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    Home » Top Spot of the Week: Director Johnny Kelly, Observatory Head Back To The Farm For Chipotle “Future” Sequel

    Top Spot of the Week: Director Johnny Kelly, Observatory Head Back To The Farm For Chipotle “Future” Sequel

    By SHOOTTuesday, November 16, 2021Updated:Tuesday, May 14, 2024No Comments2057 Views
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    A decade after his double Cannes Grand Prix-winning stop-motion short, “Back to the Start,” changed the global conversation around animal welfare, director Johnny Kelly of Nexus Studios returns with a continuation of the farming family epic with the focus this time, on human welfare. Teaming up with the ad agency Observatory and the Chipotle Cultivate Foundation, “A Future Begins” is told through exceptionally crafted stop-motion and set to a stellar soundtrack by Grammy-award winning singer, Kacey Musgraves. The singer reimagined a Coldplay classic 10 years after Willie Nelson’s groundbreaking cover.

    This love letter to the patchwork quilt of family-run farms that make up Chipotle’s supply chain follows the four-season structure with meticulous craft and storytelling at its center. Viewers follow our now aging Pa from the original film struggling with the farm as his Son studies in the city. The tale of hope concludes with the Son returning to the now “for sale” farm, reviving it with sustainability and technology on his side reaffirming Chipotle Cultivate Foundation’s ongoing pledge to support the next generation of farmers.

    The production consisted of 10 different sets, featuring 82 tiny resin puppets including 12 sheep, 10 cows, 12 pigs, 10 chickens, 12 farm helpers, 10 characters on campus and 16 audience members all captured in one fluid camera move. Director Kelly’s commitment to authenticity ensured only real world farming techniques used by Chipotle suppliers were depicted. These include solar panels to provide shade for animals, plots of land dedicated to rewilding, and polytunnels to cover Chipotle’s traffic light crop of peppers. 

    Kelly shared, “It’s a rare opportunity to be handed the keys to a two-minute stop motion epic, so I was delighted to be able to get the band back together for a sequel. I still love the simplicity of ‘Back to the Start’ but 10 years on the world is a more complicated place (to put it mildly) and it would have felt reductive to remake the last film. In order to work in 2021 this needed further complexity and scale. More nuanced performance. More geographic authenticity. And more dog. At their heart however, the two stories complement each other; the last one was about animal welfare and the thrust of this story is human welfare.”

    With the impact of “Back to the Start” still felt following its Superbowl debut and results including 300 million earned media impressions and over 80 industry awards, “A Future Begins” also launches with a bang. This time–in a first of its kind TV premiere–launching in its own commercial pod, the short will be broadcast to an estimated audience of 77 million households during the Thanksgiving game between the NFL’s Raiders and Cowboys on November 25th. The film will be released digitally from November 16th as the centerpiece of a fully-integrated, content-centric campaign including the release of Kacey Musgraves’ “Fix You” on Spotify, Apple Music and other DSP’s, and QR codes on millions of Chipotle’s recyclable bags through which consumers can watch the full film.

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    Credits

    Client Chipotle Agency Observatory, Los Angeles Production Nexus Studios, London & Los Angeles Johnny Kelly, director & storyboards; Isobel Conroy, sr. producer; Nicole Lopez, production manager; Delfina Maria, production assistant; Melanie Climent, art director; Mark Davies, studio technical lead and 3D previs; Steve White, 3D previs; Fabien Glasse, 3D previs modeler; German Diez, lead compositor; Osman Baloglu, Dalvir Matharu, Gareth Tredrea, compositors; Dave Slade, editor; Duncan Russell, grade; Toby Howell, DP; Robert Thorpe, 1st AD; James Gillett, moco operator; Gary Cureton, Matthew Cooper, lead animators; Tobias Fouracre, additional animator; Robin Jackson, animation rigger; Gordon Allen, art director; Jasmine Nixon, assistant art director; Araba Ocran, sculptor & scenic painter; Areeya Bass, Connor Chung, modelmakers; Collette Pidgeon, laser cut prep; Ewen Dickie, laser cutting; Rosie Tonkin, Brin Frost, standby art dept./set dressing; Ben Cote, stage construction; Richard Davidson, scenic & props painter; Daisy Garside, studio manager; Paul Mortimer, COVID officer/medic. (Toolbox: Photoshop, Illustrator, Maya, AfterEffects, Dragonframe, Nuke) Puppets Sculpt Double, London Joshua Flynn, Nathan Flynn, puppet makers; Laura Tofarides, Rachel Brown, puppet modelmakers. Sound Fonic Barnaby Templer, sound supervisor; Christopher Swaine, sound designer & dubbing mixer; Rory Hunter, Foley recordist; Sue Harding, Foley artist; Ryan Kelly, sound assistant; Eugenie Dunster, audio post coordinator. Music Music by Kacey Musgraves; Ian Fitchuk, Daniel Tashian, Kacey Musgraves, producers. The Elements Music, additional production; Craig Alvin, recorder/mixer; Source Sound Inc. & The Elements music, additional mix. Published by Universal Music-MGB Songs. Chris Martin, Guy Berryman, Will Champion, Jonathan Buckland, writers.

    Media Type:Commercial: Television
    ScreenWork Categories:Short film
    Screenwork Type:Top Spot
    Video Tags:Johnny KellyNexus StudiosObservatory



    W+K Portland, Directors Daniel Wolfe and Jess Kohl Team On Tongue-In-Cheek Not YETI Campaign Spot

    Monday, November 17, 2025

    This holiday season, YETI, in partnership with Wieden+Kennedy (W+K) Portland, has launched a film to highlight the unintended consequences of gifting a YETI product to someone you love. “Don’t Get Them a YETI,” is a punchy cautionary tale with a wink, warning those considering gifting a YETI not to, because a world of adventurous highs and lows awaits and it might just be more than they bargained for.

    Directed by Daniel Wolfe and Jess Kohl of Love Song, with VO by Oscar- and Grammy-winning singer-songwriter and Yellowstone actor Ryan Bingham, the hero film opens with a YETI Tundra Cooler flying off the back of a truck and tumbling through the mud. This kicks off a kaleidoscopic fever dream of worst-case scenarios in the mind’s eye of the female lead. As she imagines what could unfold, bites to burns to rashes, to wet dogs to never ending slideshows, the witty voiceover rattles off reason after reason why giving a YETI is a terrible idea.

    But the truth is, every “disaster” looks kind of amazing. And as the adrenaline builds, so does her resolve. By the end, she commits. This might be the worst idea she’s ever had, but it’s also the best. She’s getting the YETI.

    The campaign embraces YETI’s core truth: it’s not just gear, it’s a gateway. A catalyst. And commitment to whatever comes with it. And YETI clearly has no problem beating up their own product in the process. Because they know it’s built to take it. From the mud to the rodeo to the back of a bush plane, these products are made for the ones who go too far—and the loved ones who enable them.

    “Don’t Get Them a YETI” flips the holiday script. It’s not just about gift guides and wrapping paper. It’s about understanding what you’re really giving... Read More

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