In the last few years, many states have passed legislation banning specific books, and critical parts of American history–erasing the stories and contributions of marginalized people in our country. Just recently, Florida banned the use of state and federal funds on DEI programs at state universities. And it doesn’t appear like it will stop there.
So Courageous Conversations and agency Wieden+Kennedy New York teamed on a campaign based on the belief that all students deserve to have an education that represents our true history. The “America Erased” campaign was designed to show the dangerous repercussions of erasing stories that represent American values. A cornerstone of the campaign is this powerful film directed by Omar Jones via Riff Raff Films.
The film shows key pieces of history wiped away from photos and archival footage–with luminary figures like Dr. Martin Luther King banished from the classroom and Ruby Bridges eliminated from textbooks.
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Credits
Client Courageous Conversation Agency Wieden+Kennedy New York Marques Gartrell, chief creative officer/creative director; Monica Roebuck, copywriter; Macaihah Broussard, art director; Nick Setounski, head of integrated production; Cecilia Ramirez, producer; Caroline Park, associate producer; Christopher Gonzalez, art producer; Christian Colasuonno, sr. interactive producer; Donovan Triplett, brand strategy director; Mia Lockhart, designer. Production Company Riff Raff Omar Jones, director; Matthew Fone, owner; Matthew Clyde, exec producer; David Wept, producer; Jagger Corcione, line producer; Nem Fisher, production manager; Madison Baker, production coorindator. Editorial Arcade Edit Paul Martinez, editor; Sila Soyer, exec producer; Arlene Perez, producer; Lucas Ferreira, editorial assistant. VFX Preymaker Angus Kneale, Verity Kneale, Melanie Wickham, Clairellen Wallin, Luis Martin, Ija Ochoa, Jabulani Simelane, Edward Lopez, Julian Fitzpatrick, Nathan Anderson, David Grzesik, Hassan Taimur, Casey Herrick, Samantha Woods, Nicholas Young, Wynand de Wet, Kelley Harris, makers. Telecine Company 3 Sofie Borup, colorist; Shannen Troup, producer; Kevin Breheny, head of production. Audio Post Sonic Union Steve Rosen, sound designer/mix engineer; Justine Cortale, studio director. Music Company Walker Sara Matarazzo, managing director; Neha Ewell, Dottie Scharr, sr. producers; Sam Zirin, associate producer; Malcolm Parson, composer; Garrett Chabot, music editor.
Creative agency Majority has launched “Up to Date,” a campaign for Gilead Sciences’ Care For The Culture platform starring comedian-actors Nicole Byer and Devon Walker. The campaign aims to make HIV prevention feel more personal, relevant and actionable for Black women by meeting them in authentic moments of dating, intimacy and self-advocacy.
The work is part of Gilead’s broader Care For The Culture platform that will run across online video, social media, streaming and linear audio, digital display, experiential activations and streaming video. The campaign will appear across platforms including YouTube, Instagram, TikTok, Reddit, Snapchat, Peacock, Tubi, NBCUniversal, iHeartMedia, Complex, BET, Essence and Ebony.
At the center of the campaign is this film--directed by Howard Grandison via Honor Society--that follows a Black woman as she considers a potential hookup, balancing attraction with the responsibility of protecting her health. Throughout the story, her internal dialogue guides her through questions about HIV, prevention options and self-advocacy. The creative extends through a series of shorter films, social content, audio, digital display and podcast integrations.
Byer and Walker serve as the woman’s competing inner voices, bringing humor and personality to the conversation as she works through questions around desire, prevention and self-care.
The campaign addresses a longstanding challenge: Although Black women continue to be disproportionately impacted by HIV, they are often underrepresented in public health messaging. According to Gilead, systemic inequities, barriers to care, HIV stigma and gaps between perceived and actual risk can make prevention feel distant, clinical or intended for someone... Read More
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