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    Home » Top Spot of the Week: Nexus Studios, Fender Take Us On Jimmy Page’s “Mystical Journey”

    Top Spot of the Week: Nexus Studios, Fender Take Us On Jimmy Page’s “Mystical Journey”

    By SHOOTWednesday, April 17, 2019Updated:Tuesday, May 14, 2024No Comments2914 Views
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    When legendary guitarist Jimmy Page met the Fender Telecaster guitar, rock history was made. As part of Led Zeppelin’s 50th anniversary celebrations, directorial team Smith & Foulkes of Nexus Studios connected with Fender Musical Instruments Corp. to create the animated short titled “The Mystical Journey of Jimmy Page’s ‘59 Telecaster.”

    Taking viewers on a psychedelic tour through a pivotal time in music, the film is shaped around Page’s own words about his relationship with the iconic guitar. Smith & Foulkes creatively expanded around Page’s narrative to focus on what happened when these two creative energies collided. 

    A team of animators at Nexus Studios worked to visually convey the atmosphere and energy of this time and to illustrate key moments in the development of Led Zeppelin. The film shows how Page’s personalization of the Telecaster (into the famed Dragon and Mirror versions) takes the band to previously uncharted sonic horizons.

    A joint statement from Smith & Foulkes read, “It goes without saying that everybody loves a dragon. And we made full use out of that. But it was much trickier to visually illustrate the mirror guitar which was more about the optical sensation of prismatic light patterns. So we hit upon this idea of how images are bent and twisted in a Hall of Mirrors, which seemed to fit the idea of new sounds being distorted as Jimmy experimented with the Telecaster.”

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    Credits

    Client Fender Musical Instruments Corp. Jeremy Taylor, executive producer; Neil Whitcher, Matt Watts, Keith Legro, producers. Creative Story & Narration by Jimmy Page Production Nexus Studios Smith & Foulkes, directors Tracey Cooper, producer; Chris O’Reilly, Charlotte Bavasso, exec producers; Rebecca Archer, production manager; Michal Firkowski, previs & project supervisor; Melanie Climent, art director; Bishoy Gendi, lead animator; Marlene Beaube, Giacomo Autill, Hozen Britto, Peter Lowey, Arina Shabanova, 2D animators; Jesse Richards, lead compositor; Chris Gavin, Victoria Jardine, Dave Hunt, compositing; Sebastien De Oliveira Bispo, Pierre Clenet, 3D generalists. Dave Slade, editor. Audio Post Factory London Josh Campbell, Anthony Moore, sound design & mix; Lou Allen, producer. Music “Dazed and Confused” by Jimmy Page (inspired by Jake Holmes), performed by The Yardbirds, taken from the album “Yardbirds ‘68” recorded live in NYC. Flames of Albion Music, Inc. (ASCAP), all rights administered by WB Muisic Corp., licensed courtesy of Jimmy Page

    Media Type:Film: Short
    ScreenWork Categories:Short film
    Screenwork Type:Top Spot
    Video Tags:Nexus StudiosSmith & Foulkes



    Top Spot of the Week: BBDO, Director Anthony Frattolillo Get “Packing” For The American Red Cross

    Thursday, November 6, 2025

    Once again, this holiday season, BBDO New York and the American Red Cross have launched a campaign underscoring the urgent needs of families disrupted by disasters--something that occurs every eight minutes across the country, over 7,000 times during the
    holidays alone.

    Running on TV and online through December, the campaign include this PSA titled “Packing,” directed by Anthony Frattolillo via One Free Play. The spot begins with a family that appears to be preparing for a trip. But the mood shifts dramatically when it is revealed the reason they are really packing is an imminent wildfire, and that they are evacuating to a Red Cross shelter. The spot ends with a call to action: “They’re relying on us. We’re relying on you. Please donate.”

    BBDO associate creative director Nicole Dombey shared, “I experienced an evacuation as a child, and I’ll never forget the quiet confusion of that moment. As a team, we wanted to capture that mix of innocence and uncertainty families feel in those moments.”
    Director Frattolillo stated, “I’ve packed that same car three times, sat in that same traffic jam, worrying about my safety and the safety of my family, thinking we might not see home again. So when we made this film, I wanted people to feel what that moment is really like, the fear, the uncertainty, and the hope that someone will be there when you need them most.”

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