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    Home » Top Spot of the Week: Frédéric Planchon Directs “Play Has No Limits” For Sony PlayStation, adam&eveDDB

    Top Spot of the Week: Frédéric Planchon Directs “Play Has No Limits” For Sony PlayStation, adam&eveDDB

    By SHOOTWednesday, November 13, 2024No Comments606 Views
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    Directed by Frédéric Planchon of Academy Films for agency adam&eveDDB, this spot from Sony Interactive Entertainment for the PlayStation brand shows how much fun life can be when we take play seriously. The film takes you through an ordinary city as it transforms into play. From dustbins turning into basketball hoops and staircases converting into slides, PlayStation shows you that play is everywhere and in everything.

    The action spotlights the joy and elation everyone can experience when they welcome PlayStation and a world of play into their lives.

    Titled “PS5 | Play Has No Limits,” this film spotlights the joy and elation one can experience when they welcome PlayStation and a world of play into their life.

    Framestore served as VFX/post studio.

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    Credits

    Client Sony Interactive Entertainment Brand PlayStation Agency adam&eveDDB Richard Brim, chief creative officer; Ant Nelson, Mike Sutherland, executive creative directors; Paula Hochberg, creative director; Gaby Grant, Jane Barker, John Trainor-Tobin, Jeppe Vidstrup, creatives; Nikki Cramphorn, Sally Pritchett, executive producers; Deborah McCartney, sr. producer; Hazel Corstens, producer; Lynn Murphy, jr. producer; Simon Adamson, executive content director; Jessica Taylor, head of content. Design Agency King Henry Scott Silvey, joint head of design. Production Company Academy Films Frédéric Planchon, director; Simon Cooper, managing partner/exec producer; Ben Roberts, producer; Natalie Isaac, production manager; Mauro Chiarello, DP; Yoann Bourgeois, choreographer; Monica Bidault, production designer; Paola Alfaro, costumes; Tirso Diaz-Jares, AD. Production Services Company The Lift Gabriel Stavenhagen, exec producer; Cristina Barres, producer. Editorial Assembly Rooms Sam Rice Edwards, editor; Daniel Breheny, edit producer; Tamara Ishida, Rob McGuire & Bruna Manfredi, edit assistants. Postproduction Framestore Kamen Markov, VFX supervisor, creative director, VFX shoot supervisor; Tim Jenkinson, Billy Butler, CG supervisors; Johannes Sambs, head of CG; Aitor Echeveste, comp lead; Alexia Paterson, exec producer; Ben Stell, VFX producer; Alex Burford, VFX coordinator; Miguel De Hoyos, VFX shoot supervisor; Julio Leon, VFX shoot data wrangler; Billy Butler, Florian Rigollet & Evangelos Kapsopoulos, CG assets; Alfredo Santoriello, FX; Brad Noble, Nathan Clark, rigging; Oliver Cordwell, Anna Ventre & Zoe Woods, layout; Konstantin Nikolov, Jessica Kersey-Preston and Divyesh Shah, animation; Erik Weaver-Pronk, Cori Chan, Tim Jenkinson, Billy Butler, lighting; Aitor Echeveste, Sam Meisels, Jon Uriarte Sastre, Ian Copeland, Adam Tennant and Judy Barr, compositing; Nikola Yordanov, concept; Ivo Horvat, Chelsea Aston, DMP; Kamen Markov, Luigi Russo and Jason Farrow, Flame. Color Company 3 Jean-Clément Soret and Mattheu Toullet, colorists; Ellora Soret, exec producer; Edwin Elkington, Kerri Aungle, producers.

    Media Type:Commercial: Television
    Video Tags:Academy Filmsadam&eveDDBFrederic PlanchonPlayStationSony Interactive Entertainment



    Top Spot of the Week: AlmapBBDO Lands Starring Roles In Netflix Series For VW Brazil’s Tera SUV

    Thursday, July 10, 2025

    Volkswagen’s latest South American launch is now taking a starring role in Money Heist, Wednesday, Cobra Kai, The Witcher, and the film Persuasion, in the spot “Arrivals,” created by AlmapBBDO and co-produced with Netflix’s creative team.

    This partnership between Volkswagen Brazil and Netflix, the first in Latin America to incorporate several of the platform’s narratives in a single advertising campaign, is a blockbuster production shot entirely in Brazil. The SUVW Tera becomes a character in its own right and is transported into multiple shows and a film in the campaign, with scenes shot 100% in accordance with the authenticity of the Netflix universe, placing Volkswagen’s latest hit at the heart of these epic productions.

    “The Volkswagen Tera is arriving in the role it was meant to play: a star of great stories,” said Livia Kinoshita, director of marketing for Volkswagen Brazil and SAM. “And to connect the most important launch in Volkswagen Brazil’s recent history with millions of people across all sorts of worlds and audiences, in an utterly refreshing, authentic, and surprising way, we struck a groundbreaking partnership with Netflix in the platform’s first multi-story campaign in Latin America. ‘Arrivals’ features the SUVW Tera as the star of Money Heist, Wednesday, Cobra Kai, The Witcher, and Persuasion. We used an innovative fusion of real life, fiction, and entertainment to introduce the Tera, a car that’s an irresistible invitation for anyone looking for incredible stories in shows, on the streets, and in their life.”

    Directed by the team of Kid Burro (Andre H. Saito and Cesar Nery) via MyMama Entertainment, the “Arrivals” spot celebrates the Tera as Volkswagen’s... Read More

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