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    Home » The Best Work You May Never See: Leo Burnett UK, Director Eric Wareheim “Rumble” For McDonald’s Big Arch Burger

    The Best Work You May Never See: Leo Burnett UK, Director Eric Wareheim “Rumble” For McDonald’s Big Arch Burger

    By SHOOTTuesday, June 24, 2025No Comments552 Views
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    On launch day (6/18) in Europe for its Big Arch burger (two 100% British and Irish beef patties, topped with white cheddar slices, crispy onions, fresh onions, shredded lettuce, crunchy pickles and smothered in the new signature Big Arch sauce), McDonald’s debuted this :30 titled “Rumble” from director Eric Wareheim of PRETTYBIRD for agency Leo Burnett UK.

    The spot follows a man at a work meeting, seated at a conference room table, when he sees in the distance a fellow employee chomping down on a Big Arch. Coveting the burger and feeling Big McDonald’s Hunger, the man lets out a small but relatable stomach rumble which grows into something much bigger, shaking the table, then the entire office. He runs out of the conference room to get a Big Arch. Later, another worker starts to feel similar pangs of hunger.

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    Credits

    Client McDonald’s UK & Ireland Agency Leo Burnett UK Mark Elwood, chief creative officer; Andrew Long, James Millers, executive creative directors; Zoe Davies, Kerry Donelly, creative; Dave Allen, creative director of design; Harry Ingrams, lead designer; Bey Redding-O’Brien, motion designer; Richard Pettiford, studio director; Tom Sussman, deputy chief strategy officer; Ipeknaz Erel, strategy director; Anna Cartwright, head of McDonald’s production; Madeleine Dunna, producer (food). Production Company PRETTYBIRD Eric Wareheim, director. Editorial Final Cut Rick Russell, editor. Postproduction/VFX Black Kite Hazel Gibson, exec producer/postproduction producer, George K, colorist; Jonny Freeman, VFX supervisor; Matt Hutchins, VFX lead; Lysa Cornic, VFX artist; Tito Fernandes, VFX shoot supervisor; Reece Whiteley, production coordinator. Audio Post String & Ties Adam Smyth, sound engineer; Mike Bamford, additional sound design; Esi Jonuzi, audio producer. Audio Post (Food) 750mph Giselle Hall, sound engineer; Robby Stone audio producer. Music Massive Music.

    Genre:Comedy
    Media Type:Commercial: Television
    Video Tags:Eric WareheimLeo Burnett UKPRETTYBIRD



    Top Spot of the Week: Sam Gainsborough Directs An Inflated Spectacle For Clash Royale

    Thursday, April 16, 2026

    Directed by Sam Gainsborough via Blinkink, this film from agency Uncommon Creative Studio transforms video game Clash Royale’s beloved characters into an extraordinary balloon-built world, where more than 10,000 real twisted balloons were used to forge every aspect of what you see on-screen. In this surreal universe, the balloon nature of the characters is never questioned--it simply is. The Goblin trembles in genuine fear. The Barbarian rages with helpless fury. The King, confronted with an impending explosion, quietly accepts his fate.

    To bring this ambitious vision to life, Gainsborough involved Airigami, a team of expert artists who create large-scale installations, illustrations, and experiences entirely out of balloons. Each character was meticulously handcrafted to ensure immediate recognizability while embracing the uncanny qualities of their inflated counterpart. Through extensive pre-production, the team refined not only the likeness of each figure, but also the physical behavior of the balloons, carefully designing how they expand, where pressure builds, and how their forms distort under strain.

    Working across multiple scales, the artists achieved remarkable levels of detail, allowing for both intimate character moments and large-scale visual impact. The cinematography also draws heavily from the horror genre, using extreme close-ups, dramatic angles, and dolly zooms to build tension and amplify the expression of each puppet.

    As the pressure mounts, the characters swell beyond their limits; their balloon forms pushing against the letterbox frame itself, visually reinforcing the escalating tension while also nodding to the film’s underlying absurdity. The climactic moment delivers a visceral payoff: balloon explosions captured at... Read More

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