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    Home » Top Spot of the Week: W+K London, Blink Director Nick Ball Unleash Never-Ending Stocking For TK Maxx

    Top Spot of the Week: W+K London, Blink Director Nick Ball Unleash Never-Ending Stocking For TK Maxx

    By SHOOTThursday, November 8, 2018Updated:Tuesday, May 14, 2024No Comments3001 Views
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    Gifts are not just for Christmas but for a whole year–courtesy of a playful, seemingly never-ending stocking and the latest festive campaign by TK Maxx.

    Launching in-store on Nov 7, the big gifts at small prices retailer will offer shoppers the chance to bag TK Maxx treasures every month for a year–for absolutely nothing.

    The real-world activation is brought to life in an irreverent spot directed by Nick Ball of Blink Productions, voiced again by the droll Bill Nighy.

    The ad is shot in the overstated, cinematic style that the brand is best known for, with a strikingly unseasonal rumba soundtrack, by Jose Norman’s Cuban Pete. It sees gifts shared all year round, by a never-ending stocking, which comes to life when an oh-so-lucky TK Maxx customer finds it nestled within the product shelves.

    Excitement escalates when the never-ending stocking is taken home and begins excitedly sharing gifts with the whole family, and not only at Christmas, but throughout the following year. When the clock chimes midnight the following Christmas, the stocking disappears up the living room chimney, much to the family’s dismay.

    The activation-led campaign will run in the UK, Ireland, Germany, Poland, Austria, and the Netherlands. The anthem spot was directed by Nick Ball of production house Blink for Wieden+Kennedy London, with VFX from the Electric Theatre Collective.

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    Credits

    Client TK Maxx Agency Wieden+Kennedy London Hollie Walker, creative director; Chloe Cordon, Katy Edelsten, creatives; Tony Davidson, Iain Tait, executive creative directors; James Laughton, TV producer; Rose Fairley, creative producer; Jasper Ford, production assistant. Production Blink Nick Ball, director; Paul Weston, exec producer; Patrick Craig, producer; Sophie Peskin, production manager; Sebastian Blenkov, DP; Johnny Sabbagh, Will Harper, Alex Berchert, puppeteers. Editorial Stitch Leo King, editor. VFX Electric Theatre Collective Ryan Knowles, VFX supervisor/2D lead; Jon Berridge, VFX supervisor; Polly Durrance, producer; Christian Block, Mike Cosgrove, Ned Baker, Stirling Archibald, Tom Humphrey, Adam Woolrich, Alex Grey, Alex Prod’homme, Aitor Arroyo, 2D artists; Billy Stockwell, DMP; Luke Morrison, colorist. (Toolbox: Flame, Nuke) Sound 750mph Sam Ashwell, sound designer. Music Twenty Below Music Emily Pritchard, producer. Music Clearance, Mr Pape.

    ScreenWork Categories:Commercial
    Screenwork Type:Top Spot
    Video Tags:BlinkElectric Theatre CollectiveNick BallWieden+Kennedy London



    Top Spot of the Week: Sam Gainsborough Directs An Inflated Spectacle For Clash Royale

    Thursday, April 16, 2026

    Directed by Sam Gainsborough via Blinkink, this film from agency Uncommon Creative Studio transforms video game Clash Royale’s beloved characters into an extraordinary balloon-built world, where more than 10,000 real twisted balloons were used to forge every aspect of what you see on-screen. In this surreal universe, the balloon nature of the characters is never questioned--it simply is. The Goblin trembles in genuine fear. The Barbarian rages with helpless fury. The King, confronted with an impending explosion, quietly accepts his fate.

    To bring this ambitious vision to life, Gainsborough involved Airigami, a team of expert artists who create large-scale installations, illustrations, and experiences entirely out of balloons. Each character was meticulously handcrafted to ensure immediate recognizability while embracing the uncanny qualities of their inflated counterpart. Through extensive pre-production, the team refined not only the likeness of each figure, but also the physical behavior of the balloons, carefully designing how they expand, where pressure builds, and how their forms distort under strain.

    Working across multiple scales, the artists achieved remarkable levels of detail, allowing for both intimate character moments and large-scale visual impact. The cinematography also draws heavily from the horror genre, using extreme close-ups, dramatic angles, and dolly zooms to build tension and amplify the expression of each puppet.

    As the pressure mounts, the characters swell beyond their limits; their balloon forms pushing against the letterbox frame itself, visually reinforcing the escalating tension while also nodding to the film’s underlying absurdity. The climactic moment delivers a visceral payoff: balloon explosions captured at... Read More

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