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    Home » MTV, Director Sindha Agha Pay Tribute To Women’s History Month With “The Waves”

    MTV, Director Sindha Agha Pay Tribute To Women’s History Month With “The Waves”

    By SHOOTTuesday, March 21, 2023Updated:Tuesday, May 14, 2024No Comments2586 Views
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    Directed by Sindha Agha and produced by female-led production company The Corner Shop, this short film titled The Waves for MTV brings an authentic insight into the Pain Gap–a bias in the medical community that leads to women’s pain being under researched, misdiagnosed, mistreated and/or untreated.

    Inspired by the words of Virginia Woolf, The Waves finds women engaged in familiar rituals of surviving and concealing chronic pain. Director Agha compels us to turn our gaze toward the suffering society has historically looked away from; her work is ultimately a testament to women’s strength— and a celebration of all the ways they survive and thrive. 

    Agha kicked off her career by writing and directing Birth Control Your Own Adventure, acquired by The New York Times, which quickly reached 12.5 million organic views, was nominated for a 2019 News & Documentary Emmy and selected for the Tribeca and Palm Springs film festivals. Agha has since been awarded two separate Sundance Institute fellowships, won the Cannes Lions Gold Young Director Award, won “Best Episodic” at Tribeca X, directed two seasons of her critically-acclaimed series Body Language for BBC Three, contributed to Radiolab, The New Yorker, Vox and The Atlantic, created the series Twenty Ten Twenty-Five for the Academy of American Poets and the Mellon Foundation, and directed a short film for The Wellcome Trust.

    The Waves will run across all linear/social/digital platforms within MTV Entertainment Group (MTV, VH1, Comedy Central, Paramount Network, CMT, Logo, Smithsonian Channel, PopTV, TV Land) throughout March, which is Women’s History Month.

     

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    Credits

    Client MTV Production Company The Corner Shop Sindha Agha, director; Anna Hashmi, founder; Tess Mitchell, Katie Taylor, exec producers; Tara Trangmar, producer; Siona Davis, production manager; Katie Scott, production coordinator; Carlotta Beck Peccoz, 1st AD; Sylvia Notermans Piattoni, 2nd AD; Natasha Duursma, DP; Gary Kent, Steadicam operator; Kat Hawker, art director; Lauren Rucha, wardrobe; Kayla Selway, hair and makeup artist. Editorial Work Editorial Raine Keene, editor. Color Primary Ale Amato, colorist. Sound Paramount

    Media Type:Film: Short
    ScreenWork Categories:Short film
    Video Tags:MTVSindha AghaThe Corner Shop



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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