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    Home » Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    By SHOOTWednesday, May 20, 2026No Comments137 Views
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    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the transformation shows what’s on the other side of it.”

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    Credits

    Client Toyota Motor North America Agency Burrell Khari Streeter, chief creative officer; Tynesha Williams, SVP, executive creative director; Corey Seaton, VP, group creative director; Germany Lancaster, sr. art director; Payton Cianfarano, copywriter; Zamile Vilakazi, head of production; Dana Taji, sr. producer; Taryn Haughton, producer; Antonio Gary, associate director of social strategy; Nefari Steele, sr. social strategist; Tonya Roberts, VP-consumer insights; Jeffrey Fortune, VP-planning & strategy. Cost Consultancy Murphy Cobb & Associates, Marcienne Friesland, cost consultant. Production Company PRETTYBIRD Paul Hunter, director; Malik Sayeed, DP; Suzanne Hargrove, VP/exec producer; Rachel Main, head of production; Cathleen Alexander, staff bidding producer; Amanda Leya Andrews, line producer; Kaley Pearce, production supervisor; Phong Dang, assistant production supervisor. Editorial Exile Edit Katie Turinski, editor; Juan Carlos Steck, sr. assistant editor; Sasha Hirschfeld, managing director/exec producer; Sophia Mosner-Koor, producer; Alexa Nasiedlak, production coordinator. Telecine Company 3 Kath Raisch, sr. color artist; Brendan Mills, sr. color producer. Finish/VFX House of Parliament Tim Rudgard, VFX supervisor & creative lead; Kathleen Kirkman, Lily Cunningham, Ashley Thomas, creative team; Kat Maidment, Diana Young, Emma Fleischmann, production team. Music & Sound Design RacketClub Nick Creane, creative director/partner; Justin Hori, creative director/musical arranger; Adrian Womack, executive creative producer; Adrea Lavezzoli, Lauren Cascio, exec producers; Armand Eduard, producer; Anton Doty, Koomba Simmons, sound engineers. Puppet Build Jim Henson’s Creature Shop Jason Weber, creative director, NY workshop; Melissa Creighton, director, NY workshop.

    Media Type:Commercial: Television
    Video Tags:BurrellJim Henson's Creature ShopPaul HunterPRETTYBIRD



    The Best Work You May Never See: A Trailer For Director Rosie Morris’ Docushort On Young Carers In The U.K.

    Thursday, June 11, 2026

    This trailer is for the new documentary short Is Mum OK, which shines a light on the hidden realities faced by young carers in the U.K.

    In the U.K., a carer is generally anyone who looks after a family member, partner, or friend who needs help due to illness, frailty, disability, mental health issues, or an addiction. Crucially, this refers to carers who provide this support for free.

    The short follows a group of young carers in Waltham Forest, East London, who are given access to much-needed respite through a dedicated local initiative, Young Carers Club, a fortnightly respite evening where they can socialize, eat and spend time with others who understand their experiences.

    It explores both the beauty and the burden of caring from a young age, while highlighting the need for greater recognition and support for young carers across the U.K.

    Commissioned by Guardian Documentaries and produced by Uncommon Creative Studio, Is Mum OK was released during Carers Week 2026 (June 8-14)--with this year’s week themed around building carer-friendly communities

    The film will also be screened to members of Parliament, urging them to bring young carers’ rights to the top of the social care agenda

    Is Mum OK was directed by Rosie Morris, who had firsthand experience of being a carer for her mother.

    There are estimated to be at least one million young carers in the U.K., many of whom remain unidentified and unsupported.

    Director Morris said, “This story is deeply personal to me, rooted in my own experience of caring for a loved one. Caring for my mother three years ago was one of the hardest and most meaningful experiences I have ever had. My difficulty in transitioning out of being a carer and... Read More

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