Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Top Spot of the Week: Director Johnny Kelly, Observatory Head Back To The Farm For Chipotle “Future” Sequel

    Top Spot of the Week: Director Johnny Kelly, Observatory Head Back To The Farm For Chipotle “Future” Sequel

    By SHOOTTuesday, November 16, 2021Updated:Tuesday, May 14, 2024No Comments2218 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    A decade after his double Cannes Grand Prix-winning stop-motion short, “Back to the Start,” changed the global conversation around animal welfare, director Johnny Kelly of Nexus Studios returns with a continuation of the farming family epic with the focus this time, on human welfare. Teaming up with the ad agency Observatory and the Chipotle Cultivate Foundation, “A Future Begins” is told through exceptionally crafted stop-motion and set to a stellar soundtrack by Grammy-award winning singer, Kacey Musgraves. The singer reimagined a Coldplay classic 10 years after Willie Nelson’s groundbreaking cover.

    This love letter to the patchwork quilt of family-run farms that make up Chipotle’s supply chain follows the four-season structure with meticulous craft and storytelling at its center. Viewers follow our now aging Pa from the original film struggling with the farm as his Son studies in the city. The tale of hope concludes with the Son returning to the now “for sale” farm, reviving it with sustainability and technology on his side reaffirming Chipotle Cultivate Foundation’s ongoing pledge to support the next generation of farmers.

    The production consisted of 10 different sets, featuring 82 tiny resin puppets including 12 sheep, 10 cows, 12 pigs, 10 chickens, 12 farm helpers, 10 characters on campus and 16 audience members all captured in one fluid camera move. Director Kelly’s commitment to authenticity ensured only real world farming techniques used by Chipotle suppliers were depicted. These include solar panels to provide shade for animals, plots of land dedicated to rewilding, and polytunnels to cover Chipotle’s traffic light crop of peppers. 

    Kelly shared, “It’s a rare opportunity to be handed the keys to a two-minute stop motion epic, so I was delighted to be able to get the band back together for a sequel. I still love the simplicity of ‘Back to the Start’ but 10 years on the world is a more complicated place (to put it mildly) and it would have felt reductive to remake the last film. In order to work in 2021 this needed further complexity and scale. More nuanced performance. More geographic authenticity. And more dog. At their heart however, the two stories complement each other; the last one was about animal welfare and the thrust of this story is human welfare.”

    With the impact of “Back to the Start” still felt following its Superbowl debut and results including 300 million earned media impressions and over 80 industry awards, “A Future Begins” also launches with a bang. This time–in a first of its kind TV premiere–launching in its own commercial pod, the short will be broadcast to an estimated audience of 77 million households during the Thanksgiving game between the NFL’s Raiders and Cowboys on November 25th. The film will be released digitally from November 16th as the centerpiece of a fully-integrated, content-centric campaign including the release of Kacey Musgraves’ “Fix You” on Spotify, Apple Music and other DSP’s, and QR codes on millions of Chipotle’s recyclable bags through which consumers can watch the full film.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2021-11-18)
    Credits

    Client Chipotle Agency Observatory, Los Angeles Production Nexus Studios, London & Los Angeles Johnny Kelly, director & storyboards; Isobel Conroy, sr. producer; Nicole Lopez, production manager; Delfina Maria, production assistant; Melanie Climent, art director; Mark Davies, studio technical lead and 3D previs; Steve White, 3D previs; Fabien Glasse, 3D previs modeler; German Diez, lead compositor; Osman Baloglu, Dalvir Matharu, Gareth Tredrea, compositors; Dave Slade, editor; Duncan Russell, grade; Toby Howell, DP; Robert Thorpe, 1st AD; James Gillett, moco operator; Gary Cureton, Matthew Cooper, lead animators; Tobias Fouracre, additional animator; Robin Jackson, animation rigger; Gordon Allen, art director; Jasmine Nixon, assistant art director; Araba Ocran, sculptor & scenic painter; Areeya Bass, Connor Chung, modelmakers; Collette Pidgeon, laser cut prep; Ewen Dickie, laser cutting; Rosie Tonkin, Brin Frost, standby art dept./set dressing; Ben Cote, stage construction; Richard Davidson, scenic & props painter; Daisy Garside, studio manager; Paul Mortimer, COVID officer/medic. (Toolbox: Photoshop, Illustrator, Maya, AfterEffects, Dragonframe, Nuke) Puppets Sculpt Double, London Joshua Flynn, Nathan Flynn, puppet makers; Laura Tofarides, Rachel Brown, puppet modelmakers. Sound Fonic Barnaby Templer, sound supervisor; Christopher Swaine, sound designer & dubbing mixer; Rory Hunter, Foley recordist; Sue Harding, Foley artist; Ryan Kelly, sound assistant; Eugenie Dunster, audio post coordinator. Music Music by Kacey Musgraves; Ian Fitchuk, Daniel Tashian, Kacey Musgraves, producers. The Elements Music, additional production; Craig Alvin, recorder/mixer; Source Sound Inc. & The Elements music, additional mix. Published by Universal Music-MGB Songs. Chris Martin, Guy Berryman, Will Champion, Jonathan Buckland, writers.

    Media Type:Commercial: Television
    ScreenWork Categories:Short film
    Screenwork Type:Top Spot
    Video Tags:Johnny KellyNexus StudiosObservatory



    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    Indie ad agency TDA Boulder has unveiled “No Nonsense Banking,” its debut campaign for new client First Interstate Bank. The rolling launch runs through the end of the year, and spans across 10 states.

    The batch of spots includes this one titled “Every Step,” epitomizing a call to end the nonsense. “Every Step” opens on a couple experiencing life’s biggest moments (marriage proposal, first child, a kid learning to drive, and packing up for college). Each meaningful moment, though, has one odd addition: their banker is actually really there, experiencing those moments with them. The unexpected inclusion calls out the cliché that banks love to be with you every step of the way, even in life’s most intimate moments. The spot lands on the twist: First Interstate isn’t promising to be there for every step; just the ones that matter, with a straight answer and a real person on the other end.

    Michael Downing directed via The Sweetshop x Chirp Films.

    Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleThe Best Work You May Never See: W+K, Director Joe Pytka Delve Into Manhattan’s Indigenous Roots For American Indian College Fund
    Next Article The Best Work You May Never See: Mom Makes A Pandemic Wish For Her Son In PENNY Xmas Spot Directed By Marcus Ibanez for Serviceplan Campaign
    SHOOT

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.