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    Home » VELUX Takes Flight In “Planes”; Twenty, Director Louise Wachtmeister Explore The Magic Above Us

    VELUX Takes Flight In “Planes”; Twenty, Director Louise Wachtmeister Explore The Magic Above Us

    By SHOOTMonday, May 4, 2026Updated:Saturday, May 2, 2026No Comments94 Views
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    In collaboration with Copenhagen-based agency Twenty, skylight and roof window company VELUX has launched “Planes,” a stirring, sensitive and poetic brand film about dreams, distance and connection seen through a child’s eyes. Directed by Louise Wachtmeister via Swedish production company Camp David, the film beautifully captures how the sky is not only a space filled with stars and mystery, but also a place of departures and reunions, a canvas for longing and hope, all experienced in the simple act of looking up.

    “Planes” features a young girl who can’t stop looking up and has an obsession with planes. For her, they are not simply symbols of faraway destinations, they carry deep personal meaning. Her father installs a window, opening her room up to the sky and to the planes that travel above her. Some of them are piloted by her very own mother–the source of her fascination with planes.

    With the campaign platform “The magic is here. Let it in.”, VELUX taps into a powerful and universal human truth. In a world where we increasingly spend our time looking down, most often at our phones, we have lost touch with the sense of wonder that exists right above us. This platform is a gentle but powerful reminder that the magic we seek isn’t distant or abstract. It is already there, just beyond our ceiling, waiting to be rediscovered.

    By inviting the sky into our homes, VELUX is not only offering a functional product, but enabling a shift in perspective. It encourages us to pause, look up, and reconnect with nature, with our surroundings, and with each other. The sky above us is more than a physical space – it is a symbol of possibility, connecting us to each other and to the wider world. Recently brought into focus by missions like the Artemis program, it reminds us that our fascination with the sky remains as strong as ever.

    The film features a new interpretation of Both Sides Now by Joni Mitchell, performed by SKAAR–a young Norwegian singer-songwriter, whose version brings a delicate and intimate quality to the film. With its reflections on perspective and the way we see the world, the song underlines the film’s central idea that sometimes, all it takes is a change in viewpoint to rediscover what has been there all along.

    “With ‘Planes,’ we wanted to show a different side of the sky, one that feels closer and more personal. Looking up isn’t about something distant or abstract, it’s about real journeys, real people, and real connections. It’s this idea that sits at the heart of the film. The campaign platform “Look Up” is a powerful call to action in the age of distraction. An articulation of the emotional brand benefit of a changed perspective, while at the same time bringing to life the unique value proposition of VELUX skylights. With VELUX you invite the sky, and with it, a broader perspective, into your home. With VELUX roof windows, those moments are no longer far away. They become part of everyday life,” said Farah Dib, creative director and co-owner of Twenty.

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    Credits

    Client VELUX Agency Twenty Farah Dib, creative director; Lea Brisell, creative; August Rein, project & production lead, partner; Thomas Bierg, CEO; Casper Heide-Ottosen, strategic planner; Louise Brandt, strategic director. Production Camp David Louise Wachtmeister, director; Rickard Edholm, exec producer; Samuel Hahn, producer; Andreas Johanessen, DP; Elias Nilsson, editor. Music “Both Sides Now,” written by Joni Mitchell, performed by SKAAR. Music Supervision Orange Blue Supervision Thore Garberg, music supervisor.

    Media Type:Commercial: Television
    Video Tags:Camp DavidLouise WachtmeisterTwenty



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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