenWork Categories:Short film
    Video Tags:AppleIconoclastLulu WangTBWAMedia Arts Lab Shanghai



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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