Here’s a film title for you: “Imagine A World Where Detergent Doesn’t Come In Plastic Containers”
Well, that’s pretty much all you need to know about director Bine Bach’s new film for Norwegian circular refill service På(fyll). Produced by Copenhagen-based Bacon and made with Oslo agency Anorak, the film showcases the Danish director’s signature deadpan humor in an exquisite and hilarious symphony that transcends time and space.
Client På(fyll) Agency Anorak Amundsen Tuvnes, Jens Bjorklund, creatives; Svein Werner Lyngmyr, design. Production Company Bacon Bine Bach, director; Magne Lyngner, exec producer; Øystein Dyb, producer; Jonas Blond, DP; Ida Nilsen, production manager; Marius Vesten, location manager; Stein Bjorgo, props master; Karen Eliesson, wardrobe; Ola J. Nestande, VFX; Markus Tangre, puppeteer. Music Mads Bergland. Color Grade TMLA Didrik Brathen, colorist.
In a world full of speed, overstimulation and tech that delivers everything yet makes us feel very little, the real provocation is choosing to slow down.
That tension sits at the heart of the electric vehicle category. EVs have long been marketed as cutting-edge technological advancements, attracting early adopters eager to embrace the category. However, once they got behind the driving wheel, many discovered an experience that fell short of luxury: sterile, soulless, and overly simplistic.
For the launch of the 2026 Lexus RZ, Lexus and longtime agency partners Team One introduce a new creative chapter of “The Standard of Amazing” through a lens called “Electricity at Its Finest,” reframing electricity not as utility, but as a work of art.
With this hero film of the campaign, “Miles and Miles,” Lexus intentionally breaks from the frenetic pace of traditional automotive advertising. Instead of spectacle, it offers stillness. A single, quiet moment unfolds where a man savors two rarefied, electric objects: a plugged-in RZ and an impossibly modern turntable playing the timeless sounds of Miles Davis’ “Blue in Green.” Directed by Frédéric Planchon of Anonymous Content, the film is audacious in its simplicity and serves as an example of how electricity can create a seductively beautiful experience--less “iPad on wheels,” more emotional sanctuary.
“The new luxury are spaces and moments drenched in serenity. Engineered escapes from the rage-based attention economy. The RZ is designed to be part of that. A crafted counterweight to the outside world,” said Mark Koelfgen, executive creative director at Team One. “This film is about dwelling in the perfect moment. Timeless classics like Miles Davis in equilibrium with... Read More
