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    Home » Top Spot of the Week: Director Steve Rogers Gets Redundant For Coinbase

    Top Spot of the Week: Director Steve Rogers Gets Redundant For Coinbase

    By SHOOTFriday, May 29, 2026No Comments99 Views
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    Coinbase’s next creative installment is its first major product-focused campaign, “Hidden in Plain Sight,” focuses on practical solutions to systemic financial problems people accept as normal, highlighting a new suite of Coinbase financial products that are designed for the future of finance.

    Central to the campaign is this “Once you see the pattern, you can break it” spot–directed by Steve Rogers of Biscuit Filmworks for agency Coinbase Creative Studio–in which a slice of everyday life consists of scenes which repeat themselves seemingly ad infinitum. A voiceover points out that the conventional financial system repeats the same thing over and over until it becomes normal, hoping no one notices–such as paying bank fees, doing business during their hours so they can use your money, having to wait 3-5 business days, excluding bank holidays.

    The expertly choreographed film underscores that we see things so often, we end up not seeing them at all. Some things lie hidden in the everyday–things that if people understood–would make them want to find a different way. Coinbase products are thus positioned as giving you “a way out of the system,” breaking the redundant cycle to attain some semblance of financial freedom.

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    Credits

    Client Coinbase Agency Coinbase Creative Studio Joe Staples, VP, creative. Production Biscuit Filmworks Steve Rogers, director; Shawn Lacy, founding partner; Emily Skinner, exec producer; Sean Moody, head of production; Simon Eakhurst, producer; Luke Thornton, production supervisor; Bradford Young, DP; Ben Gill, 1st AD; Shane Valentino, production designer. Production Service Company Twentyfour-Seven Nati Martin, managing director/exec producer; Gabriel Ferrari, line producer; Pat Rzeznik, production manager; Cecilia Petrini, production coordinator; Florencia Tellado, wardrobe stylist; Laura Delbosco, makeup & hair artist. Editorial Work Editorial Rich Orrick, editor; Angela Rath, assistant editor; Juna Drougas, sr. producer; Gabrielle Page, head of production; Drew Rissman, exec producer; Marlo Baird, managing director. VFX Time Based Arts Sound Design & Mix Eleven Jordan Meltzer, sound designer/mixer; Sean Kelly, producer. Music Emile Mossier, producer/composer.

    Media Type:Commercial: Television
    Video Tags:Biscuit FilmworksSteve Rogers



    The Best Work You May Never See: A Trailer For Director Rosie Morris’ Docushort On Young Carers In The U.K.

    Thursday, June 11, 2026

    This trailer is for the new documentary short Is Mum OK, which shines a light on the hidden realities faced by young carers in the U.K.

    In the U.K., a carer is generally anyone who looks after a family member, partner, or friend who needs help due to illness, frailty, disability, mental health issues, or an addiction. Crucially, this refers to carers who provide this support for free.

    The short follows a group of young carers in Waltham Forest, East London, who are given access to much-needed respite through a dedicated local initiative, Young Carers Club, a fortnightly respite evening where they can socialize, eat and spend time with others who understand their experiences.

    It explores both the beauty and the burden of caring from a young age, while highlighting the need for greater recognition and support for young carers across the U.K.

    Commissioned by Guardian Documentaries and produced by Uncommon Creative Studio, Is Mum OK was released during Carers Week 2026 (June 8-14)--with this year’s week themed around building carer-friendly communities

    The film will also be screened to members of Parliament, urging them to bring young carers’ rights to the top of the social care agenda

    Is Mum OK was directed by Rosie Morris, who had firsthand experience of being a carer for her mother.

    There are estimated to be at least one million young carers in the U.K., many of whom remain unidentified and unsupported.

    Director Morris said, “This story is deeply personal to me, rooted in my own experience of caring for a loved one. Caring for my mother three years ago was one of the hardest and most meaningful experiences I have ever had. My difficulty in transitioning out of being a carer and... Read More

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