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    Home » Top Spot of the Week: Coca-Cola, Director Bryce Dallas Howard Send A Holiday Note That Restores The Goodwill of A “No Man”

    Top Spot of the Week: Coca-Cola, Director Bryce Dallas Howard Send A Holiday Note That Restores The Goodwill of A “No Man”

    By SHOOTWednesday, December 13, 2023Updated:Sunday, July 7, 2024No Comments4251 Views
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    Coca-Cola is rolling out two Christmas films produced by Imagine Entertainment and PRETTYBIRD for agency WPP Open X led by VML. This is one of those holiday shorts. Titled The Note, it was directed by Bryce Dallas Howard and stars Irish actor Colm Meaney as the protagonist, known in his community as “The No Man,” whose festive goodwill is restored by a mystery message in a bottle.

    Director Howard commented, “I’m encouraged by a brand like Coca-Cola, which carries a lot of cultural weight, putting their energy behind artists, creatives and storytellers and stories that will move people and give us a moment to breathe and remember who we are. We all want to connect and experience those feelings of love and community, and I felt that profoundly in the collaborative experience of making this film and I hope that’s what people experience when they watch it.” 

    This is Coca-Cola’s latest offering of branded entertainment content, following the release of its anthology series last Christmas. 

    Customers can watch The Note as well as Coca-Cola’s Ho Ho Heist (which was directed by Steven Caple Jr.) on Prime Video via Prime Video Direct and Amazon Freevee. The films are available to Prime members at no additional cost to their membership and to all customers through Amazon Freevee. People will also be able to watch films on Coca-Cola’s YouTube and TikTok channel. 

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    Credits

    Client Coca-Cola Selman Careaga, global category president; Elif Kaypak, global strategy–portfolio & meals; Islam ElDessouky, global head of creative strategy & content. Agency WPP Open X led by VML Andrew Keller, Rafa Pitanguy, global chief creative officers; Simon Lloyd, deputy chief creative officer, EMEA; Tom Reas, Liam Riddler, sr. creatives; Chase Cornett, chief strategy officer; June Fong, strategy partner; Greg Lotus, global head of production; Amy Turner, group executive producer. Production Company Imagine Entertainment Marc Gilbar, president, Imagine Brands; Allan Mandlebaum, SVP, film. Production Company PRETTYBIRD Ali Brown, president; Mike Rosen, VP, development; Bryce Dallas Howard, director; Andre Lascaris, DP; Michaela Johnson, line producer. Creative Kevin Jakubowski, writer. Editorial Antonio Gómez-Pan, editor.

    Media Type:Film: Short
    ScreenWork Categories:Short film
    Screenwork Type:Top Spot
    Video Tags:Bryce Dallas HowardCoca-ColaPRETTYBIRDVMLWPP Open X



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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