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    Home » Miles Cable, Isaac Rentz Direct “Someday” Music Video For OneRepublic

    Miles Cable, Isaac Rentz Direct “Someday” Music Video For OneRepublic

    By SHOOTSaturday, August 28, 2021Updated:Tuesday, May 14, 2024No Comments5722 Views
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    Ocean and sky serve as the architectural nature set up in OneRepublic’s brand new music video “Someday.” A SixTwentySix Productions and Miles & AJ production, the band’s latest video was directed by Miles Cable and made in collaboration with co-directing partner Isaac Rentz. The video’s debut today (8/27) coincides with the pop rock band’s release of its fifth studio album, “Human,” which had been previously delayed from its May due date because of the COVID-19 pandemic.  “Human” and its tracks are OneRepublic’s love letter to people all over the world on how important courage, love and loss can be in life.

    “Working on this video with OneRepublic was a wild ride,” shared director Miles Cable. “It all started with a concept that AJ and I wrote to take us to Alaska, but one thing led to another and the creative had to be shifted with minimal time on the clock. We went back to the drawing board and reworked the concept to live around the unknown coastal destination we see now.”

    This poetic, documentary style music video is a live look at OneRepublic bandmates Ryan Tedder, Zach Filkins, Drew Brown, Brent Kutzle, Eddie Fisher, and Brian Willett simply being themselves in a new space. It’s a light and authentic journey as they make their way through various natural and civilized areas and landscapes. From the ocean’s docks, to the boat and hills, to the band’s final performance high above the sea, the lyrics and sound direct the story being told. The film focuses on imagery while utilizing Tedder’s performance as the narration. Interior performances are juxtaposed against the stunning landscapes. 

    The citizens in the video also help tell the song’s story–the person grabbing coffee, the woman walking her dog, the fishermen preparing the boat for the day’s catch, the shuttered bar with a closed sign in the window, a grandson fishing off a footbridge–all have a role.  Viewers get to watch the band wander through without destination, enjoying the moment they are currently in. 

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    Credits

    Client Interscope Records/OneRepublic Jared Shelton, commissioner. Production SixTwentySix Productions Miles Cable, Isaac Rentz, directors; Miles &  AJ, writers; Austin Barbera, Jake Krask, exec producers; Kai Yuricich, head of production; Brandon Robinson, producer; Brendan Lynch, production manager; Andrea Gavazzi, DP; Bashir Taylor, first AD.

    Media Type:Music Video
    ScreenWork Categories:Music Video
    Video Tags:Isaac RentzMiles & AJMiles CableSixTwentySix Productions



    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon teams with Oslo ad agency Morgenstern to tackle the anxiety around AI replacing human expertise and the contagious trend of professionals switching to content creation as a vocation. The film wastes no time setting up its premise, opening inside a research lab where scientists are urged to “stop sciencing” by management as a result of a long equation being solved exceptionally fast via artificial intelligence by KA.I from IT.

    Shot with a clean, clinical visual language and played entirely straight, the film leans into Nordic minimalism and dry humor, letting contrast and restraint drive the comedy rather than exaggeration. Faced with the what-now-moment, the scientists jump hands-on into the new absurdity of creating content. Through synchronized dances, ring lights and dead-serious faces, the lab transforms into a performative stage. In the midst of the excitement, FINN Jobb sneaks through the frame, positioning the platform as a grounded companion in times of change.

    As Norway’s largest marketplace for job advertisements, with about 5.7 million job applications in 2025 alone, the film positions FINN Jobb as the go-to platform in an uncertain job market. By flipping a familiar nightmare into an unexpectedly funny, yet hopeful outcome, Holtmon’s story lands as both a satire and a gentle reminder that opportunities won’t disappear.

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