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    Home » Grant Heslov Directs George Clooney On Film Journey For Nespresso, McCann NY

    Grant Heslov Directs George Clooney On Film Journey For Nespresso, McCann NY

    By SHOOTFriday, April 28, 2017Updated:Wednesday, May 15, 2024No Comments4028 Views
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    This :60 takes George Clooney on a road trip to get a taste of his beloved Nespresso coffee. Directed by Grant Heslov via production house Untitled Inc. for McCann New York, the ad opens with Andy Garcia, playing himself, relaxing poolside in Los Angeles sipping a freshly-brewed coffee from his Nespresso VertuoPlus machine. He is talking on the phone with his friend Clooney, who is in a bit of a different situation – on location for a shoot in the pouring rain. As Garcia savors his Nespresso, Clooney is faced with a generic, sub-par coffee pot on-set. Envy sets in and George sets home to a Nespresso Boutique and his own cup of Nespresso Vertuo™ coffee. 
     
    On the road, Clooney finds himself in a real-life montage of Hollywood’s most famous travel scenes – getting a lift with Kermit the Frog and Fozzie Bear in The Muppet Movie, on the back of the Easy Rider chopper, in a car driven by Janet Leigh right out of Hitchcock’s Psycho, and even riding shotgun with Burt Reynolds in Smokey and the Bandit. Seabiscuit takes the last leg and brings him home to the front door of the Nespresso Boutique in Beverly Hills. After a long and entertaining tour, Clooney finally enjoys a cup of high quality Nespresso coffee–only to find that he has swapped locales with Garcia.

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    Credits

    Client Nespresso Agency McCann New York Eric Silver, North American chief creative officer; Tom Murphy, Sean Bryan, co-chief creative officers; Larry Platt, executive creative director; Danny Rodriguez, group creative director; Nic Howell, creative director/art director; Geoff Bentz, creative director/writer; Nathy Aviram, chief production officer; Kathy Love, executive producer; Laura Frank, Anna Andreis, strategy. Production Untitled Grant Heslov, director; Phedon Papamichael, DP. Editorial Big Sky Chris Franklin, editor. Visual Effects Framestore NY Sarah Hiddlestone, exec producer; Murray Butler, executive creative director; Martin Lazaro, VFX supervisor; Nick Fraser, sr. producer; Nathan Diehl, Mohamed Echkouna, Sean Curran, Stefania Cancemi, Will Frazier, Nico Cappuccio, 3D team; Karch Coon, Sang Kim, Raul Ortego, Steve Drew, Matt Pascuzzi, Corrina Wilson, Elaina Brillantes, 2D team; Callum McKevenuy, design/matte painting. Color Company 3 Tim Masick, colorist. Music Mel Torme’s “Comin’ Home Baby” Audio Post Sound Lounge Tom Jucarone, engineer.

    Genre:Comedy
    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:George ClooneyGrant HeslovMcCann New York



    Top Spot of the Week: BBDO, Director Anthony Frattolillo Get “Packing” For The American Red Cross

    Thursday, November 6, 2025

    Once again, this holiday season, BBDO New York and the American Red Cross have launched a campaign underscoring the urgent needs of families disrupted by disasters--something that occurs every eight minutes across the country, over 7,000 times during the
    holidays alone.

    Running on TV and online through December, the campaign include this PSA titled “Packing,” directed by Anthony Frattolillo via One Free Play. The spot begins with a family that appears to be preparing for a trip. But the mood shifts dramatically when it is revealed the reason they are really packing is an imminent wildfire, and that they are evacuating to a Red Cross shelter. The spot ends with a call to action: “They’re relying on us. We’re relying on you. Please donate.”

    BBDO associate creative director Nicole Dombey shared, “I experienced an evacuation as a child, and I’ll never forget the quiet confusion of that moment. As a team, we wanted to capture that mix of innocence and uncertainty families feel in those moments.”
    Director Frattolillo stated, “I’ve packed that same car three times, sat in that same traffic jam, worrying about my safety and the safety of my family, thinking we might not see home again. So when we made this film, I wanted people to feel what that moment is really like, the fear, the uncertainty, and the hope that someone will be there when you need them most.”

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