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    Home » GIGIL Darkens Urban Waterway With “Black Tears” From Netflix’s “Wednesday”

    GIGIL Darkens Urban Waterway With “Black Tears” From Netflix’s “Wednesday”

    By SHOOTTuesday, October 7, 2025No Comments179 Views
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    Things are not what they seem in season two of hit Netflix series Wednesday, as star Jenna Ortega’s Wednesday Addams character encounters new foes and woes in the Gothic halls of Nevermore Academy.

    Leveraging that sense of dark mystery and intrigue, creative agency GIGIL transformed one of the main character’s frightful experiences–crying black tears–into an audacious and attention-grabbing installation in one of Manila’s busiest commercial hubs, the Venice Grand Canal Mall.

    In the series, black tears signify Wednesday’s severe exhaustion due to the excessive and intense use of her psychic powers. The condition, also experienced by the character’s Aunt Ophelia, is also a warning that her powers are becoming too much for her to handle, signaling a dangerous path ahead for her and her family.

    To drive engagement for season two of the series, GIGIL worked with the Venice Grand Canal Mall, a popular immersive Italian experience featuring a man-made 650-foot long, 50-foot wide replica of the city’s Grand Canal, complete with gondola rides, Italian-inspired architecture, and replicas of iconic Venetian landmarks.

    The agency’s “Black Tears” experience included a large stage in one end of the canal featuring a billboard-size image of Wednesday’s face, streaked with her signature black tears. During peak shopping time on the first day of the activation, an environmentally friendly and filtered black dye was released from beneath the stage platform, slowly seeping its way into the waterway and gradually turning the entire canal black.

    At the end of the two-day experience, the dye was filtered from the water, restoring the canal to its pristine condition.

    The canal’s eerie transformation captivated the thousands of shoppers as they strolled the edges of the waterway and peered down from the mall’s numerous walkways, bridges and mall balconies over the two days. The experience quickly went viral, generating more than 145,000 engagements. Below is a case study film.

    Wednesday season two went on to be the #1 show on Netflix for three weeks.

    “We safely spread the character’s black tears through one of Manila’s most romantic streams, literally spreading her woe,” said Brandon Talip, copywriter at GIGIL. “It was a striking way to mark Wednesday’s return, and drive curiosity and engagement from the target audience both at the mall and virally though social conversations.”

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    Credits

    Client Netflix Stef Pajarito, country marketing manager; Nina Mendoza, marketing production manager. Agency GIGIL, Manila Badong Abesamis, Herbert Hernandez, chief creative officers; Jake Yrastorza, managing partner; Leslie Cua, creative director; Alvin Adriano, associate creative director; Ronchris Cosme, head of art; Nina Rivera, Haui Sacay, art directors; Brandon James Talip, copywriter; Amper Melo, freelance art director. Production Pamela G. Ungco, activation producer; Jamie Franz C. Ramos, production supervisor; Joemar D. Tan, set-up supervisor.  DOBB Inc. Diosa O. Blancaver-Baldoz, president; Rowland Christian C. Baldoz, VP of operations; Val Jose Magsajo, project manager; Phoebe Mervic G. Guarino, admin.; John Reyes, supervisor. Documentation Sasa Abella, Denise Blanco Elizoln, producers; Sherard Yu, director/editor; Vener Ariston, audio engineer; Jayann Carreon Bautista, project manager; Jeth Wayne Esplana, photographer.

    Media Type:Film: Short
    Video Tags:GIGILNetflixWednesday



    The Best Work You May Never See: Steve Rogers Directs A Christmas Tale of Togetherness For Telstra

    Friday, November 14, 2025

    Building on last year’s Effie and Cannes-winning campaign for Aussie telecommunications company Telstra, this chapter of “Together is for Christmas” focuses on what’s important at this time of year--finding your people.

    Directed by Steve Rogers from Revolver, in his first-ever animated project, and in partnership with award winning animation company Mathematic, the spot--titled “Ghost & Girl,” out of creative agency Bear Meets Eagle On Fire (BMEOF) and partner shop +61--tells a heartfelt story about two ill-fitting souls who find each other when it matters most.

    “We just wanted to create a story with a genuine Christmas soul, without leaning on all the expected tropes,” said Micah Walker, chief creative officer of BMEOF. “Massive thanks to Steve, Revolver and the Mathematic team who’ve put so much into the beautiful film.”

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