Dr. Evil is “Back For Good,” which is the title of this General Motor’s Super Bowl spot starring actor/comedian Mike Myers. Directed by Tim Kirkby via Bootleg Films, London for McCann Detroit, the commercial has Dr. Evil taking over General Motors. But in order to rule the world, he first has to save the world, reducing the global carbon footprint via GM’s line of electric vehicles.
Accompanying Myers as Dr. Evil are his Austin Powers co-stars including Rob Lowe (as “Young Number Two”) and Seth Green (“Scott Evil”).
Visual effects house on the Big Game commercial was AFX Creative. Nicole Fina, exec producer at AFX, noted. “This campaign started off with select VFX needs and grew to include VFX in every single shot,” she says. “We created the floor, the ceiling, a fleet of CG cars, CG stairs, animating robots, tricked-out walls, multi-leveled floors, backgrounds and so much more.”
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Credits
Client General Motors Agency McCann Detroit Chuck Meehan, Brad Emmett, co-chief creative officers; Rob Legato, Tony Kaurse, group creative directors; Michael Musallam, Nick Marine, associate creative directors; Hafeez Saheed, executive integrated producer; Diana Ceausu, global head of strategy & research; Tim Rocklage, sr. art director Anna Jacobs, copywriter. Production Bootleg Films, London Tim Kirkby, director; Giles Nuttgens, DP; Greg Jordan, exec producer; Ira Brooks, line producer. U.S. Production Support Rocket Film Sara Eolin, managing director; Marla Whittaker, EP/head of production. Editorial Cosmo Street Tom Scherma, editor; Yvette Cobarrubius, exec producer; Marie Mangahas, head of production; Yole Barrera, producer. VFX AFX Creative, Santa Monica, Calif. Chris Noellert, creative director/2D supervisor; Tom Connors, VFX supervisor/3D lead; Felix Thedeby, composite supervisor; Alex Michael, sr. producer; Giulia Rocca, production coordinator; Esther Minitser, head of production; Nicole Fina, exec producer; Mark Leiss, managing director; Derek Hansen, colorist; Zachary Hetlage, assistant colorist; Jessica Amburgey, color producer. (Toolbox: Flame, Nuke, 3DSMax, Maya, Substance Painter, redshift) Music “Opening Title” from Austin Powers: International Man of Mystery; music by George S. Clinton, courtesy of New Line Productions, Inc. Music/Sound Design JSM Music Joel Simon, CEO/CCO; Jeff Fiorello, VP/exec producer; Norm Felker, sr. producer; Andrew Manning, Sharon Cha, producers; Seamus Kilmartin, Cecil Campanero, composers; Nathan Kil, sound designer. Stock Music BMG Production Music Audio Eleven Sound Jeff Payne, mixer/sound designer; Andrew Smith, assistant mixer; Melissa Elston, exec producer.
Mosaic North America has been named Canadian agency of record for the Buffalo Bills. The partnership focuses on growing the NFL football team’s fan base in Canada, with Mosaic leading strategy and creative in-market, and deepening the team’s connection with Bills Mafia north of the border.
Mosaic’s debut work for the team is a Toronto-wide playoff activation that transformed familiar “Post No Bills” signage into bold “Go Bills” rally cries across the city. Launched overnight following the end of the regular season, the campaign replaces hoarding walls with large-scale street tags across Toronto — from Queen West and Little Italy to the Distillery District and the West Don Lands — creating a mysterious, highly visible rally cry tied to the Buffalo Bills’ playoff push.
Each installation features a QR code that drives fans to a dedicated landing page, where they can sign up for Buffalo Bills Canada communications and enter a playoff contest offering flights, hotel, and game tickets. One winner is selected each weekend for every round the team remains in the postseason, allowing the campaign to evolve in real time alongside the playoff run.
The work taps into a long-standing truth about the franchise: Ontario is already a meaningful part of the Buffalo Bills’ fan base. On any given game day, Ontarians accounted for an estimated 20% of attendees at Highmark Stadium, home to the Bills. With the NFL encouraging northern teams to expand their fan bases beyond the U.S., Mosaic’s mandate is to build fandom and engagement in Canada by meeting fans where they already show up.
“The goal with this campaign was to create a kind of love letter to fans, from fans. Something they could feel part of,” said Dan Berzen, creative... Read More
