Production company Doomsday Entertainment and director Hiro Murai unveiled this music video for Childish Gambino’s hit track “Little Foot Big Foot” featuring Young Nudy. The 6:33-minute music video starring “Abbott Elementary” creator and star Quinta Brunson captures Donald Glover, aka Childish Gambino, as he effortlessly dances his way through a speakeasy bar until an unexpected guest arrives, transporting viewers to a bygone era with its nostalgic black-and-white aesthetics.
Murai turned out groundbreaking work on Childish Gambino’s “This Is America,” which earned Best Music Video distinction at the 2019 Grammy Awards. He channels his zeitgeist-setting style into spots for brands such as Beats by Dre, Nike, Expedia, and music videos for artists like Earl Sweatshirt, Chet Faker, and FKA twigs. Most recently Murai served as executive producer on FX’s The Bear, now in its third season.
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Credits
Client RCA Records, a division of Sony Music Entertainment Production Doomsday Entertainment Hiro Murai, director; Danielle Hinde, Jason Cole, exec producers/producers; Roland Berry, production supervisor; Daniel Brink, production coordinator; Larkin Seiple, DP; Shay Latukolan, choreographer; Lars Bohte, choreography assistant; Gavin Macleod, 1st AD; Page Buckner, production designer; Tamar Barnoon, set decorator; Mary Zophres, costume designer; Michele Lewis, lead makeup; Andrea Mona Bowman, lead hairstylist; Ryan Sturz, stunt coordinator. Editorial Parallax Luke Lynch, editor; Victor Dos Santos, assistant editor; Graham Zeller, exec producer; Eliza Moley, post producer. Sound Design Formosa Trevor Gates, sound designer. VFX, Monumental and Square VFX Laila Hamdaoui, head of postproduction; Elisa Johanna Kand, post producer; Mathieu Jussreandot, Colin Journee, VFX creative directors; Julie Delepine, VFX production manager; Ben Kadie, on-set VFX supervisor; Victor Dufayard, Laurent Basset, CG generalists; Richard Gomard, matte painting; Thomas Jouenne, Adrien “Palmito” Renay, Isabelle Tchoungang, compositing. Roto Sancio VFX Color Grade Alex Bickel, colorist.
In a world full of speed, overstimulation and tech that delivers everything yet makes us feel very little, the real provocation is choosing to slow down.
That tension sits at the heart of the electric vehicle category. EVs have long been marketed as cutting-edge technological advancements, attracting early adopters eager to embrace the category. However, once they got behind the driving wheel, many discovered an experience that fell short of luxury: sterile, soulless, and overly simplistic.
For the launch of the 2026 Lexus RZ, Lexus and longtime agency partners Team One introduce a new creative chapter of “The Standard of Amazing” through a lens called “Electricity at Its Finest,” reframing electricity not as utility, but as a work of art.
With this hero film of the campaign, “Miles and Miles,” Lexus intentionally breaks from the frenetic pace of traditional automotive advertising. Instead of spectacle, it offers stillness. A single, quiet moment unfolds where a man savors two rarefied, electric objects: a plugged-in RZ and an impossibly modern turntable playing the timeless sounds of Miles Davis’ “Blue in Green.” Directed by Frédéric Planchon of Anonymous Content, the film is audacious in its simplicity and serves as an example of how electricity can create a seductively beautiful experience--less “iPad on wheels,” more emotional sanctuary.
“The new luxury are spaces and moments drenched in serenity. Engineered escapes from the rage-based attention economy. The RZ is designed to be part of that. A crafted counterweight to the outside world,” said Mark Koelfgen, executive creative director at Team One. “This film is about dwelling in the perfect moment. Timeless classics like Miles Davis in equilibrium with... Read More
