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    Home » Director Zack Seckler Shows Us How “Everyone’s Unique” For State Farm, Conde Nast

    Director Zack Seckler Shows Us How “Everyone’s Unique” For State Farm, Conde Nast

    By SHOOTWednesday, October 21, 2020Updated:Tuesday, May 14, 2024No Comments2729 Views
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    In a time before face masks and sanitizer shortages, Conde Nast approached director Zack Seckler with an exciting opportunity: create eight State Farm spots to run on digital channels for Conde Nast titles like GQ, Vanity Fair, Vogue and across State Farm’s social media. Conde Nast wanted a partner that could not only direct the spots but also lead all production and creative. 

    But then came the pandemic and the best laid plans fell by the wayside–locations, shoot days, scripts. Seckler shared, “From March through July we climbed a seemingly endless mountain of production hurdles capped with our pre-pro interrupted by a tornado. It seems disasters have an affinity for insurance commercials (the irony!).

    “As pre-production progressed we followed strict safety guidelines built on recommendations from AICP. This required that I as the director, creative director and executive producer needed to do everything remotely. Casting remotely, scouting remotely, rehearsing with actors remotely…everything remotely.” 

    Seckler continued that the crew assembled was intentionally kept “super small–think skeleton crew on a diet. It turned out that directing from 2,000 miles away was surprisingly smooth. Through a latticework of Zoom calls, Skype feeds, FaceTime calls and specialized walkie talkies I was able to see the camera feed in real time and maintain separate lines of communication with the agency, cast and crew. My voice was virtually projected to the actors and my face was streamed to an iPad that was carried around set like a scene out of Black Mirror.”

    The biggest directorial challenge, assessed Seckler, was “blocking socially-distanced dialogue scenes. Creating enough space between our actors to follow safety guidelines while maintaining the perception of normal talking distance. We solved this both practically and in post. In the end I’m proud of what we were able to accomplish, especially given the circumstances. Many thanks to a wonderful cast, crew, agency and client."

    This ScreenWork spot from the campaign is titled “Everyone’s Unique,” giving us a humorous take on how State Farm embraces what’s distinctive about each customer.

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    Credits

    Client State Farm Agency Conde Nast Agency The Marketing Arm Production Zack Seckler, director, executive producer, creative director. Editorial Mike Feldman, editor. Audio Post Josh Heilbronner, mixer.

    Genre:Comedy
    Media Type:Commercial: Online
    ScreenWork Categories:Commercial
    Video Tags:Zack Seckler



    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    Indie ad agency TDA Boulder has unveiled “No Nonsense Banking,” its debut campaign for new client First Interstate Bank. The rolling launch runs through the end of the year, and spans across 10 states.

    The batch of spots includes this one titled “Every Step,” epitomizing a call to end the nonsense. “Every Step” opens on a couple experiencing life’s biggest moments (marriage proposal, first child, a kid learning to drive, and packing up for college). Each meaningful moment, though, has one odd addition: their banker is actually really there, experiencing those moments with them. The unexpected inclusion calls out the cliché that banks love to be with you every step of the way, even in life’s most intimate moments. The spot lands on the twist: First Interstate isn’t promising to be there for every step; just the ones that matter, with a straight answer and a real person on the other end.

    Michael Downing directed via The Sweetshop x Chirp Films.

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    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

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