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    Home » Henry Mason Directs “Those Few People” for NESCAFE, Publicis

    Henry Mason Directs “Those Few People” for NESCAFE, Publicis

    By SHOOTTuesday, October 10, 2017Updated:Wednesday, May 15, 2024No Comments6514 Views
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    This spot helps to launch a NESCAFE Gold campaign across the European region. The U.K. is the first country in the rollout of the “For the Moments That Matter” campaign, starting with “Those Few People,” a 90-second spot for TV, cinemas and online. 

    Created by Publicis London and Publicis Conseil, the ad features a man on stage addressing the thousands of people he’s met in his lifetime: university friends, people from nights out, co-workers and so on–the list is endless. But slowly he pares down the audience to a special few who know him best. They come together to share a cup of coffee as the spot ends with the tagline: “NESCAFE Gold. For the Moments that Matter.”

    Directed by Henry Mason via Quad Productions, the commercial was lensed in the Plovdiv Roman theatre in Bulgaria.

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    Credits

    Client NESCAFÉ Gold Blend Agency Publicis Worldwide, London Bruno Bertelli, chief creative officer; Kike Gutierrez, (Publicis Conseil), Nestele global creative director; Dave Monk, executive creative director; Polina Zabrodskay, creative director; Joshua Norbury, sr. copywriter; Josh Cunningham, copywriter; Victoria Lench, art director; Alastair MacLean (Publicis Conseil), head of strategic planning; Nathalie Levincent, producer. Production Quad Productions Henry Mason, director. Editorial Eric Jacquemin, editor. Postproduction Prodigious Fanny Huguet, postproduction manager. Audio Post Prodigious Sounds Music "Stand By Me"

     

    Media Type:Commercial: Cinema
    ScreenWork Categories:Commercial
    Video Tags:Henry MasonPublicisQuad Productions



    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon teams with Oslo ad agency Morgenstern to tackle the anxiety around AI replacing human expertise and the contagious trend of professionals switching to content creation as a vocation. The film wastes no time setting up its premise, opening inside a research lab where scientists are urged to “stop sciencing” by management as a result of a long equation being solved exceptionally fast via artificial intelligence by KA.I from IT.

    Shot with a clean, clinical visual language and played entirely straight, the film leans into Nordic minimalism and dry humor, letting contrast and restraint drive the comedy rather than exaggeration. Faced with the what-now-moment, the scientists jump hands-on into the new absurdity of creating content. Through synchronized dances, ring lights and dead-serious faces, the lab transforms into a performative stage. In the midst of the excitement, FINN Jobb sneaks through the frame, positioning the platform as a grounded companion in times of change.

    As Norway’s largest marketplace for job advertisements, with about 5.7 million job applications in 2025 alone, the film positions FINN Jobb as the go-to platform in an uncertain job market. By flipping a familiar nightmare into an unexpectedly funny, yet hopeful outcome, Holtmon’s story lands as both a satire and a gentle reminder that opportunities won’t disappear.

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    Previous ArticleThe Best Work You May Never See: Joshua Traywick Directs “Extra Cup” For Red Rose Tea
    Next Article The Best Work You May Never See: Not To Scale’s Colin Hesterly Restores “Family Links” For Norwegian Red Cross
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