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    Home » The Best Work You May Never See: SickKids, FCB Canada, Director Clément Durou Fight For Every Birthday In “The Count”

    The Best Work You May Never See: SickKids, FCB Canada, Director Clément Durou Fight For Every Birthday In “The Count”

    By SHOOTMonday, April 7, 2025No Comments688 Views
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    To help celebrate The Hospital for Sick Children’s (SickKids) 150th birthday on April 3, SickKids Foundation launched this brand film entitled “The Count,” which marks FCB Canada’s first major creative as SickKids new agency of record.

    The film, featuring a cast of more than twenty real SickKids patients, portrays an emotionally charged and visually complex tapestry that depicts the fight for every birthday for patients, families and hospital staff. It artfully weaves birthday imagery with athletic metaphors and surrealistic imagery alongside real life moments of children and their families.

    “When talking about what SickKids is fighting for, especially in context of their 150th birthday, we thought there was a real clarity and tangibility to the idea that what SickKids and every patient is really fighting for is quite literally their next birthday,” said Jacob Pacey, associate creative director and copywriter at FCB Toronto.

    Brendan McMullen, associate creative director and art director at FCB Toronto added, “Once you start thinking about it through that lens, it opens up a new way to think about their fight.”

    Marking this pivotal point in SickKids history, the campaign is at once a doubling down on the longtime “SickKids VS” platform while marking a tonal evolution for the platform as the hospital enters a new era.

    “Our 150th birthday presented a unique strategic and creative challenge for the brand. We wanted to celebrate SickKids incredible history but also needed a compelling motivator to get people to donate today,” said Roy Gruia, director, brand marketing at SickKids Foundation. “From the first meeting with FCB they reminded us and held us to task that this work had to lean into the VS fight, and that in order to motivate donations we had to focus on our current fight—a fight for more birthdays for our patients. They helped us to see we shouldn’t water down our own message by trying to do too many things. So, this work does not focus on accomplishments of the last 150 years but rather reflects the hospital’s core mission of the past, present and future, while our birthday acts as inspiration for the concept.”

    Nancy Crimi-Lamanna, chief creative officer at FCB Canada, said, “From the beginning we knew we wanted to put the fight back into VS but do it in a way that felt different from where it’s been. A new agency can often mean a new platform, but walking away from the equity of VS felt self-serving since we know that investing in a longer-term platform makes it more effective. We believe that equity will make the difference in getting more kids to more birthdays.”

    Clément Durou directed “The Count” via production house Iconoclast, with Merchant serving as production services company.

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    Credits

    Client SickKids Foundation Agency FCB Canada Nancy Crimi-Lamanna, chief creative officer; Danilo Boer, EVP, global creative partner; Andrew MacPhee, executive creative director; Brendan McMullen, Jacob Pacey, associate creative directors; Erika Jee, art director; Reena Feldman, copywriter; Shelley Brown, chief strategy officer; Shelagh Hartford, VP, strategy director; Sarah Michener, VP, broadcast production; Tess Waisglass, sr. broadcast producer. Production Company Iconoclast Clément Durou, director; Charles Marie Anthonioz, exec producer. Production Service Company Merchant Ian Webb, exec producer; Maryna Petrenko, producer; Shady Hanna, DP. Editorial Work Editorial Neil Smith, editor, longform; Fatos Marishta, cutting assistant, longform; Victor Medina, producer; Chris Delarenal, head of production; Alejandra Alarcon, exec producer; Erica Thompson, managing director. Music & Sound Soundtree Music Peter Raeburn, Luis Almau, composers/producers; Luke Fabia, John Mourounas, Maddie Stephenson, additional music production; Jack Patterson, sound design & mix; Henning Knoepfel, additional sound design and mix; Peter Raeburn, chief creative officer; Neil Athale, sr. producer; Jay James, managing director. VFX ARC Creative Gavin Wellsman, executive creative director; Catherine M. Fischer, exec producer; Ramya Shankar, producer; Jeff Lopez, shoot supervisor; Antoine Douadi, 2D lead; Ajit Menon, Rafael Ghencev, CG lead; Rui Huant, Wensen Liang, Jordan Gestring, FX; Steve Eisenmann, Eva Kuehlmann, CG lighting; Sean Loughran, Yoon-Sun Bae, Claudio Gonzalez, compositing; Charles Lee, Roger Hom, matte painting; Roger Hom, concept artist; Sergio Villegas, matchmove supervisor. Color ARC Creative Mikey Pehanich, sr. colorist; Alexandra Lubrano, exec producer; Amonnie Nicolas, Nick Yelesin, color assists; Alex Ponce, production coordinator. Postproduction 456 Studios Amanda Henry, exec producer; Devin Fields, post producer; Rod Reano, creative editor; Diego Rojas Garcia, postproduction assistant.

    Genre:Children's
    Media Type:Commercial: PSA
    Video Tags:Clément DurouFCB CanadaIconoclastMerchant



    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    Indie ad agency TDA Boulder has unveiled “No Nonsense Banking,” its debut campaign for new client First Interstate Bank. The rolling launch runs through the end of the year, and spans across 10 states.

    The batch of spots includes this one titled “Every Step,” epitomizing a call to end the nonsense. “Every Step” opens on a couple experiencing life’s biggest moments (marriage proposal, first child, a kid learning to drive, and packing up for college). Each meaningful moment, though, has one odd addition: their banker is actually really there, experiencing those moments with them. The unexpected inclusion calls out the cliché that banks love to be with you every step of the way, even in life’s most intimate moments. The spot lands on the twist: First Interstate isn’t promising to be there for every step; just the ones that matter, with a straight answer and a real person on the other end.

    Michael Downing directed via The Sweetshop x Chirp Films.

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