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    Home » Leo Burnett UK Wakes Up Reimagined Rooster To Strut For Kellogg’s

    Leo Burnett UK Wakes Up Reimagined Rooster To Strut For Kellogg’s

    By SHOOTMonday, December 30, 2024No Comments831 Views
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    Cornelius the cockerel (rooster), Kellogg’s beloved Corn Flakes mascot since 1958, has been reimagined in a new integrated marketing campaign, “See You in the Morning,” developed in partnership with Leo Burnett London for the U.K. and throughout Europe. The new 3D Cornelius will appear across more of Kellogg’s cereals–and is featured in this spot, making its way through town with a bit of swagger.

    Brimming with personality, 3D Cornelius has been concepted and developed with cutting-edge animation by Framestore, the multi–Academy Award-winning studio behind major global hits like Paddington and Harry Potter.

    Directed by Matthijs van Heijningen Jr. via production house MJZ, the commercial opens with Cornelius strutting confidently through the city streets, catching the attention of passersby. The vibrant scene is set to iconic hip hop soundtrack–Jurassic 5’s “Jayou”–marking the first time the track has ever been used in an ad.

    As Cornelius moves through the city, realistic morning routines unfold, from a family enjoying breakfast together to a jogger on a morning run. Cornelius blends seamlessly into these moments, catching the attention of children and adults with his commanding figure. The ad builds to a grand crescendo as he leaps onto a rooftop, crowing his iconic call to underscore the campaign’s message: “See You in the Morning,” celebrating the individuality of mornings with Kellogg’s as a constant presence.

    Mark Elwood, chief creative officer, Leo Burnett UK, said, “‘See You in the Morning’ is our new platform for an iconic brand. We wanted to celebrate Kellogg’s legacy by bringing back Cornelius, the mascot, with all his original swagger, while giving him a fresh energy to connect with a new generation. Mornings feel different for everyone, but starting your day with a bowl of the original classic is always a great choice.”

     

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    Credits

    Client Kellanova, Kellogg’s Agency Leo Burnett UK Mark Elwood, chief creative officer; Marcus Aitman, creative director; Joe Miller, sr. creative; Miriam Menendez, design lead; Carmen Perez Jimenez, motion design lead; Karolina Alvekrans, designer; Jen Leung, director of social and communications planning; Sam Smith, Lou Pegg, producers. Production Company MJZ Matthijs van Heijningen Jr., director; Donald Taylor, producer; Spike Elwood, production manager. Editorial Whitehouse Russell Icke, editor; Thomas Sheriff, edit assistant. Audio Harbor Steve Perski, sound. VFX Framestore William Bartlett, executive creative director; Jonni Isaacs, 2D supervisor; Joel Savage, CG supervisor; Rocky Vanoost, animation supervisor; Alexia Paterson, exec producer; Robyn Borrageiro, line producer; Rachel Knight, production coordinator. Color Company 3 Jean-Clément Soret, colorist; Matthieu Toullet, supporting colorist; Ellora Soret, exec producer; Santino Napolitano, Karl Pasamonte, Jack Kennedy, assistants; Aadel Matoorianpour, Flame artist; Humberto Reynaga, head of editorial; Andrew Fineberg, VFX editor; Enrik Pavdeja, Joel Savage, VFX shoot supervisors; Sam Rowan, concept artist; Bruno Reis Doimbra, Billy Butler, asset generalists; Gabriela Ruch Salmeron, head of Groom; Clara Simone, Groom TD; Nathan Clark, rigging TD; Khaled Sabry, Florian Rigollet, asset team; Adam Bailey, Alfonso Sicilia, Benjamin Lane, Bharat Gour, Camille Garlaschi, Ed Sherwood, Christopher Hutchinson, animation team; Jack Hubbard, Saabir Pinkney, Steve Page, creature FX TDs; Joel Savage, Johannes Sambs, Martin Blunden, Michael Lyle, Robert Connor, lighting team; Ehsan Parizi, FX artist; Amelia Braekke-Carroll. Benjamin Lilley, Jonni Isaacs, Pedram Aghakhani, Sian Drury, Matthew Thomas, compositors; Harry Wormald, sr. digital matte painter; GowriShankar Gopinathan, Anna Ventre, Oliver Cordwell, layout team.

    Genre:Comedy
    Media Type:Commercial: Television
    Video Tags:FramestoreLeo Burnett UKMJZ



    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Mosaic North America has been named Canadian agency of record for the Buffalo Bills. The partnership focuses on growing the NFL football team’s fan base in Canada, with Mosaic leading strategy and creative in-market, and deepening the team’s connection with Bills Mafia north of the border.

    Mosaic’s debut work for the team is a Toronto-wide playoff activation that transformed familiar “Post No Bills” signage into bold “Go Bills” rally cries across the city. Launched overnight following the end of the regular season, the campaign replaces hoarding walls with large-scale street tags across Toronto — from Queen West and Little Italy to the Distillery District and the West Don Lands — creating a mysterious, highly visible rally cry tied to the Buffalo Bills’ playoff push.

    Each installation features a QR code that drives fans to a dedicated landing page, where they can sign up for Buffalo Bills Canada communications and enter a playoff contest offering flights, hotel, and game tickets. One winner is selected each weekend for every round the team remains in the postseason, allowing the campaign to evolve in real time alongside the playoff run.

    The work taps into a long-standing truth about the franchise: Ontario is already a meaningful part of the Buffalo Bills’ fan base. On any given game day, Ontarians accounted for an estimated 20% of attendees at Highmark Stadium, home to the Bills. With the NFL encouraging northern teams to expand their fan bases beyond the U.S., Mosaic’s mandate is to build fandom and engagement in Canada by meeting fans where they already show up.

    “The goal with this campaign was to create a kind of love letter to fans, from fans. Something they could feel part of,” said Dan Berzen, creative... Read More

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