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    Home » Reset’s Adam Hashemi Directs Adobe’s “Billion Dollar Contract” For Goodby

    Reset’s Adam Hashemi Directs Adobe’s “Billion Dollar Contract” For Goodby

    By SHOOTMonday, September 12, 2016Updated:Wednesday, May 15, 2024No Comments4398 Views
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    We open outside a sports arena, with eager fans anticipating a superstar player who is about to sign with their local team. This :60 then cuts to a conference room where the basketball superstar is preparing to sign a billion dollar contract. However, he’s stuck waiting while the room full of business executives review the contract and “manually” sign it one-by-one. The athlete is growing visibly frustrated and impatient with the lengthy contract signing process, waiting with pen in hand. Suddenly, the basketball player’s cell phone vibrates. He checks it and sees a digital contract (offer) pop up from another team. It reads, “Sign with us instead.” Fed up with the contract signing process unfolding in front of him, the athlete looks back at his phone and clicks the digital contract. The Adobe Sign interface pops up, and he digitally signs the competitive team’s contract with his finger (easily sans delays). Suddenly, the player stands up in front of the room of executives and walks out, saying, “You can keep the pen.” Cut to Adobe’s tagline: “How’s your customer experience? We can help.”  We then see outraged local fans and a sports reporter, saying, “Unbelievable!” as the athlete exits the arena.

    This “Billion Dollar Contract” spot is part of a campaign created by Goodby Silverstein & Partners to promote Adobe’s Document Cloud business. Directed by Adam Hashemi of Reset, the :60 is running online through Adobe-owned channels and paid media placements beginning this week. Given the basketball theme, Adobe will also be launching one of its highest profile TV ad buys by airing the spot on TNT as part of two NBA season openers on 10/25 between the Warriors and Spurs, and the Cavaliers and Knicks. Adobe’s strategy is to air the spot during NBA games where there’s likely to be commentary around high-profile player signings – including Kevin Durant’s first game with the Warriors, Pau Gasol’s first game with the Spurs, Derrick Rose’s first game with the Knicks, and Dwayne Wade’s first game back against Miami.

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    Credits

    Client Adobe Agency Goodby, Silverstein & Partners Rich Silverstein, Jeff Goodby, co-chairmen; Margaret Johnson, chief creative officer; Will Elliott, Patrick Knowlton, Roger Baran, Sam Luchini, creative directors; Jasper Yu, Stefan Copiz, art directors; Alex Maleski, copywriter; Tod Puckett, director of content production/director of music; Benton Roman, sr. producer; Rachel Newman, production coordinator; Bonnie Wan, director of brand strategy; Etienne Ma, Andrew Mak, brand strategist. Production Reset Adam Hashemi, director; Dave Morison, managing director; Jeff McDougall, exec producer; Jenn Ingalls, bidding producer; JP Columbo, head of production; Michelle Currinder, producer. Editorial Rock Paper Scissors Olivier Bugge Coutte, editor; Charlyn Derrick, producer. Audio Barking Owl, music; Michael Anastasi, sound designer; Patrick Navarre, mixer; Kelly Bayett, creative director. Post/VFX The Mill Will Unterreiner, sr. producer; Tara DeMarco, 2D lead.

    Genre:Comedy
    Media Type:Commercial: Online
    ScreenWork Categories:Commercial
    Video Tags:Adam HashemiAdobeRESET Content



    Top Spot of the Week: Pearson Student Advises Younger Self In AI-Enabled Encounter From VaynerMedia, Hummingbird and Tool

    Thursday, March 5, 2026

    Pearson has launched its first global brand campaign in more than five years as the 182-year-old company continues its evolution into an AI-enabled education and reskilling leader.

    The campaign centers on a series of cinematic films featuring real learners in conversation with their younger selves. Using AI to recreate earlier versions of each participant, the films allow individuals to reflect on pivotal decisions, moments of doubt, and turning points that shaped their futures. The creative approach blends emerging technology with documentary storytelling grounded in lived experience.

    At a time when AI’s role in both education and creativity is under intense scrutiny, Pearson has taken a deliberate and considered approach. The technology is used not as spectacle, but as a reflective storytelling device, built around consent, authenticity, and human agency. It reflects Pearson’s strong support for AI in augmenting human potential with learning at the core.

    The first learner stories spotlight U.S.-based individuals, with additional international profiles launching later this spring as part of an ongoing global series that Pearson produced with VaynerMedia for creative, and Hummingbird and Tool of North America for production. Aqsa Altaf and John X. Carey via Hummingbird teamed to direct the “Impact Stories” films.

    This film introduces us to Jasmine who meets her younger 27-year-old self. The younger Jasmine has two kids and is pregnant with a third. She and her two children are living in a domestic violence shelter, sleeping on an inflatable mattress with a slow air leak. Now getting a Pearson education and on her way to realizing her dreams seven years later, Jasmine gets to impart a message of inspiration to her younger self.

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