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    Home » Top Spot of the Week: Amplifon, SMALL, Director Andrew Lane Open “Special Test Rooms” To Hear Loved Ones Loud and Clear

    Top Spot of the Week: Amplifon, SMALL, Director Andrew Lane Open “Special Test Rooms” To Hear Loved Ones Loud and Clear

    By SHOOTFriday, January 23, 2026Updated:Monday, January 26, 2026No Comments207 Views
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    Amplifon's "The Special Test Rooms"

    Amplifon has launched “The Special Test Rooms,” a global campaign that creatively and originally captures the extraordinary feeling–the “wow moment”–people experience when they hear well again, improving their quality of life and fully enjoying everyday emotions with their loved ones.

    Developed by the New York-based agency SMALL, produced by Skipless / Movie Magic Int., and directed by Andrew Lane (who is with Washington Square Films for U.S. commercial representation), the campaign is built around a candid camera format featuring real Amplifon customers. Unaware of what awaits them, participants enter a special Amplifon center created exclusively for the project, where they are invited to try a new invisible hearing device. The candid camera immediately captures their authentic reactions: genuine amazement at rediscovering the clarity of sound, with an instant “wow moment” made possible by Amplifon technology.

    After an initial phase of calibration and customization of the device, guided by a real Amplifon expert, customers are invited to an unexpected experience: access to a “special test room,” located behind a red door inside the center. Once crossing the threshold, each participant finds themselves in a familiar environment, featuring authentic reconstructions of real places with deep emotional value: a living room at home, a daughter’s apartment, a school theater, a favorite restaurant, a Latin music bar. In these spaces, customers reunite with their loved ones and, together with them, test the new hearing devices, marveling at the results and rediscovering the pleasure of hearing and sharing authentic moments.

    The campaign was filmed in Milan’s Bovisa district, where a one-of-a-kind Amplifon center was built from scratch, complete with street-facing signage and realistic recreations of the most familiar places for the customers. The set was designed to make the listening experience in real life immediate and tangible for the campaign’s protagonists. An anticipation of the new everyday life that awaits them. In total, 10 unique rooms were created, each designed and personalized for a specific client.

    “The Special Test Rooms” represents the natural continuation of “A Special Hearing Test”, the campaign launched in 2024, which also used a candid camera format featuring real Amplifon customers undergoing a hearing test. While the first chapter focused on the initial diagnostic phase, this new campaign centers on the moment customers enter the audiology center to try hearing devices for the first time and discover their impact on their lives.

    The campaign debuted on air earlier this week in Italy, with a media plan spanning TV, digital, and social media. Over the year, it will also roll out across other European countries, as well the United States and Australia.

    With “The Special Test Rooms” and in line with the brand positioning “It’s not just your hearing. To us, it’s your life,” Amplifon reaffirms its commitment to showing that hearing well again–thanks to innovative devices and the support of its experts–means not only improving hearing, but also about rediscovering the ability to fully enjoy relationships, emotions, and the moments that make everyday life truly special.

     

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    Credits

    Client Amplifon Agency SMALL Luca Pannese, Luca Lorenzini, executive creative directors; Paolo Montanari, creative director. Production Company Skipless/Movie Magic Int Franziska Stubenruss, exec producer; Andrew Lane, director (who is with Washington Square Films for U.S. commercial representation); Matthew Woolf, DP; Anna Minguzzi, Michaela Salova, Luca Bettinetti, producers; Alice Vernazza, associate producer; Alessandro D’Imperio, production manager; Ivan Furlan, 1st AD. Postproduction Arianna Messina, post producer; Luca Angeleri, Massimo Magnetti, editors; Danilo Vittori, colorist. Original Music Stabbiolo Music Enzo Casucci, composer. Audio Post Disc To Disc Video Post Proxima. Advisor V Consulting Stefano Arbitrio, COO; Simona Secondi, production consultant.

    Genre:Family
    Media Type:Film: Short
    ScreenWork Categories:Short film
    Screenwork Type:Top Spot
    Video Tags:Andrew LaneSMALL



    Megan Brotherton Directs “Straight Up” Comedy Campaign For Whole Moon

    Tuesday, April 14, 2026

    Plant-based milk Whole Moon has launched “Straight Up Good,” a comedy campaign that features colorfully offbeat fans of the non-dairy alternative as they are in unexpected situations, enjoying the beverage on its own, not just as a topper. The campaign was created in collaboration with freelance creatives Scott Kaplan, Matt Vescovo and Vlad Ivangorodsky, who served as Whole Moon’s bespoke agency, along with comedy director Megan Brotherton.

    “Straight Up Good” breaks with a series of videos across digital and social platforms, including this spot titled “Drink it Alone” where a woman enjoys the tasty, nutritious beverage “straight up.” She talks about the virtues of drinking it alone--and then segues humorously into other solitary aspects of her life.

    “Almost no one drinks plant milk on its own,” said creative director Kaplan. “You put it in your coffee, your smoothies, your cereal. Whole Moon tastes so great it breaks that habit. We created standout spots with funny product demos where very different characters drink Whole Moon straight in surprising ways. The brand wasn’t afraid to do something edgy and memorable, which is pretty rare these days.”

    “I had a blast working on the Whole Moon campaign,” said Brotherton, who is known for directing high-profile comedy campaigns. “As soon as I read the scripts, I said ‘I’m in.’ The creatives were super collaborative. They really listened to my input and suggestions as the scripts evolved and when it came to casting we were all aligned. The cast really elevated the scripts and brought out even more humor. It was truly a joy to direct.”

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