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    Home » Directors J.J. Sedelmaier, Brendan Gibbons Mesh Animation, Live Action For Progressive Insurance

    Directors J.J. Sedelmaier, Brendan Gibbons Mesh Animation, Live Action For Progressive Insurance

    By SHOOTWednesday, April 4, 2018Updated:Wednesday, May 15, 2024No Comments12345 Views
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    Combining animation and live action–directed by J.J. Sedelmaier and Station Film’s Brendan Gibbons, respectively–this fun commercial starts as a jaunty ballad playing while a giant heroic character confidently marches through a forest with colorful tree-tops passing at his feet. The cartoon looks vintage and hearkens back to animation done in the 1950s–clean lines, bright colors and mid-century stylized design. His name is “Big Jim” and he’s there to help homeowners deal with disaster. Big Jim saves a couple with a flooded home, another with a disastrous fire, and finally a woman whose automobile has been crushed by a nearby tree. The cartoon opening culminates with Big Jim effortlessly stepping over a house and posing heroically over his protected domain–but it doesn’t end there.

    As the cartoon approaches its end, we hear another voice taking over the song being sung. The animation transitions into live action, and we see Progressive spokesman Jamie, standing in the same position as Big Jim and reveling in the dreamland he’s inhabited for the past :16. He’s standing in the driveway of a suburban home, next to a car with a large tree branch upon it. The homeowner appears and asks, “Soooo…. This is covered, right ?”, awakening Jamie from his imaginary existence. He confirms to her that Progressive has it all covered, gets on his phone and calls in the event using his squeaky “UN Big Jim-like” voice…

    Once again, Sedelmaier’s studio found itself in a retro/parody realm of commercial production.–this time for a spot entitled "Big Jim." “We all agreed (helmed by Arnold art director Abby Gross) that we wanted the animated portion to look and feel like a good ol’ fashioned cartoon!” said director J.J. Sedelmaier, “I knew that Andy Friz (designer/animator) would totally “get it” right away, and also felt that an early 1950’s “Paramount/Famous Studios” inspired style would be perfect–Andy pulled it together perfectly.”

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    Credits

    Client Progressive Insurance Agency Arnold Worldwide, Boston Mike Lawson, SVP, executive producer; Sean McBride, EVP, executive creative director; Nate Donabed, Josh Kahn, VPs/creative directors; Abby Gross, sr. art director; Patrick Franklin, copywriter. Production–Live Action Station Film Brendan Gibbons, director; Caroline Gibney, producer; Geoff Clough, line producer. Animation J.J. Sedelmaier Productions, White Plains, NY J.J. Sedelmaier, director/producer; Andy Friz, designer/animator. Music HiFi Project Jack Bradley, exec producer. Soundtracks, Boston Color Nice Shoes Phil Choe, colorist; Tara Holmes, exec producer; Elizabeth Mitchell, producer. VFX Brickyard VFX Amy Appleton, exec producer; Ellen Schmitt, producer; Peter Bullis, lead VFX artist. Editorial Beast Merritt Duff, editor.

    Genre:Comedy
    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:Arnold WorldwideJ.J. SedelmaierStation Film



    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    Cadbury Dairy Milk has unveiled “Homesick,” a spot from London agency VCCP directed by Steve Rogers via Biscuit Filmworks x Revolver in collaboration with VCCP’s global content creation studio Girl&Bear.

    The film marks the latest chapter in Cadbury’s long-running and IPA Effectiveness Grand Prix-winning brand platform “There’s a Glass & a Half in Everyone.”

    “Homesick” tells the story of two sisters separated by 6,000 miles. Set against the neon glow of Kuala Lumpur, the film opens with the older sister calling home. After the call ends, she reaches for an envelope--an eagerly awaited piece of home--and discovers a Cadbury Dairy Milk chocolate bar lovingly wrapped inside. There’s just one twist: her younger sister has already eaten a generous portion of it. A tiny alien sticker holds together what remains of the bar, an unmistakable signature of sibling mischief. It’s a small, human moment--tender, funny and instantly relatable--capturing the way even imperfect gestures can mean everything when you’re far from home.

    The campaign was created by VCCP creatives Emma Jackson and Aly Lane and aims to reinforce Cadbury’s role as a fabric-of-the-nation brand--one that understands and reflects the emotional connections people share every day. As loneliness rises and feelings of belonging decline, Cadbury believes these small acts of generosity have never been more meaningful or more relevant.

    The film will run across TV, VOD and YouTube.

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