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    Home » The Joy Smith Foundation, Diamond, Director Taylor Reid Help Us “See The Trafficking Signs” 

    The Joy Smith Foundation, Diamond, Director Taylor Reid Help Us “See The Trafficking Signs” 

    By SHOOTMonday, February 27, 2023Updated:Tuesday, May 14, 2024No Comments2062 Views
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    The Joy Smith Foundation has launched “See the Trafficking Signs,” a powerful national awareness and education campaign intended to prevent Canadian youth from being lured into the sex trade.

    Created by Toronto agency Diamond, the campaign is designed to educate people on the common signs that someone may be at risk of being groomed and lured into sex trafficking. 

    This harrowing “See The Trafficking Signs” campaign video, directed by Taylor Reid of Untitled Films in Toronto, gives a first-hand look at how people are slowly groomed and coerced by sex traffickers. “It was the first time I really felt special,” says one person atop a pleasant musical background. The video takes on an increasingly darker tone as it progresses throughout four different story lines, explaining how their traffickers began exerting more control–from getting them to wear clothing he liked, to buying them a second phone. It ends with the message that someone nearby is being lured into the sex trade. The spot is being promoted online as well as on TV across Canada.

    “The warning signs of sex trafficking are there in plain sight, if you know what to look for,” said Dave Stevenson, SVP, creative director at Diamond. “This campaign is about making trafficking signs as obvious as traffic signs to give every Canadian the know-how to keep youth safe.”

    The national awareness campaign is also being supported by an extensive paid and organic social campaign using out-of-home and digital banners. The campaign’s out-of-home component includes posters that will be placed in schools, each showing various youth inside the campaign’s visual motif, a triangular warning sign.

    The ads also feature an overview of the nine warning signs that someone is being groomed by a trafficker.  All the campaign assets drive to the TraffickingSigns.ca website, which contains additional information.  

    To help amplify the message, Diamond and the Joy Smith Foundation are also partnering with influencers whose combined reach exceeds more than 1.5 million to help spread the message. Each influencer is being given a red “Warning Signs” shirt, as well as a print of each of the nine warning signs to talk through:

    • New clothing, jewelry or gifts without having money
    • Frequent sleepovers at a friend’s house
    • Sudden interest in a man several years older
    • A sudden change in style of dress or makeup
    • A new circle of friends and isolation from their old group
    • Change in attitude towards school, regular activities, friends
    • Grades dropping
    • Unexplained cuts or bruises
    • Using two cell phones

    The awareness campaign is being supported by police at both the national and regional levels, reflecting the fact that sex trafficking is widespread, occurring in communities both large and small and from coast to coast.

    The Joy Smith Foundation works to provide access to information so that every Canadian man, woman and child is educated and empowered to stay safe from manipulation, force, or abuse of power designed to lure and exploit them in the sex trade or forced labor.

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    Credits

    Client Joy Smith Foundation Agency Diamond Josh Diamond, partner; Peter Ignazi, chief creative officer; David Stevenson, SVP, creative director, copywriter; Andrew Mowbray, creative director/art director; Bruce Harris, art director; Mark Graham, Vinny Gill, Adam Tinker, Dan Vink, Leia Comegna, producers; Alexandra Kolar, Amanda Lazarovitz, Paul Ibrahim, Alix Mackenzie, digital strategy; Kyle Lin, Varsha Kumar, Neelu Vasishat, Alex Rudow, Karandeep Sandhu, Milana Gladilina, influencer support; Kyle Nielsen, design director; Brenna Preston, Clarissa D’costa, Jenna Cronje, Sarah Hickey, Evelyn Wong, designers; Mark Graham, executive producer. Production Company Untitled Films, Toronto Taylor Reid, director; Tom Evelyn, Lexy Kavluk, exec producers; Paul Reid, DP; Ian Fingerland, line producer; Sheri Monk, wardrobe. Casting Powerhouse Casting Andrew Hayes, casting director. Sound & Music Composition  Berkeley Inc. Jared Kuemper, creative director. Editorial Nimiopere Steve Puhach, editor; Paula Hicks, Julie Axell, exec producer; Hannah Stone, assistant editor. Color, VFX, Online  Darling Morgan Campbell, producer; Patrick Samaniego, colorist; Eric Kinsbury, assistant; Lauren Rempel, online; Russell Hanson, assistant.

    Media Type:Commerical: PSA
    ScreenWork Categories:Commercial
    Video Tags:DiamondTaylor Reid



    Top Spot of the Week: BBDO, Director Anthony Frattolillo Get “Packing” For The American Red Cross

    Thursday, November 6, 2025

    Once again, this holiday season, BBDO New York and the American Red Cross have launched a campaign underscoring the urgent needs of families disrupted by disasters--something that occurs every eight minutes across the country, over 7,000 times during the
    holidays alone.

    Running on TV and online through December, the campaign include this PSA titled “Packing,” directed by Anthony Frattolillo via One Free Play. The spot begins with a family that appears to be preparing for a trip. But the mood shifts dramatically when it is revealed the reason they are really packing is an imminent wildfire, and that they are evacuating to a Red Cross shelter. The spot ends with a call to action: “They’re relying on us. We’re relying on you. Please donate.”

    BBDO associate creative director Nicole Dombey shared, “I experienced an evacuation as a child, and I’ll never forget the quiet confusion of that moment. As a team, we wanted to capture that mix of innocence and uncertainty families feel in those moments.”
    Director Frattolillo stated, “I’ve packed that same car three times, sat in that same traffic jam, worrying about my safety and the safety of my family, thinking we might not see home again. So when we made this film, I wanted people to feel what that moment is really like, the fear, the uncertainty, and the hope that someone will be there when you need them most.”

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