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    Home » Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    By SHOOTTuesday, January 13, 2026Updated:Saturday, January 10, 2026No Comments159 Views
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    In a world full of speed, overstimulation and tech that delivers everything yet makes us feel very little, the real provocation is choosing to slow down.

    That tension sits at the heart of the electric vehicle category. EVs have long been marketed as cutting-edge technological advancements, attracting early adopters eager to embrace the category. However, once they got behind the driving wheel, many discovered an experience that fell short of luxury: sterile, soulless, and overly simplistic.

    For the launch of the 2026 Lexus RZ, Lexus and longtime agency partners Team One introduce a new creative chapter of “The Standard of Amazing” through a lens called “Electricity at Its Finest,” reframing electricity not as utility, but as a work of art.

    With this hero film of the campaign, “Miles and Miles,” Lexus intentionally breaks from the frenetic pace of traditional automotive advertising. Instead of spectacle, it offers stillness. A single, quiet moment unfolds where a man savors two rarefied, electric objects: a plugged-in RZ and an impossibly modern turntable playing the timeless sounds of Miles Davis’ “Blue in Green.” Directed by Frédéric Planchon of Anonymous Content, the film is audacious in its simplicity and serves as an example of how electricity can create a seductively beautiful experience–less “iPad on wheels,” more emotional sanctuary.

    “The new luxury are spaces and moments drenched in serenity. Engineered escapes from the rage-based attention economy. The RZ is designed to be part of that. A crafted counterweight to the outside world,” said Mark Koelfgen, executive creative director at Team One. “This film is about dwelling in the perfect moment. Timeless classics like Miles Davis in equilibrium with these beautiful, electrified objects.”

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    Credits

    Client Lexus Agency Team One Jesse Blatz, Matt Lanzdorf, Chris Pouy, creative directors; Sam Walsh, director, content production; Leah Bohl, associate director, content production; Nick Costarides, associate creative director; Amy Gershwin, executive producer; Chris Graves, chief creative officer; Mark Koelfgen, executive creative director; Darren Jeffries, associate creative director; Julie Michael, CEO; Serda Ursan, art director. Production Company Anonymous Content Frédéric Planchon, director; Eric Stern, managing director/exec producer; Sue Ellen Clair, VP commercials; Ena Nicole Abadjian, head of production; Omar Bustos, exec producer; Paul Ure, producer; Matthias Koenigsweiser, DP. Canadian Production Company Merchant Ian Webb, Farrah Khaled, Hayley Taylor, exec producers; Colin Walker, head of production; Marina Petrenko, in-house producer; Vanessa Lenarduzzi, producer; Annie Marcoux, production manager; Natasha Pleszkewycz, production coordinator. Editorial Whitehouse Post Russell Icke, editor; Oliver Lin, assistant editor; Joanna Manning, sr. exec producer; Katrina Kuss, producer. VFX Framestore Pete King, exec producer; Alex Thomas, creative director; Andrew McLintock, sr. VFX producer; Jackie Wingo, Ekta Joshi, production coordinators; Luca Pelegatta, 2D lead; Alex Osvaldsson, Vasco Cerqueira, Samuel Jorgensen, Peter Ulukpo, Minsang Lee, Evan Langley, Yachan Yuan, Nuke compositors; Toby Brockhurst, Flame compositing & finishing; Jessica Groom Shelton, head of CG; Clement Reaudin, Brian Creasey, CG supervisors; Kevin Baker, Alexander Temirov, CG leads; Chingtien Chu, CG lighter; Subin Chae, Ben Fallon, Madison Snow, jr. CG artists; Sean Dollins, Reb3ecca Teichner, layout supervisor; Dustin Indrebo, Jake Sadowsky, VFX editors. Color Company 3 Tim Masick, colorist. Original Music & Sound Design Mophonics Jean Scofield, executive creative producer/partner; Shelley Altman, head of production/partner; Steph Altman, sound designer/partner. Audio Post House Eleven Bob Gremore, mixer; Sean Kiely, producer; Jeff Payne, owner; Jordan Meltzer, AJ Murillo, partners. Voiceover Blair Underwood

    Media Type:Commercial: Television
    Video Tags:Anonymous ContentFrederic PlanchonTeam One



    Father-Daughter Farming Duo’s Story Is At Center Of Lay’s Super Bowl Spot Directed By Taika Waititi

    Thursday, February 5, 2026

    Fresh off Lay’s 2025 beloved Super Bowl spot, “The Little Farmer,” and a global brand refresh, comes a brand-new commercial airing in the first half of the big game on Feb. 8.

    Titled “Last Harvest,” the new emotionally driven ad follows a father-daughter potato farming duo as they pass down generations of potato harvesting knowledge, showcasing a true legacy in the agriculture community. Academy Award winner (Jojo Rabbit) Taika Waititi directed “Last Harvest” via production house Hungry Man for agencies Highdive and Frito-Lay in-house shop D3. Waititi brought his signature storytelling style to this year’s Lay’s ad, just as he did with “The Little Farmer.”

    Set against a moving rendition of “Somewhere Only We Know” (originally recorded by English rock band Keane), “Last Harvest” weaves through heartfelt flashbacks, shining a light on the family-owned farms behind many of Lay’s potato chips.

    “Last Harvest” was inspired by Neumiller Farms in Illinois, a family farm that Lay’s parent PepsiCo has worked with for decades. It’s a third-generation potato and vegetable farm now run by father and daughter team Tom Neumiller and Katie Floming, who grow 3,500 acres of potatoes annually. Their farm plays a vital role in the Lay’s story, with Tom now guiding Katie as she prepares to lead the farm’s next chapter.

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