Grammy-winning musician Lou Reed’s haunting 1972 hit “Perfect Day” and an animated, gritty New York cityscape set the scene for a beautiful love story in The Bridge, a bittersweet short from nonprofit PAWS NY spotlighting the mental health benefits of pets.
The four-minute film is inspired by a true story about a lonely New Yorker having suicidal thoughts and an abandoned dog experiencing parallel lives of rejection, until their paths repeatedly cross on the Brooklyn Bridge, and a quiet bond begins to grow. Inspired by a true story, the short was animated by Lightfarm Studios and written and produced by Cannes-Lions-winning Klick Health.
Gabbo Freire and Ramon Lima directed The Bridge Via Lightfarm.
REGISTRATION REQUIRED to access this page.
Already registered?
LOGIN
Don't have an account?
REGISTER
Registration is FREE and FAST.
The limited access duration has come to an end. (Access was allowed until: 2023-01-20)
Credits
Client PAWS NY Agency Klick Health Rich Levy, chief creative officer; Bernardo Romero, maker; Amy Fortunato, Andrea Bistany, VPs, group creative directors (story by Levy, Romero, Fortunato and Bistany) Production Klick Health Laura Denham, executive creative producer; Jen Martin, VP, supervising creative producer; Tamika Knight, production. Animation Lightfarm Studios, executive production, animation, direction, postproduction. Gabbo Freire, Ramon Lima, directors; Arthur Baden, look & dev supervisor; Marceu Lobo, postproduction supervisor; Giselle Almeida, art direction; Beatrice Nunes, project production; Jhonatan Luiz, coordination; Rafael Vallaperde, Flavia Lizun Ferreira, exec producers; Gabriel Freire, Molusco, script; Ricardo Sasaki, storyboard artist; Daniel Silva, film editor, color grading; Maycon Lopes, character modeling; Victor Sant’Anna, props modeling; Pedro Bruno, Wesley Nereu, Joan de la Rosa, rigging; Guilhereme Garcia, layout supervisor; Diego Hay, Erin Silva, Wesley Nereu, William Santos, Joan de la Rosa, Santi Woo, animation layout; Marcelo Cabral, Victor Sant’Anna, Lucas Pereira, Fernando Matias, look dev artists; Vivi Rodrigues, animation supervisor; Alan Patrick Jr., Alessandra Louzane, Bruce Souza, Bruna Camporezi Lopes, Bruno Fabian, Camila Xavier Fazolin, Erin Silva, Gabriel Pretes, Guilherme Gazzoni, Gus Rodrigues, Gustavo Leite, Gustavo Figueiredo, Jhonatan Luiz, Jonatas Amorim, Rogerio Britto, Wesley Nereu, Wil Robson, Yumi Watari, Beatriz Buci, Wil Rhobson, animation artists; Marco Tulio Rodrigues, 2D animation supervisor; Bruno Araujo, Krystal Teodoro, Hayanne Santos, 2D animation; Caio Peral, Mayara Sampaio, Murilo Cavalcanti, concept artists; Brandon Ventura, Thiago Marques (aka Clint), Diogo Vieira, Daniel Silva, Jhonatan Luiz, Marco Tulio Rodrigues, postproduction; Pri Assuncao, motion designer. Music “Perfect Day”; Written by: Lou Reed; Published by: Oakfield Avenue Music LTDA. Music Production Company Jamute
Indie ad agency TDA Boulder has unveiled “No Nonsense Banking,” its debut campaign for new client First Interstate Bank. The rolling launch runs through the end of the year, and spans across 10 states.
The batch of spots includes this one titled “Every Step,” epitomizing a call to end the nonsense. “Every Step” opens on a couple experiencing life’s biggest moments (marriage proposal, first child, a kid learning to drive, and packing up for college). Each meaningful moment, though, has one odd addition: their banker is actually really there, experiencing those moments with them. The unexpected inclusion calls out the cliché that banks love to be with you every step of the way, even in life’s most intimate moments. The spot lands on the twist: First Interstate isn’t promising to be there for every step; just the ones that matter, with a straight answer and a real person on the other end.
Michael Downing directed via The Sweetshop x Chirp Films.
Type above and press Enter to search. Press Esc to cancel.
click X to close window
×
Farewell Note from the Publisher
After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.
Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.
A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.