A denim thief underestimates the attachment between a man and his Levis. Played to the song “Very Superstious” by Stevie Wonder. A man has hung his Levis jeans on the balcony of his apartment. A thief lurking in the alley grabs the jeans and puts them on. Unfortunately for the thief, whatever movement the owner makes, who is hanging out in his underwear making lascivious movements towards his partner, the jeans and thereby the thief also makes. The thief is compelled to dance around a parking garage, thrust his hips at a confused passerby on the train, and gyrate up to an old lady in a bus stop. Finally, he gives up and returns the jeans thereby becoming master of his own movements again.
Credits
Agency: Bartle Bogle Hegarty, New York. Kevin Roddy, executive creative director; Thomas Hayo, group creative director; Paul Copeland and Tony Miller, art directors/copywriters; John Hobbs, art director; Peter Rosch, copywriter; Bruce Wellington, head of broadcast; Jill Andresevic, producer. Production Company: Kleinman Productions, London. Daniel Kleinman, director; Ben Davis, DP; Johnnie Frankel, executive producer. Shot on location in Buenos Aires, Argentina. Editorial: Cut + Run, London Steve Gandolfi, editor; Angela Hart, producer. Postproduction: The Mill New York Fergus McCall, colorist; Dirk Greene, Flame artist. Sound Design: Final Cut Roland Alley, sound designer. Audio: Sound Lounge Rob Sayer and Philip Loeb, mixers. Stock Footage: Third Millennium Stock Footage
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Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”
Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.
The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.
To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.
The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.
Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.
“There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More
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