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    Home » Everyday and Elite Athletes Can’t Be Stopped In Nike Anthem Directed By Oscar Hudson For W+K

    Everyday and Elite Athletes Can’t Be Stopped In Nike Anthem Directed By Oscar Hudson For W+K

    By SHOOTFriday, July 31, 2020Updated:Tuesday, May 14, 2024No Comments4881 Views
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    This Nike film titled “You Can’t Stop Us” shows how, in the face of unprecedented challenges, the power of sport still inspires. We have not stopped needing sport and it continues to be a source of inspiration, showing the world what’s possible when we come together.

    Narrated by Megan Rapinoe, U.S. soccer star, two-time World Cup Champion and equality activist, the film shares a dynamic split screen series detailing 36 pairings of athletes and relating the kinetic movement of one sport to another.

    The collective of everyday and elite athletes includes Rapinoe, Serena Williams, LeBron James, Colin Kaepernick, Naomi Osaka, Simone Biles, Eliud Kipchoge, Cristiano Ronaldo, and Kylian Mbappé

    Developed through research of over 4,000 individual pieces of footage, the resulting montage underscores commonalities shared by athletes around the world, highlighting connections and unity we may not always see, and shows the platform that sport provides for athletes from all levels and all walks of life to raise their voice, advocate for change and stand up for our communities. 

    “Players may be back on the pitch, but we are not going back to an old normal. We need to continue to reimagine this world and make it better,” said Rapinoe. “We have all these people in the streets, using their voices, and those voices are being heard. I ask people to be energized by this moment and not let up. I believe it’s everybody’s responsibility to advocate for change.”

    Oscar Hudson of Pulse Films directed the 90-second film.

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    Credits

    Client Nike Agency Wieden + Kennedy Portland Jason Bagley, Eric Baldwin, executive creative directors; Alberto Ponte, Ryan O’Rourke, creative directors; Dylan Lee, copywriter; Naoki Ga, art director;  Matt Hunnicutt, director of production; Jake Grand, Krystle Mortimore, executive producers; Katie McCain, Byron T. Oshiro, sr. producers; Samson Selam, Shani Storey, associate producers; Saba Spencer, David Ramirez, creative operations managers; Andy Lindblade, Paula Bloodworth, global group strategy directors; Nathan Goldberg, AJ Blumenthal, brand strategy directors. Production Company Pulse Films Oscar Hudson, director; Logan Triplett, DP; Darren Foldes, Davud Karbassioun, exec producers; Hillary Rogers, managing director; Dennis Beier, line producer. Editorial JOINT Peter Wiedensmith, Jessica Baclesse, editors; Jasmine McCullough, JC Nunez, cutting assistants; Charlie Harrington, Kris Faris, Luke Buckley, assistant editors; Ben Corbin, Damian Riddell, After Effects; Izzie Raitt, footage researcher; Leslie Carthy, post exec producer; Kathleen Russell, post producer; Aubree VanDercar, postproduction coordinator. VFX  a52, Santa Monica, Calif. Patrick Murphy, VFX supervisor, lead Flame artist; Andy Wilkoff, CG supervisor; Steve Wolff, Urs Furrer, Matt Sousa, Stefan Gaillot, Andy Rafael Barrios, Hugh Seville, Richard Hirst, Adam Flynn, Dan Ellis, Kevin Stokes, Chris Riley, Rod Basham, Michael Vaglienty, Enid Dalkoff, Susanne Scharping, Flame artists; Dustin Mellum, 3D artist; Joe Chiechi, Mike Bettinardi, Michael Cardenas, tracking; Kevin Stokes, Chris Riley, Sam Kolber, online editors; Andrew Rosenberger, Everett Cross, Jillian Lynes, producers; Patrick Nugent, Kim Christensen, EPs; Jennifer Sofio Hall, managing director; Daniel de Vue, colorist; Jenny Bright, color producer; Thatcher Peterson, color EP. (Toolbox: Flame, Photoshop, After Effects, Maya w/VRay, PF track) Elastic, Santa Monica (design studio) Jeff Han, art director; Paul Makowski, Adam Goins, producers; Nader Husseini, Julia Wright, Chad Danieley, Aziz Dosmetov, Trix Taylor, Lucy Kim, Alex Silver, animators; Zach Wakefield, deputy head of prodn.; Luke Colson, EP; Kate Berry, head of production; Jennifer Sofio Hall, managing director. Music Daylight by Cowboys in Japan Sound Design & Mix JOINT Noah Woodburn, sound designer, audio mixer.

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:Oscar HudsonPulse FilmsWieden+Kennedy



    The Best Work You May Never See: Erste Group, Directorial Duo Daniel&Szymon Reimagine A Christmas Parable From A Donkey’s POV

    Thursday, December 11, 2025

    This holiday season banking/financial services company Erste Group and ad agency Jung von Matt DONAU, Vienna, present “Carry the light,” a tender reimagining of a journey that shaped history, told through the eyes of the animal who carried it forward. Directed by Daniel&Szymon of Arts & Sciences, the film follows a humble donkey’s quiet path from burden to purpose, echoing a universal longing to be seen, valued, and believed in.

    Echoing Erste Group’s ongoing #glaubandich (“believe in yourself”) brand platform, the story explores how small acts of kindness and faith can inspire transformation. As the donkey carries Mary and Joseph toward Bethlehem, his awakening becomes a metaphor. “Erste’s 2025 Christmas campaign reminds us that hope and gentleness often come from the smallest among us. It’s a story about compassion, determination, and the idea that each of us carries something meaningful to give. In a world like ours, it’s more important than ever to inspire people—to show respect, offer support, and encourage everyone to believe in their own strength,” says Nina Pentek, responsible for the production at Erste Group. “We also want to remind people that no matter how things may seem, they can always find a light within themselves—and that light can make all the difference!”

    Mike Nagy, managing director and executive creative director at Jung von Matt DONAU, added, “This is a small story with a big heart. It was important for us to tell the #believeinyourself message in a festive, emotional context — while standing apart from typical seasonal advertising.”

    Shot in the breathtaking Atlas Mountains of Morocco by cinematographer Barry Ackroyd, ASC (The Hurt Locker, Detroit, A House of Dynamite), the... Read More

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