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    Home » The Best Work You May Never See: ItsHerWay, Saatchi Dubai Create “The Needed Space” To Promote An Often-Unseen Side Of Parenthood

    The Best Work You May Never See: ItsHerWay, Saatchi Dubai Create “The Needed Space” To Promote An Often-Unseen Side Of Parenthood

    By SHOOTThursday, April 3, 2025No Comments312 Views
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    In this film titled “The Needed Space,” a tender montage unfolds. Fragments from many homes, each caught in a different chapter of parenthood-in-waiting, from month one to month nine. An adapted version of “Sweet Child O’ Mine” hums through the silence, reimagined like a lullaby not yet sung. No footsteps. No voices. Only the gentle presence of what has been lovingly placed and patiently anticipated.

    A crib, bathed in the last light of day, stands quietly in a corner. A mobile toy twinkles shyly in the soft sun that filters through curtains that welcome the sparse rays in. Tiny socks lie folded with care, untouched on a baby cabinet. A little fabric tent, surrounded by soft toys, in a room filled with morning alacrity. A baby chair lays still in the few flecks and remnants of light. A photo frame, still empty, hopes to hold a future smile. A basket of diapers and blankets rests in the quiet corner of a nursery. Sterilized bottles await their duty on a kitchen counter. Squishy bath toys line up on the tub, linger. Fresh baby clothes–just bought and washed for a new baby’s arrival–sway in the breeze, their fabric softened by intention and love. A swing moves ever so gently, touched by wind, not hands. No baby, no mother, no father, no family is seen, yet. Only love, waiting. Only a poignant and powerful revelation.

    We discover that some 20% of pregnancies worldwide end in miscarriage. The same statistic also holds true in the United Arab Emirates. Yet, 95% of women (and men) in the United Arab Emirates who have experienced a miscarriage while employed, reported taking no leave days off work to recover from miscarriage grief.

    Why? There is no corporate policy that supports grieving parents or offers them any paid leave, because miscarriages are treated like a health condition, and not a loss. This stark absence of compassion from corporate policies reveals an uncomfortable truth: The loss of a child before birth is not treated as a loss at all.

    So, “The Leave of Absence” has been launched tackling a topic no one has tackled. It’s a corporate B2B pledge to give employed grieving parents the space and support they deserve.

    This pledge has been calling on companies to recognize the deep pain and loss that comes with a miscarriage and implement compassionate bereavement policies that offer parents time to heal.

    By acknowledging pregnancy loss as a profound human experience, the pledge will challenge outdated norms and set a new standard for corporate empathy.

    Saatchi & Saatchi Dubai created this film for client ItsHerWay, a platform in the United Arab Emirates that supports women in all stages of their business and career journeys. In addition to promoting awareness, “The Needed Space” acts as a trigger point for the entire pledge. The film redirects viewers to the website, where they can download a template of the pledge and submit to their own HR departments. It’s also where heads of companies can sign the pledge to show their support for the cause and implement miscarriage leave for both women and men.

    The concept, screenplay and story for the film came from Tahaab Rais, group chief strategy officer for Saatchi & Saatchi Dubai. Rais also directed and edited “The Needed Space” via production company Dejavu Dubai.

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    Credits

    Client ItsHerWay Armin Jamula, co-founder. Agency Saatchi & Saatchi Dubai Bassel Kakish, group CEO; Tahaab Rais, group chief strategy officer; Sebastien Boutebel, chief creative officer; Rita Herbie, sr. creative director; Hagall Muniz, creative director; Shereen Mostafa, head of production; Joumana J. Haddad, sr. producer; Nicolas Balaa, producer; Nathalie Gevresse, CEO, Publicis Communications. Production Dejavu Dubai Tahaab Rais, director, and concept, screenplay & story; Marvin Schatz, DP; Manasvi Gosalia, executive producer; Hala El Amm, producer; Kavya Iyer, head of production. Line Production BMRG Films, Georgia Guram Bakradze, 1st AD; Levan Maghradze, Tato Sulakvelidze, exec producers; Irina Khvedelidze, production manager; Tamo Chavchanidze, production designer; Beka Sadagashvili, art director; Guro Chikviladze, SFX. Postproduction Dejavu Dubai Tahaab Rais, editor; Rafic Sawaya, head of postproduction; Nadim Khoury, post producer. Music Mango Jam Studio “Sweet child o’mine,” Guns N’ Roses, original soundtrack; Wilbur D’Costa, music–exec producer; Ananya, cover version singer; Jay Wud, cover version composer. Color Grade Company 3 Steffan Perry, sr. colorist; Edwin Elkington, sr. producer.

    Media Type:Film: Short
    Video Tags:Dejavu DubaiSaatchi & Saatchi DubaiTahaab Rais



    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Mosaic North America has been named Canadian agency of record for the Buffalo Bills. The partnership focuses on growing the NFL football team’s fan base in Canada, with Mosaic leading strategy and creative in-market, and deepening the team’s connection with Bills Mafia north of the border.

    Mosaic’s debut work for the team is a Toronto-wide playoff activation that transformed familiar “Post No Bills” signage into bold “Go Bills” rally cries across the city. Launched overnight following the end of the regular season, the campaign replaces hoarding walls with large-scale street tags across Toronto — from Queen West and Little Italy to the Distillery District and the West Don Lands — creating a mysterious, highly visible rally cry tied to the Buffalo Bills’ playoff push.

    Each installation features a QR code that drives fans to a dedicated landing page, where they can sign up for Buffalo Bills Canada communications and enter a playoff contest offering flights, hotel, and game tickets. One winner is selected each weekend for every round the team remains in the postseason, allowing the campaign to evolve in real time alongside the playoff run.

    The work taps into a long-standing truth about the franchise: Ontario is already a meaningful part of the Buffalo Bills’ fan base. On any given game day, Ontarians accounted for an estimated 20% of attendees at Highmark Stadium, home to the Bills. With the NFL encouraging northern teams to expand their fan bases beyond the U.S., Mosaic’s mandate is to build fandom and engagement in Canada by meeting fans where they already show up.

    “The goal with this campaign was to create a kind of love letter to fans, from fans. Something they could feel part of,” said Dan Berzen, creative... Read More

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