Martin Krejci of Stink Productions directed this U.S. Postal Service spot in which a young girl sees a hippopotamus and is immediately smitten. Her parents pick up on that and rely on the postal service to deliver hippo-themed surprises ordered online to delight their daughter–until she becomes infatuated by another member of the animal kingdom.
The spot is part of a campaign from McCann New York which underscores that the USPS delivers more e-commerce packages during the holidays than anyone else–roughly 16 billion cards, letters and packages.
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Credits
Client United States Postal Service Agency McCann New York Eric Silver, North American chief creative officer; Tom Murphy, Sean Bryan, NY chief creative officers; Patrick Clarke, executive creative director; Lizzie Wilson, sr. art director; Tali Gumbiner, sr. copywriter; Tori Nygren, copywriter; Nathy Aviram, chief production officer; Donna McCracken, sr. producer. Production Stink Productions Martin Krejci, director. Editorial Big Sky Chris Franklin, editor. Visual Effects Big Sky VFX Ryan Sears, lead artist. Post Company 3 Tim Masick, colorist. Music “I want a hippopotamus for Christmas” by Gayla Peevey Audio Post Sonic Union Steve Rosen, engineer.
Blinkink has unveiled this richly imaginative stop-motion film for Dior titled A Ride of the Moon, directed by Nina Gantz and Renee Zhan, and voiced by 070 Shake. Conceived as a collaborative triumph of human craft, the film stands as a poetic reminder of the value of handmade artistry in an era increasingly shaped by automation and AI.
Inspired by classical cinema--most notably Georges Méliès’ Voyage dans la Lune--the film for Dior’s Lunar New Year campaign is a baroque-infused journey that blends cinematic language with theatrical illusion. Set within an ornate 18th-century French theatre, it unfolds as a modern fairy tale told through flamboyant design, charming stop-motion animation and playful surrealism.
The film builds around a Lunar New Year story, where a brave little horse’s showdown with a powerful, sassy adversary plays out. While cinematic and ambitious in scope, the film never takes itself too seriously, finding humor in exaggerated performances and clever theatrical tricks.
The horse character is modelled after the Dior horse charm, assembled from sewing components and brought to life through meticulous stop-motion craftsmanship. The Moon appears as a Marie Antoinette-esque figure, who brings humor through an over-the-top performance.
The production embraces old-school theatre mechanics to enhance its sense of wonder. Strings holding up clouds are deliberately visible, trapdoors open in the stage floor and sheets of translucent fabric become shimmering fountains. These visible illusions celebrate the joy of theatrical ingenuity and handmade problem-solving.
The sets were entirely hand-painted and constructed, combining flat, painted backdrops with half-2D, half-3D elements. Layered sets,... Read More
