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    Home » The Best Work You May Never See: Sephora, LePub, Director Juul Op den Kamp Show The Psychological Makeup of Gender-Based Violence

    The Best Work You May Never See: Sephora, LePub, Director Juul Op den Kamp Show The Psychological Makeup of Gender-Based Violence

    By SHOOTMonday, December 9, 2024Updated:Thursday, December 5, 2024No Comments400 Views
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    Violence against women is rooted in gender and relationship models based on control and emotional dependence: this is the starting point for the development of the awareness-raising campaign “Getting Ready,” ideated for Sephora Italia by creative agency LePub and directed by Juul Op den Kamp.

    Psychological violence manifests itself through constant and repeated behaviors aimed at controlling and subduing the partner. When we talk about gender-based violence, the focus is often on the physical side. However, not enough is said about the first signs of abusive behavior, especially from a psychological point of view, which are mostly subtle.

    The objective of LePub and Sephora Italia’s “Getting Ready” campaign is deliberately simple and direct: to encourage awareness of what are called “Early Signs,” being the first signals of gender-based violence. Taking care of one’s outward appearance, the way one dresses and wears make-up, are powerful means of expressing one’s identity and are often the subject of abusive controlling behavior. Sephora believes in the right of every woman to be able to express herself freely and has once again decided to turn the spotlight on this issue through a campaign with a strong emotional impact.

    “The topic addressed in this campaign is a sensitive one, unfortunately of a tragic relevance that cannot leave us indifferent. Signs of violence must be scrupulously observed, properly recognized and promptly interrupted. It starts with a comment, continues with an insult and finally culminates in a concrete act, a dramatic phenomenon that we are forced to read about every day in our newspapers. This is why it is absolutely necessary to act and talk about it: if our message reaches and supports even one person, we will have achieved something of absolute value and great importance,’ commented Francesco Poletti, chief creative officer, LePub Milan.

    This film opens with a scene of a young woman getting ready to go out, following her desire to take care, like, enjoy herself, getting ready for her date. She happily loses herself in this “Getting Ready,” in her private, free and spontaneous space. We see her expressing herself in playful, creative gestures and funny, self-conscious expressions. In a climax of self-expression and joyful experimentation, suddenly, we hear the sound of a horn and from the window we see that her partner has arrived. She is suddenly brought back to reality. She changes clothes, quickly removes traces of make-up and goes out to greet her boyfriend in a very different version of herself: subdued, controlled, vulnerable. She suffers a “controlling” look that she faces with tension. Like many women in similar situations, she is not fully aware of how toxic this aspect of her relationship is. The film closes on the importance of recognizing controlling signals and behavior by one’s partner as early signs of violence and with a call to action to ask for help from the Pangea ETS Foundation, Sephora Italia’s partner for gender-based violence issues.

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    Credits

    Client Sephora Agency LePub Italy Cristiana Boccassini, global chief creative officer; Francesco Poletti, chief creative officer; Marie Poumeyrol, Mattia Anelli, creative directors; Andrea Zanino, creative supervisor; Madalena Goncalves, digital art director; Francesca Zedde, head of strategy; Iva Boksic, strategy director; Filippo Riccardi, experience strategist; Andrea Battista, data strategy director; Alberto Mura, sr. digital ethnographer; Federica Parisi, cultural strategist; Francesca Zazzera, chief production officer; Luana Strafile, Giada Sidoti, producers; Eleonora Cao, Tommaso Bianchi, editors. Production MOVIE MAGIC/PINK RABBIT Juul Op den Kamp, director; Myrthe Mosterman, DP; Annalisa De Maria, exec producer; Camilla Sangermani, producer. Color Company 3 London Matthieu Toullet, colorist. Music “Girl, You’lll Be A Woman Soon,” written by Neil Diamond; © Universal Tunes Editor for Italy: Universal Music Publishing Ricordi Srl, editor for Italy; performed by urge Overkill; licensed courtesy of Touch and Go Records; Sizzer, music supervision & licensing; Richard Aardenburg, music supervisor; Veronika Muravskaia, licensing

    Media Type:Commercial: PSA
    Video Tags:Juul Op den KampLePubSephora



    The Best Work You May Never See: Writer-Director Steve Fuller’s AI Spec Spot For The Amazon Fire TV Stick

    Friday, March 6, 2026

    Steve Fuller wrote, directed and served as artificial intelligence creative lead on this AI spec film for the Amazon Fire TV Stick.

    Fuller took on the spec piece not as a tech demo but rather as a storytelling experiment. He was no stranger to AI going into the project, having deployed it for the past couple of years on treatments and as a means to supercharge his design work. Still, the veteran director--who’s enjoyed a longstanding relationship with Jeff Lewis’ The Directors Network--felt the need to learn and experience more when it came to AI. Thus he initiated a spec piece so he could integrate AI even better into his narrative toolbox.

    Spurred on by a desire to discover how his directing instincts could translate into the best utilization of AI resources, Fuller came up with a creative concept for a product he was a user and fan of--the Fire TV Stick. What if a treasure trove of iconic characters and worlds were racing towards a huge Fire TV Stick in the middle of a desert, converging there in order to compete for viewer attention? And the climax of the spot has a household about to make the fateful choice for what they’re going to watch from all these varied options and forms of entertainment.

    While via AI he was able to amass major celebrity talent and elements of blockbuster entertainment franchises for the Fire TV Stick adventure, that wasn’t the objective for Fuller who explained, “I was not trying to make a short film and suddenly have it star Brad Pitt or Tom Cruise. Instead I wanted to see if I could use AI to make a really big and epic commercial.” The spec project was designed to open up the opportunity to curate imagery, create video sequences--all the while making choices as a director. “I approached it as I... Read More

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