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    Home » Top Spot of the Week: Samsung Galaxy, Cheil Korea and Director Tom Hooper Tap Into The Power Of Children’s Imaginations

    Top Spot of the Week: Samsung Galaxy, Cheil Korea and Director Tom Hooper Tap Into The Power Of Children’s Imaginations

    By SHOOTWednesday, March 11, 2026No Comments156 Views
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    Samsung has released a three-minute film that builds on the Galaxy brand’s philosophy of “Life opens up with Galaxy.” Created through collaboration with Academy Award-winning (The King’s Speech) director Tom Hooper, the film from creative agency Cheil Korea is designed to celebrate the power of human connection and imagination that unlocks limitless potential. It premiered at the opening of the Galaxy Unpacked event held in San Francisco last month.

    The film portrays two young friends, Mia and Paige, who are inseparable. When Mia finds out Paige is moving away, she is eager to find a solution that will help them stay friends forever. Guided by her imagination, Mia takes an empty Galaxy box and transforms it into a one-of-a-kind creation that helps her and Paige stay connected in unimaginable ways.

    Through play and make-believe, we see how Mia’s creation can connect her with her best friend even when they are apart. At the end of the film, the unique creation turns an ordinary cardboard box into a real spaceship, helping the two friends reunite and continue their adventures together.

    The larger-than-life yet intimate storytelling that turns the moment of loss into moments full of hope and joy reminds us that infinite possibilities are fueled by human imagination and creativity, not technology alone. Samsung Galaxy is positioned as a life companion that opens up endless possibilities for all and inspires us to dream bigger.

    Authenticity was key to the creative development process. The storyline, scenes, and many of the inventive functions and designs seen in the film were inspired by the imagination of the future generation. In casting sessions, the director asked the talented actors to bring their own imaginative box and describe all the magical things it could do.

    While the film’s release is aligned with the launch of Samsung’s latest Galaxy S26 Series, the device itself makes a very short appearance on screen, which is a bold choice made by Samsung that proves how committed the brand is to putting people at the center of everything.

    “In a world excited by the generative power of AI, I was touched by this story from Samsung that celebrates the generative power of children’s imagination. This film reminds us of the primacy of human creativity and inventiveness–Mia imagines capabilities for her creation that go far beyond what any real-world tech can actually do. What inspires Mia is friendship and love. I was struck by how much the Samsung and Cheil teams guided my making of this film with such emotional delicacy and intelligence. The human experience is always at the center,” said Hooper who directed via production house SMUGGLER.

    “It is a rare opportunity to be able to celebrate a brand’s core philosophy in such a pure and imaginative way. Galaxy has long stood for openness, and this film takes it to new heights and gives it a new meaning. We were excited and honored to have Tom bring this story to life with incredible nuance, joy, and charm,” commented Tal Shub, global executive creative director at Cheil Korea.

    The global campaign will run for a year across TV, cinema, digital, and social.

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    Credits

    Client Samsung Electronics Sung Chang, executive VP; Yongwoo Kim, marketing director; Woongki Kim, Hanlim Kim, marketing managers. Agency Cheil Korea Tal Shub, global executive creative director;Woohyun Lim, sr. art director; Jose Maria Neves, art director; Drew Botcherby, sr. copywriter; Leon Park (Ireum Film), creative producer; Keith Park (Ireum Film), producer; Eldad Heilweil, head of global strategy; Min Young Yoon, global strategy team lead. Production Company SMUGGLER Tom Hooper, director; Steve Annis, DP; Tom Knight, exec producer; Luca Chapman, producer; Ben Howarth, 1st AD; Ninon DeKlerk, production designer. Production Service Company Juice Film Carmen Amos, exec producer; Marisa Bracher, head of production; Greer Hoeks, producer; Kelly Drummond, production manager. Editorial Whitehouse Post Russell Icke, editor; Thomas Sheriff, assistant editor; Ella Sedgwick, exec producer. VFX Giant Step Inho Yang, VFX lead; Haeryung Lee, 2D lead artist; Donghwan Lee, 3D lead artist. Color Grade Paletto Haewon Kwak, colorist; Sujeong Park, Daseul Kim, Dongwoo Jo, Seunghui Kim, assistant colorists. Music Soundtree Music Luke Fabia, Benjamin Joes, composers; Jay James, managing director/creative partner. Sound Design & Mixing 750mph Sam Ashwell, sound designer; Rachel Saxon, head of production.

    Media Type:Film: Short
    Video Tags:Cheil KoreaSmugglerTom Hooper



    Team One and Director Sebastian Strasser Create “The Last Real Man” For The RealReal

    Monday, April 13, 2026

    Isn’t it nice to know that some things are still real?

    In a world increasingly crafting fakes, replicas, and perfectly rendered simulations, there are fewer and fewer places that still celebrate authenticity.

    On a day dedicated to lighthearted hoaxes and twists of fate, it seemed a perfect time to release a film that explores what’s real, and not.

    That tension sits at the center of “L’ultimo Uomo Reale” (“The Last Real Man”), a new film from Team One and director Sebastian Strasser, in partnership with the marketplace for authenticated luxury resale, The RealReal.

    Conceived as a response to The RealReal’s 2024/25 “Ask Yourself What’s Real” campaign theme, the film pushes that question further, by exploring the growing tension between perception and reality in today’s digital world.

    At a moment when much of the industry is using AI to scale content, this work flips the lens—using it as both subject and storytelling device. A humorous, slightly unsettling take for anyone who still values the real thing.

    Directed and rendered by Strasser, the piece constructs a hyper-real world that feels convincingly human—until it begins to fracture. Subtle glitches give way to a full unraveling, exposing a carefully engineered illusion.

    “We’re moving into a world where ‘real’ is no longer a baseline—it’s a premium,” said Chris Graves, Chief Creative Officer, Team One. “We wanted to create a story that lets the illusion hold just long enough to feel convincing—then disrupt it, so you’re forced to reconsider what you’re actually looking at. Because what carries value now isn’t just craft. It’s credibility.”

    Team One was inspired by The RealReal’s authentication process... Read More

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