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    Home » SOS Oceano, Droga5 São Paulo Color Their Quest For Marine Conservation

    SOS Oceano, Droga5 São Paulo Color Their Quest For Marine Conservation

    By SHOOTThursday, April 2, 2026No Comments255 Views
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    Droga5 São Paulo rolled out the second phase of “Lifeless Flag,” a campaign created for SOS Oceano (SOS Ocean), a coalition of NGOs advocating for the expansion of marine protected areas.

    The first phase of the campaign, launched at Rio Ocean Week in October 2025, removed the blue and green from the Brazilian flag to demonstrate that one ecosystem cannot exist without the other. One needs blue to create green, and that without the blue of the oceans, there is no green life on land.

    This concept is made literal in the second phase through a series of six unique screen-printed artworks, produced using natural mineral pigments and developed in collaboration with Black Madre Studio and Joules & Joules Laboratory.

    From the Amazon Rainforest to the Humpback Whale, each print draws on the tradition of Brazilian naturalist iconography by pairing marine and land flora and fauna. The yellow diamond of the Brazilian flag remains the focal point of each print, highlighting the fusion of the colors removed in the first phase.

    “The beginning of this project showed that design can condense a complex environmental truth into a single, felt symbol,” said Diego Limberti, chief design officer at Droga5 São Paulo. “In this phase, the elements of the flag remain part of the campaign’s visual process, but they are now reinterpreted to emphasize the animals that live in marine parks and their relationship with the forest. One biome depends on the other, and this is highlighted by the colors of Brazil’s greatest symbol.”

    Screen printing was chosen because it is the ideal medium to ensure chromatic rigor and layered ink application, resulting in a unique expression, intrinsic to artisanal language. It is also a medium with a deep history in graphic arts and artisanal production, reinforcing the narrative behind the project.

    The choice of natural pigments is deliberate, with the prints produced to be as consistent with their environmental message as with their visual one. Extensive research and pigment development was carried out in partnership with Joules & Joules Laboratory to achieve the correct hues, tones, and transparency without synthetic solvents.

    “The project is rooted in color theory. When we say ‘without blue there is no green,’ we’re working with the fundamental logic of primary and secondary colors: blue and yellow create green,” said André Maciel, creative director at Black Madre Studio.

    The campaign was built alongside WALK, Droga5’s impact innovation hub, which integrates impact intelligence and brand reputation to help clients increase their relevance in society. Through proprietary methodologies such as Index, Prisma, and the Weighted Impact KPI, the operation transforms cultural tensions and social causes into strategic, innovative, creative, and measurable communication solutions.

    This film sheds light on the screen-printed images.

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    Credits

    Client SOS Oceano (SOS Ocean) Agency Droga5 São Paulo Felipe Simi, CEO/creative chairperson; Brisa Vicente, co-CEO; Rafael Ciggy, chief creative officer; Diego Limberti, chief design officer; Carlos Passos, Fábio Cristo, Marco Loschiavo, Rodrigo Bonfim, design directors; Renata Leão, executive creative director; Lucas Antunes, Marcelo Diniz, creative directors; Kauê Barbosa, João Cunico, Gustavo Ohnuma, Israel Cunha, Sofia Colautti, art directors; Carlos Passos, Diego Limberti, designers; Tiago Daltro, copywriter; Marco Loschiavo, motion director; Yasmin Cruz, Patricia Lima, motion designer; Larissa Kubo, chief production officer; Stella Gafo, head of production; Thais Bonizzi, production leader; Gabriela Rodrigues, chief impact officer; Fabiane Abel, head of innovation in communication; Ana Cortat, chief strategy officer; Johana Quintana, head of culture & communications; Barbara Lima, culture and communications director. Illustration Black Madre Andre Maciel, creative director; Tina Castro, executive director; Laryssa Andrade, production; Andre Maciel, Diego Abreu, illustrators. Ink Development Joules & Joules Rafael Carneiro, Bruno Dunley, visual artists. Silkscreen Estudio Elastico Rogerio Maciel, master printer; Kami, handcrafted papers. Videomaker Locações: Antonio Frugiuele; Vinicius Feno, assistant videomaker. Videomaker Albardão: Lucas Amorelli. Audio Bumblebeat Lucas Sfair, Henrique Tanji, musical directors & producers; Luisa Hackett, exec producer; Diego Sallovitz, musical producer; Pedro Osinski, sound design. Finishing Leonardo Lima Production Company Museu do amanhã: Fluxa Filmes. Still Photography Museu do amanhãl: Bel Corcao. Graphics Production Camisa & Bandeiras: Jorge Gaglioni. Projection Projetemos; Mozart Santos, co-creator, projection.

    Media Type:Film: Short
    Video Tags:Droga5 São PauloSOS Oceano



    Top Spot of the Week: Director Daniel Warwick’s Short Film “Ritornerai” Is Like A Painting That’s Subject To Interpretation

    Thursday, August 13, 2026

    Daniel Warwick directed and teamed with producer Jakob Rühle to conceive of and develop this short film titled Ritornerai (Italian for “you will return”).

    “Three days before an actual commercial shoot, my producer [Rühle] and I realized that we had a camera, a location, an actor, a pair of Lederhosen and a few beers to brainstorm,” Warwick said. “Suddenly my producer yelled ‘Objectophelia’ and the idea was born.”

    Known for his big and bonkers, epic visual storytelling, Warwick’s Ritornerai--albeit more meditative than some of his other work--does not disappoint. It is a wholly original and offbeat story with an exquisite scenic backdrop that leaves plenty of room for interpretation.

    Filmed in the Italian Dolomites, Ritornerai features a man in Lederhosen who appears from behind a bush and enters a Grand Hotel where he begins to touch the beautiful haptics and textures of the whole place. Seemingly overtaken by objectophelia, we observe him enjoying the sensory experience deeply and emotionally. He enters the big ballroom and sits by the piano where he utters the film’s only line, “Ritornerai.” He approaches a giant painting of a landscape and eventually we discover that he is actually in the painting.

    “Ritornerai has inspired many different interpretations,” said Warwick. “People let their minds wander a bit. Love it or hate it, I really like that it doesn’t want anything from you. For that reason, maybe it’s a little more artful because people can take away whatever they want.”

    The production company on Ritornerai was Zauberberg Productions. Director Warwick is handled by production house O Positive for commercial representation in North... Read More

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