Professional athletes switch teams and cities at a moment’s notice while fans, traditional media, and social media churn to keep track of every move. February 2023 may go down as one of the wildest trade seasons in the history of the NBA, with 28 teams trading 58 players.
This deftly humorous spot titled “Traded”–which was conceived by agency Venables Bell + Partners (VB+P) for client Opendoor, a digital real estate platform–taps into that pro sports dynamic through a player press conference, showing what happens when an athlete finally stops giving boilerplate answers and starts speaking their mind about the often sensationalized topic of trades. In doing so, Opendoor highlights the universal truth that whether you’re a superstar or a regular Joe or Jane, moving remains one of the most stressful experiences in life.
Clay Weiner of Biscuit Filmworks directed “Traded” for Opendoor, an official sponsor of the Phoenix Suns, an NBA team which recently traded for a superstar and as a result has become a leading contender for the league championship.
In “Traded,” an athlete gives an unbridled assessment of the difficulties of being traded and having to move himself and his family to a different city. His tone softens, though, when a reporter informs him of Opendoor and the ways it can make the process much easier.
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Credits
Client Opendoor David Corns, VP of marketing; Lauren West, head of content, marketing; Tirza DiOro, marketing lead, brand content. Agency Venables Bell + Partners Paul Venables, founder, chairman; Will McGinness, chief creative officer; Matt Keats, Matt Miller, group creative directors; Byron del Rosario, art director; Ryan Hoercher, copywriter; Michael Ng, sr. copywriter; Diego Zelaya, sr. art director; Hilary Coate, head of integrated production; Lexi Alaga, producer; Jasmine Clark, group strategy director; Neil Slotterback. sr. strategist. Production Company Biscuit Filmworks Clay Weiner, director; Shawn Lacy, partner/managing director; Holly Vega, executive producer; Sean Moody, head of production; Trevor Allen, line producer; Tim Hudson, DP; Damon Fortier, production designer; Jenna Wright, wardrobe stylist; Kokeeta Douglas, makeup aratist. Editorial Cut+Run Pete Koob, editor; Stefan Manz, assistant editor; Brian Stanley, exec producer; Kristen Jenkins, head of production. VFX Jogger Andy Brown, exec producer; Brendan Crockett, lead Flame artist; Katrina Salicrup, Michael Vaglienty, Trent Shumway, Jorge Tanaka, Flame artists; Diana Cheng, head of production; Joel Paisner, producer. Color Blacksmith Mikey Pehanich, colorist; Sam Howells, color assisst; Adam Vevang, color producer. Audio One Union Joaby Deal, engineer/sound designer; Michael Swarce, exec producer.
Fresh off Lay’s 2025 beloved Super Bowl spot, “The Little Farmer,” and a global brand refresh, comes a brand-new commercial airing in the first half of the big game on Feb. 8.
Titled “Last Harvest,” the new emotionally driven ad follows a father-daughter potato farming duo as they pass down generations of potato harvesting knowledge, showcasing a true legacy in the agriculture community. Academy Award winner (Jojo Rabbit) Taika Waititi directed “Last Harvest” via production house Hungry Man for agencies Highdive and Frito-Lay in-house shop D3. Waititi brought his signature storytelling style to this year’s Lay’s ad, just as he did with “The Little Farmer.”
Set against a moving rendition of “Somewhere Only We Know” (originally recorded by English rock band Keane), “Last Harvest” weaves through heartfelt flashbacks, shining a light on the family-owned farms behind many of Lay’s potato chips.
“Last Harvest” was inspired by Neumiller Farms in Illinois, a family farm that Lay’s parent PepsiCo has worked with for decades. It’s a third-generation potato and vegetable farm now run by father and daughter team Tom Neumiller and Katie Floming, who grow 3,500 acres of potatoes annually. Their farm plays a vital role in the Lay’s story, with Tom now guiding Katie as she prepares to lead the farm’s next chapter.
