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    Home » Top Spot of the Week: Publicis Marks 100 Years With “A Lion Never Gives Up,” Blending Live Action and Real Actors With AI

    Top Spot of the Week: Publicis Marks 100 Years With “A Lion Never Gives Up,” Blending Live Action and Real Actors With AI

    By SHOOTWednesday, December 31, 2025No Comments87 Views
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    From its beginnings in 1926 as a creative hot shop in Montmartre, to its international expansion, embrace of data and technology, and its position today as a leading holding company, Publicis has gone through several substantive transformations over the past 100 years.

    But one tradition hasn’t changed: the annual Wishes.

    And to ring in the new century, who better to create them than Publicis Conseil, the agency built by founder Marcel Bleustein Blanchet?

    Blending live action and real actors with the latest in AI production, from the Publicis Groupe’s proprietary platforms and tools, this edition of Wishes tells the story of the pioneering spirit, endless innovations and resilience that enabled the company and its people to withstand war, Nazi Germany, fire, economic downturns, technological revolutions and a global pandemic during its first 100 years–and to now be poised to continue to lead and reinvent the industry entering its next century no matter what the future holds.

    Here’s the story of Publicis titled “A Lion Never Gives Up.” The film blends live action, GenAI 2D and 3D imaging to reconstitute scenes from the company’s past, reducing the price of scene reconstruction and opening up new creative possibilities.

    A quarter of the film is live action footage, with the rest created by AI, drawing on photos, films and documents from Publicis’ own archives.

    AI prompt artists and AI archivists managed, sourced and cataloged both the volume of real images needed for a project of this size–4,500 for 150 individual shots–and the AI-generated ones. In a traditional pipeline, once you reach the editing stage, everything is locked in. Here, everything remained open: each shot could be regenerated from scratch.

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    Credits

    Agency Publicis Conseil Marco Venturelli, global CEO/CCO, Leo, CEO/CCO, Publicis Conseil, and CCO, Publicis Groupe France; Agathe Bousquet, president of Publicis Groupe France and Publicis Conseil; Alexis Ben Behe, executive creative director; Maud Robaglia, creation director; Gurvan Prioul, creative & UX design director; Hamza Ben Maadoum, jr. art director. Production Prodigious Paris Christopher Thiery, CEO; Caroline Petruccelli, managing director; Yann Dubois, exec producer. Cedric Herbet, post producer; Nico Vogel, VFX creative director; Nicolas Loir, DP; Damien Perrolaz, camera operator; Marie Caron, head of production. Sound Prodigious Martin Sumeire, sound producer. Mix & Sound Design KOUZ.

    Genre:History
    Media Type:Film: Short
    Video Tags:Publicis



    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    Cadbury Dairy Milk has unveiled “Homesick,” a spot from London agency VCCP directed by Steve Rogers via Biscuit Filmworks x Revolver in collaboration with VCCP’s global content creation studio Girl&Bear.

    The film marks the latest chapter in Cadbury’s long-running and IPA Effectiveness Grand Prix-winning brand platform “There’s a Glass & a Half in Everyone.”

    “Homesick” tells the story of two sisters separated by 6,000 miles. Set against the neon glow of Kuala Lumpur, the film opens with the older sister calling home. After the call ends, she reaches for an envelope--an eagerly awaited piece of home--and discovers a Cadbury Dairy Milk chocolate bar lovingly wrapped inside. There’s just one twist: her younger sister has already eaten a generous portion of it. A tiny alien sticker holds together what remains of the bar, an unmistakable signature of sibling mischief. It’s a small, human moment--tender, funny and instantly relatable--capturing the way even imperfect gestures can mean everything when you’re far from home.

    The campaign was created by VCCP creatives Emma Jackson and Aly Lane and aims to reinforce Cadbury’s role as a fabric-of-the-nation brand--one that understands and reflects the emotional connections people share every day. As loneliness rises and feelings of belonging decline, Cadbury believes these small acts of generosity have never been more meaningful or more relevant.

    The film will run across TV, VOD and YouTube.

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