Ad agency Cartwright teamed with director Noam Murro of Biscuit Filmworks on this “Choose Better” spot designed to immerse viewers in a bleak, mechanical world of routine and conformity—until BODYARMOR Sports Drink and its athlete ambassadors break through. NHL legend Connor McDavid of the Edmonton Oilers, NFL quarterback Joe Burrow of the Cincinnati Bengals, WNBA Champion Sabrina Ionescu of the New York Liberty, and wide receiver CeeDee Lamb of the Dallas Cowboys, represent individuals who defy expectations and push for something greater.
“The category is flooded with sameness–athletes yelling, sweating, running. We wanted to take a risk, to make people pause and think,” said Keith Cartwright, founder and chief creative officer of Cartwright. “This campaign is about asking deeper questions: Are we just following the herd, or are we making intentional choices–especially when it comes to what we put in our bodies?”
The production itself matched the creative ambition: five shoots across five weeks in four locations, all stitched together with cinematic precision. Murro led principal filming in Mexico City, with athlete segments captured across Canada and the U.S. Editor Neil “The Professor” Smith cut the spot while Parliament delivered striking visual effects, and Human Worldwide crafted a layered score.
REGISTRATION REQUIRED to access this page.
Already registered?
LOGIN
Don't have an account?
REGISTER
Registration is FREE and FAST.
The limited access duration has come to an end. (Access was allowed until: 2025-04-27)
Credits
Client BODYARMOR Agency Cartwright Keith Cartwright, founder & chief creative officer; Brigg Bloomquist, Nate Ripp, creative directors; Andrew Loevenguth, head of production; Alex Hoffman, producer; Scott Dobbin, sr. copywriter; Deandra Stokes, sr. art director. Production Biscuit Filmworks Noam Murro, director; Andrew Travelstead, exec producer; Emily Skinner, line producer; Shawn Lacy, founding partner; Sean Moody, head of production; Phedon Papamichael, DP. DOMO, professional athlete content unit Noah Canopask, director; Rani Melendez, exec producer; Eric Ulbrich, DP; Gary Gillepse, line producer. Editorial Work Editorial Neil Smith, editor; Drew Rissman, exec producer; Samantha Axelrod, producer. Color Company 3 Jill Bogdanowics, colorist; Matt Moran, producer. VFX/Conform/Post Parliament Phil Crowe, founder; Udesh Chetty, lead creative; Anna Vegezzi, sr. producer; Eric Mason, lead Flame artist; Mario Kotevski, producer; Daniela Zepeda, Eric Putnam, post producers. Audio Post Lime Studios Ben Tomastik, sound engineer & mixer; Klaudia Bennet, mix assistant; Susie Boyajan, exec producer. Music KO Music, London. Original composition by Phillip Kay
Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.
The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.
To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.
The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.
Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.
“There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More
Type above and press Enter to search. Press Esc to cancel.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.