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    Home » UNICEF and Artplan Turn Classroom Into A Greenhouse To Show How Climate Change Is Disrupting Education Worldwide

    UNICEF and Artplan Turn Classroom Into A Greenhouse To Show How Climate Change Is Disrupting Education Worldwide

    By SHOOTFriday, December 12, 2025No Comments141 Views
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    Climate change is increasingly affecting children’s access to quality education worldwide. In schools across multiple regions–especially in tropical and low-income countries–extreme heat waves have emerged as a silent barrier, undermining concentration, academic performance, and the physical and emotional well-being of millions of students and teachers. To make this invisible crisis impossible to ignore, UNICEF Brazil set up an immersive installation called “Unlikely Greenhouse” at the Esplanada dos Ministérios, a landmark avenue in Brazil’s capital where federal ministries and major civic demonstrations are located.

    The installation transformed a life-size, scenographic classroom into a literal greenhouse heated to 38°C (100°F), simulating the temperatures many children already face in real classrooms during heat waves. By allowing visitors to feel the discomfort caused by extreme heat, UNICEF sought to demonstrate how rising temperatures are reshaping the basic experience of attending school and to reinforce the urgent need for climate adaptation within educational systems.

    The concept is simple yet powerful: in numerous regions, temperatures are rising to levels that make healthy learning virtually impossible. Under such conditions, schools resemble greenhouses more suitable for cultivating heat-resistant plants than for fostering educational activities.

    Beyond the physical experience, children who visited the greenhouse were invited to participate in educational activities about how climate change affects daily school life. The “Unlikely Greenhouse” project was conceived by ad agency Artplan in Brazil.

    “‘Unlikely Greenhouse’ starts with a direct question: how can scientific data be transformed into an experience that generates instant understanding? Instead of relying solely on verbal communication, we proposed a tangible encounter, a classroom where people can physically feel the impact of a heat wave. This brings the issue closer to the public and helps build a debate grounded in evidence and real perception”, shared Artplan creative directors Pedro Rosas and Pedro Galdi in a joint statement.

    This film–produced by Brazilian production company Genco–chronicles the initiative.

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    Credits

    Client UNICEF Brazil Agency Artplan Comunicação Rafael Gil, Rodrigo Almeida, group dreamers CCOs and Artplan CCOs; Pedro Rosas, Pedro Galdi, Thiago Diniz, Gustavo Dois, creative directors; Rhalybe Aizann, art director; Gonzaga Neto, copywriter; Arthur Paraguassu, assistant art director; Bito Teles, Mariana Veloso, content & engagement; Carolina Amorim, Daniel Carloni, Evellyn Bernardes, creative data team; Felipe Cunha, Sayuri Hirako, production directors; Jadson Douglas, Lilian Santos, Amanda Nobre, Marcela Motta, Glenyston Negreiros, production team; Eder Redder, head of influence; Thaty Moura, strategy & curation direction; Thaiane Vieira, curation. Production Genco Film João Xoc, direction; Leyla Fernandes, Joao Carvalho, executive producers; Diego Casmurro, production coordination/director; Greg Conte, line producer; Livia Abreu, local production; Lindsey Vallias, art producer; Erick Borges, drone footage. Postproduction/Color Grade Grupo Caipe Rafahell, postproduction coordinator. Audio Production Company A9 Audio Music Direction Apollo Nove

    Media Type:Film: Short
    Video Tags:ArtplanUNICEF



    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    Cadbury Dairy Milk has unveiled “Homesick,” a spot from London agency VCCP directed by Steve Rogers via Biscuit Filmworks x Revolver in collaboration with VCCP’s global content creation studio Girl&Bear.

    The film marks the latest chapter in Cadbury’s long-running and IPA Effectiveness Grand Prix-winning brand platform “There’s a Glass & a Half in Everyone.”

    “Homesick” tells the story of two sisters separated by 6,000 miles. Set against the neon glow of Kuala Lumpur, the film opens with the older sister calling home. After the call ends, she reaches for an envelope--an eagerly awaited piece of home--and discovers a Cadbury Dairy Milk chocolate bar lovingly wrapped inside. There’s just one twist: her younger sister has already eaten a generous portion of it. A tiny alien sticker holds together what remains of the bar, an unmistakable signature of sibling mischief. It’s a small, human moment--tender, funny and instantly relatable--capturing the way even imperfect gestures can mean everything when you’re far from home.

    The campaign was created by VCCP creatives Emma Jackson and Aly Lane and aims to reinforce Cadbury’s role as a fabric-of-the-nation brand--one that understands and reflects the emotional connections people share every day. As loneliness rises and feelings of belonging decline, Cadbury believes these small acts of generosity have never been more meaningful or more relevant.

    The film will run across TV, VOD and YouTube.

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