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    Home » Director Paul Briganti, Editor Catherine Bull Team On “Be You” Campaign For Pandora

    Director Paul Briganti, Editor Catherine Bull Team On “Be You” Campaign For Pandora

    By SHOOTWednesday, December 4, 2019Updated:Tuesday, May 14, 2024No Comments6571 Views
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    A woman is in her kitchen one morning, her smartphone tuned into a traffic report which carry prospects for another slow commute. She then switches over to Pandora, selecting Tones & I’s song “Dance Monkey” which fuels some uninhibited dancing on her part, breaking up the kitchen in the process. Strutting her stuff to the rhythm of the upbeat track, she escapes reality for a stretch. An end tag for the Pandora brand reads, “Be You. We’ll Be Your Music.”

    The spot is one of three in the new Pandora campaign directed by Paul Briganti via Tool of North America and edited by Catherine Bull of Spot Welders. The campaign was conceived in-house at Pandora.

    Bull shared, “The director, Paul Briganti, doesn’t come from a traditional commercial background–he makes all the digital shorts for SNL so he is used to a ridiculously fast schedule and all the constraints that come with that.  For this Pandora campaign, they shot all three spots in one day (bonkers by commercial standards), so there wasn’t a ton of footage but the production was so nimble and efficient, they were able to get exactly what they needed for each spot.  And these spots really hang on the performances and the humor and grace of the choreography. They did such a good job with all that, that the editing was truly a joy.   I loved working with Paul, with such great actors, such great choreography and of course the music.  When you’re cutting a spot to music, you listen to the track a billion times, and it is a testament to these artists that I never ever got sick of the songs.  Each night I would wake up with a different one playing in my head, and it always made me smile.”

    VFX and postproduction were done at SHIPPING + HANDLING, with Casey Price serving as creative director/VFX supervisor and Matthew Schwab as colorist.

    The campaign breaks just as Pandora is rolling out its most substantial update in years to all users–focused on enhanced discovery, better personalization, more on-demand music and podcasts, and unique programming across all tiers.

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    Credits

    Client Pandora Agency Pandora in-house Production Tool of North America Paul Briganti, director; Wyatt Troll, DP. Editorial Spot Welders Catherine Bull, editor; Carolina Padilla, managing director/exec producer; David Glean, managing partner. VFX/Post SHIPPING+HANDLING Casey Price, creative director/VFX supervisor; Chris Moore, lead Flame artist; Jerry Spivack, creative director/Flame artist; Paul Heagney, Flame artist; Matthew Schwab, colorist; Scott Friske, exec producer/producer; David Glean, managing partner.
     

    Genre:Comedy
    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:Catherine BullPaul BrigantiSHIPPING + HANDLINGSpot WeldersTool of North America



    DAVID New York, Director Dave Green Mobilize To Save Clash of Clans From “The Clashteroid”

    Friday, November 7, 2025

    “The Clasteroid,” a new campaign for the super popular video game Clash of Clans (Supercell), has been rolled out by agency DAVID New York.

    The campaign includes this film directed by Dave Green via production company Gifted Youth. The piece reports that 2007 FT3--a real asteroid that once threatened Earth but inexplicably disappeared in 2007, has reappeared and is headed straight towards players’ villages in the video game.

    Here’s the real reason 20007 FT3 initially went missing. Back in ‘07, Hank Green and a fellow scientist saved our world by digitizing the meteor and sending it to the world of Clash of Clans instead--with dire consequences once it hits now, some 18 years later. Though Green now lives as a popular science communicator on YouTube and TikTok, it now falls to him to make up for his decision by sending the new Meteorite Hammer into the game, kicking off Hammer Jam. Every year Clash of Clans players look forward to Hammer Jam. But this time, it’s a matter of life and death--and somehow avoiding the the destruction which a meteor can bring.

    André Toledo, chief creative officer, DAVID New York, said, “In Clash of Clans, the stakes are always high. But for this year’s Hammer Jam, we wanted to amp that up higher than ever with an event that threatens the world of Clash as we know it. Together with our Supercell partners and science communicator Hank Green, we built a conspiracy around a real meteor to create real stakes and launched it into the game with a short film that’s an homage to ‘80s and ‘90s’ sci-fi flicks. Now, it’s up to the fans to save their village from destruction.”

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